Copyright-free images

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In recent discussions about AI ethics I’ve been seeing the same question raised by commenters, something like the following: “Okay, this stuff is bad…but if we shouldn’t use it then what can I use instead for my book cover/album cover/Substack article…?” This post is intended to provide one answer to the question, a guide to some of the more substantial alternatives for those who complain they can’t afford to hire a human being to decorate their work. Many of these archives have been around for years but searching for single images doesn’t always bring you to a useful copyright-free solution right away, especially if you’re using Google’s deteriorated service.

Wikimedia Commons. An obvious yet indispensible resource, especially for illustration research, and one that’s continually updated and improved. I only noticed recently that Wikimedia now has very large scans of Ernst Haeckel’s Kunstformen der Natur that are much better quality than the books at the Internet Archive.

The Internet Archive. And speaking of which… The Internet Archive has its own images section but for years now I’ve been mining the texts section looking for illustrated books. This isn’t an ideal solution for most purposes, not when the best material is often hidden under blank library covers, but persistence can be rewarding, especially where old engravings are concerned. Many of the 19th-century illustrations sold by stock libraries may be found here for free.

Gallica. The public face of the Bibliothèque Nationale of France, and a very useful resource despite being cursed with a slow and buggy interface. There’s also a Gallica app but you’re better off using the website.

Library of Congress. Excellent for anything to do with US history. Also a great selection of photochromes, among other things.

NYPL Digital Collections. “Explore 1,060,155 items digitized from The New York Public Library’s collections.”

Public Domain Image Archive. “Explore our hand-picked collection of 10,046 out-of-copyright works, free for all to browse, download, and reuse. This is a living database with new images added every week.”

Smithsonian Open Access & Smithsonian Image Gallery

Biodiversity Heritage Library. Animals and plants.

Wellcome Collection. Public domain medical (and related) images.

Metropolitan Museum of Art Open Access.

The Getty Museum Open Content.

The British Library Flickr Albums. A shame it’s Flickr, they really ought to have a dedicated site of their own for images.

Europeana. “Discover Europe’s digital cultural heritage.”

David Rumsey Map Collection. Maps, maps and more maps.

NASA Image and Video Library. NASA materials have always been free to use so long as you also credit their source.

ESO. ESO is the European Southern Observatory which is housed at a number of sites in the Chilean Atacama Desert. As with NASA, the high-resolution images created there are free to use so long as credit is included.

National Library of Medicine. “Images from the history of medicine.”

Pixabay. “Stunning royalty-free images & royalty-free stock.”

Pexels. “The best free stock photos, royalty free images & videos shared by creators.”

Unsplash. “All images can be downloaded and used for personal or commercial projects.”

Heidelberg Universitäts-Bibliotek: Art and satirical periodicals. An invaluable resource for European periodicals of the late 19th/early 20th centuries, with downloadable of scans of The Studio, The Yellow Book, Ver Sacrum, Pan, Jugend, and many other titles. Heidelberg is only one of many university libraries which now make parts of their collection available as free downloads. I’d love to point the way to the best of the others but I don’t have a useful list to hand. A recent discovery, however, is Polona, the site for the National Library of Poland which has a large quantity of prints and photographs as well as whole books. Happy searching!

Update: Added a few more links.

Weekend links 749

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Fantastic Sea Carriage (1556) by Johannes van Doetecum the Elder & Lucas van Doetecum, after Cornelis Floris the Younger.

• “Preiss and McElheny have acknowledged the influence of Jorge Luis Borges’s short story ‘The Library of Babel’ (1941), which offers a brilliant, brain-scratching disquisition on bibliotecas as conduits both of infinity and meaninglessness. I also found myself thinking of Arthur Fournier, in D. W. Young’s documentary The Booksellers (2019), who spoke of ‘the psychic dreaming that paper allows.'” Sukhdev Sandhu on The Secret World, a film by Jeff Preiss and Josiah McElheny about the books collected by Christine Burgin.

• Most people know Burt Shonberg’s paintings—if they know them at all—from their appearance in Roger Corman’s Edgar Allan Poe films. But Shonberg had a career outside the cinema, something explored in Momentary Blasts of Unexpected Light: The Visionary Art of Burt Shonberg, an exhibition currently running at the The Philosophical Research Society in Los Angeles.

Warriors (1996), an ad for Murphy’s Irish Stout directed by the Quay Brothers. Samurai warriors in an Irish pub scored to the theme from Yojimbo.

The Grand Jeu group have been neglected, at least in English-speaking history, from the general consciousness of “Surrealism” but they remain among its most interesting dissidents. The teenage Simplistes, led by [René] Daumal and [Roger] Gilbert-Lecompte, collectively experimented with consciousness and investigated wildly syncretic modes of destroying and recombining selves: diverse hermetic and occult systems, extrasensory perception, trances and somnambulism, mediumistic practice and collective dreaming.

[…]

The Grand Jeu was a project of paradox: artistic and ascetic, indulgent and severe, political, and mystical, ecstatic and negating, egoistic and selfless, graceful and violent. It sought to continually weave between collectivity and individuality, of art and life, multiplicity and unity, fed by a brew of political radicalism, inspired by Rimbaud’s germinal poetics of revolt and illumination, a utilitarian embrace of occult traditions and ideas, drug experimentation, Hindu sacred texts (Daumal would become an expert in Sanskrit) and some of Bergson’s philosophy. They were, in their own words, “serious players.” It was a mad mix, and in retrospect, clearly doomed to a short life—so, it turned out, were most its members.

Gus Mitchell on the “experimental metaphysics” of the Grand Jeu

• At Smithsonian magazine: Lanta Davis and Vince Reighard on the sculpted monsters and grotteschi that fill the Sacro Bosco at Bomarzo, Italy.

• At Bandcamp: George Grella compiles a list of “spooky sounds and spooky music, things to haunt nights and dreams”.

• At Colossal: Kelli Anderson’s amazing pop-up book, Alphabet in Motion: How Letters Get Their Shape.

• “The play that changed my life: Jim Broadbent on Ken Campbell’s electrifying epic Illuminatus!

• DJ Food browses some of the many album covers designed by the versatile Robert Lockhart.

Winners of the 2024 Nikon Photomicrography Competition.

• Mix of the week: XLR8R Podcast 873 by Andy Graham.

• The Strange World of…Lou Reed.

• The Internet Archive is back!

Warriors (1990) by Jon Hassell | Red Warrior (1990) by Ronald Shannon Jackson | Bhimpalasi Warriors (2001) by Transglobal Underground

Martinka & Co. catalogue, 1899

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More conjuring. The Internet Archive has a number of catalogues published by suppliers to stage magicians but I’ve yet to see one as large or as heavily illustrated as this. Martinka and Co. was a magic supplier whose premises in New York distributed tricks and illusions manufactured in Germany. To judge by the size of their catalogue they must have been one of the largest (maybe the largest) distributors of conjuring props in the entire USA. If you’re interested in stage magic then reading these pages is like being shown the menu of a feast you never got to attend. I’d love to see some of their hand-made items, which range from pocket-size tricks to a life-size chess-playing automaton. The catalogue runs to over 200 pages, and is illustrated on almost every page with vignettes of just the type that Ricky Jay liked to use in his books. According to the uploader, the scans were originally intended for a crowd-funded reprint but the present owners of the Martinka name objected. Browse a world of magic here.

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Continue reading “Martinka & Co. catalogue, 1899”

A Book of Satyrs revisited

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Searches for art by Austin Osman Spare continue to lead people to these pages so here’s another link to Spare’s A Book of Satyrs (1909). Spare’s second self-published volume, created when he was 20 years old, was featured here in 2015 but the copy linked to at the Internet Archive was an unsatisfactory reprint with reproductions that did no favours to the fine line drawings. Matters have improved a little with a more recent scan that has better reproductions of the 12 full-page plates. This, like the earlier copy, is a reprint of the scarce original that includes an additional set of notes (possibly from another book) by Spare scholar William Wallace who examines the symbolism in the drawings and some possible influences. Browse it or download it here.

Previously on { feuilleton }
Form and Austin Osman Spare
More Spare things
A Book of Satyrs by Austin Osman Spare
Spare things
Dreaming Out of Space: Kenneth Grant on HP Lovecraft
MMM in IT
Abrahadabra
Murmur Become Ceaseless and Myriad
New Austin Spare grimoires
Austin Spare absinthe
Austin Spare’s Behind the Veil
Austin Osman Spare

Llewellyn occult magazine and book catalogue, 1971

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A table of contents that reads like a track list from an album by Blood Ceremony: Children of the Zodiac, America’s Witch Queen, Prelude to the Tarot, Sex Magick, The Wizard Way…

Are you a witch? Maybe you are but you don’t know it yet. You can find out by answering the questionnaire in the Llewellyn occult magazine and book catalogue for 1971, a publication which contains a number of witchy articles among its catalogue pages. This is one of many catalogues and publicity brochures from the Ted Nelson Junk Mail Cartons (6,856 items) at the Internet Archive, and is such a product of its time that it’s a shame there aren’t more like it. In addition to a photo of the hippyish Llewellyn staff there’s an interview with Lady Sheba, “America’s Witch Queen”, reprints of incantations by Aleister Crowley and Gerald Gardner, and headlines set in Davida, one of the typefaces of the occult revival. Among the artefacts for sale are a set of “Aura Goggles” from the Metaphysical Research Group, a company that sounds like something from a Charles Williams novel but which has been trading in the UK for many years, and is still active today. They no longer seem to carry Aura Goggles, however. A shame.

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Previously on { feuilleton }
The Art of the Occult
Calendrier Magique
Typefaces of the occult revival
MMM in IT
The Book of the Lost
The Occult Explosion
Forbidden volumes
The Sapphire Museum of Magic and Occultism
Occultism for kids