Manuel Orazi’s Fleurs du Mal

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This collection of Baudelaire’s poems with illustrations by French artist Manuel Orazi (1860–1934) didn’t turn up when I was searching for illustrated editions a few years ago. With over 50 full-page drawings or vignettes it’s more profusely illustrated than most. It’s also more determinedly erotic than most, concentrating on depictions of female flesh at the expense of the poet’s other themes; Orazi’s fleurs on the title pages are a succession of priapic or vaginal orchids and fungi. The book was published in 1934, which means it was probably the last thing that Orazi worked on, but it resembles something from the fin de siècle, especially the work of Félicien Rops. Browse it or download it here.

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Llewellyn occult magazine and book catalogue, 1971

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A table of contents that reads like a track list from an album by Blood Ceremony: Children of the Zodiac, America’s Witch Queen, Prelude to the Tarot, Sex Magick, The Wizard Way…

Are you a witch? Maybe you are but you don’t know it yet. You can find out by answering the questionnaire in the Llewellyn occult magazine and book catalogue for 1971, a publication which contains a number of witchy articles among its catalogue pages. This is one of many catalogues and publicity brochures from the Ted Nelson Junk Mail Cartons (6,856 items) at the Internet Archive, and is such a product of its time that it’s a shame there aren’t more like it. In addition to a photo of the hippyish Llewellyn staff there’s an interview with Lady Sheba, “America’s Witch Queen”, reprints of incantations by Aleister Crowley and Gerald Gardner, and headlines set in Davida, one of the typefaces of the occult revival. Among the artefacts for sale are a set of “Aura Goggles” from the Metaphysical Research Group, a company that sounds like something from a Charles Williams novel but which has been trading in the UK for many years, and is still active today. They no longer seem to carry Aura Goggles, however. A shame.

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Previously on { feuilleton }
The Art of the Occult
Calendrier Magique
Typefaces of the occult revival
MMM in IT
The Book of the Lost
The Occult Explosion
Forbidden volumes
The Sapphire Museum of Magic and Occultism
Occultism for kids

Weekend links 538

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The Elf Ring by Kate Greenaway.

• “Is it possible that the Victorian fairy tradition, beneath its innocent exterior, operated as a conduit for a hidden tradition of psychedelic knowledge?” Just in time for the British mushroom season, Mike Jay explores the connections between psychedelic mushrooms, folklore and fairy tales.

• “This second coming of Prince’s greatest album is the immaculate execution of a flawed conception: the belief that you can never have too much of a good thing.” Simon Reynolds on Prince and the expanded, multi-disc reissue of Sign O’ The Times.

• “An extraordinary stash of more than 400 erotic drawings by Duncan Grant that was long thought to have been destroyed has come to light, secretly passed down over decades from friend to friend and lover to lover.” Mark Brown on a trove of gay erotica.

• New art exhibitions: Wessel + O’Connor celebrates 35 years of homoerotic exhibitionism with 35 works by different artists; “masks a must”. And New Framing at Museum More includes a great painting by Jan Ouwersloot of trams manoeuvring at night.

• There is no Prog, only Zeuhl: A guide to one of rock’s most imaginative subgenres by Jim Allen. I recommend the Weidorje album.

The Power (Of Their Knowledge), another preview of the forthcoming album by Cabaret Voltaire (or Richard Kirk solo).

• RIP Eddie Van Halen. Annie Zaleski selects 10 of his best songs (really 9 plus an instrumental…).

• At Dennis Cooper’s: Spotlight on…Leonora Carrington The Hearing Trumpet (1976).

• Mix of the week: Autumn and Wise (The Fall) by The Ephemeral Man.

Abandoned Isle of Wight

Dark Side Of The Mushroom (1967) by Chocolate Watch Band | Mushroom (1971) by Can | Growing Mushrooms Of Potency (2011) by Expo ’70

Alphonse Mucha et Son Oeuvre

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Alphonse Mucha was so wildly prolific, and his work maintained such a consistently high standard, that book collections tend to focus on the popular Art Nouveau prints and posters to the exclusion of everything else. This short study of Mucha’s career was published in 1897 when the Nouveau style was becoming a dominant trend in Continental Europe, thanks in part to the promotion of art journals like La Plume, as well as to Mucha himself. The reproductions are all monochrome halftones but they include many sketches, illustrations and smaller works that are either never seen elsewhere or are marginalised by his advertising graphics and the designs for Sarah Bernhardt. Browse the book here or download it here.

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Weekend links 537

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“The dagger dropped gleaming upon the sable carpet.” The Masque of the Red Death illustrated by Harry Clarke, 1919.

• 2020 is the year of enormous pink lady faces on book covers, apparently. As someone who spends little time following cover trends, the identification of a new variety of herd behaviour among designers or their art directors is always fascinating and bizarre.

Tomoko Sauvage plays her porcelain and glass instruments inside a disused water tank in Berlin for a new album, Fischgeist. The Wire has previews.

• At The Paris Review: Craig Morgan Teicher on the later work of Dorothea Tanning, and Daniel Mendelsohn on the rings of Sebald.

Unlike many of the rapidly forgotten [Nobel] “winners”, and despite the occasional sniffy critic wondering “who still reads it?” Durrell’s Alexandria Quartet has never been out of print since he published it in 1957. The centenary of his birth in 2012 raised a flurry of revived interest in Durrell. Indeed the whole Durrell family has been popping up regularly in reprints of Lawrence’s novels and poetry, in his brother Gerald’s popular tales of his “family and other animals,” and in several TV series about their life in Greece on Corfu island in the late 1930s. A BBC interviewer once asked Lawrence about the difference between his writing and brother Gerald’s. He replied: “I write literature. My brother writes books that people read.”

I’ve read Gerald and I’ve read Lawrence; I prefer Lawrence, thank you. Thomas O’Dwyer examines the chef d’oeuvre of the elder Durrell, The Alexandria Quartet

• Dark Entries shares Patrick Cowley’s cover of Chameleon by Herbie Hancock. The original is here.

• Saunas, sex clubs and street fights: how Sunil Gupta captured global gay life.

• Inside the Grace Jones exhibition at Nottingham Contemporary.

Rob Walker on how dub reggae’s beats conquered 70s Britain.

• Who invented the newspaper? John Boardley reports.

Spread The Virus (1981) by Cabaret Voltaire | Cut Virus (2003) by Bill Laswell | The Unexclusive Virus ~even our invincible religion “Technology” cannnot~ (2006) by Kashiwa Daisuke