Weekend links 792

caroff.jpg

West Side Story (1961) poster designed by Joe Caroff.

• “From the very moment of its inception, the Wound Man was an image intimately tied to actual practice. He was in fact many, many things at once: epistemic diagram, medical tool, affective muse, technical spur, international artwork.” Jack Hartnell explores the tortured paths of book illustration known as the Wound Man.

• At The Daily Heller: The late Joe Caroff, who Steven Heller calls “the most prolific designer you’ve never heard of”.

• From V to Vineland and Inherent Vice: John Keenan ranks Thomas Pynchon’s books.

• Sometimes Easy, Sometimes Hard: Toby Manning on Harmonia’s Deluxe at 50.

• At Unquiet Things: The infinite cosmos of Martina Hoffmann.

• Mix of the week: A mix for The Wire by Sanam.

• The Strange World of…Joe McPhee.

• RIP Terence Stamp.

Gravity’s Angel (1984) by Laurie Anderson | Wounder (2006) by Burial | Melodie Is A Wound (2025) by Stereolab

Evelyn Paul’s Myths & Legends of Japan

paul01.jpg

I don’t think I’ve encountered anything by British artist Evelyn Paul (1883–1963) before, but she illustrated a number of books before and after Myths & Legends of Japan, a guide to Japanese folklore which was published in 1912. The book by F. Hadland Davis differs from similar volumes which tend to be simple recountings of folk tales with accompanying illustrations. Davis recounts specific stories but his volume is a more thorough guide to all forms of Japanese folk culture, with chapters on religious tradition and superstition, as well as separate chapters devoted to trees, thunderstorms, bells, mirrors, tea, Mount Fuji, foxes and supernatural beings. The book as a whole runs to over 500 pages, ending with a number of contextual appendices. Davis also lists his sources (Lafcadio Hearn, for one) which you don’t usually find in books of this type. Two of the illustrations show characters from Kwaidan, Hearn’s ghost-story collection: the sinister Lady of the Snow, and the hapless musician Hoichi the Earless.

paul02.jpg

Evelyn Paul’s illustrations strive to balance the traditional elements of ukiyo-e print-making with the watercolour style that was a common feature of illustrated books at this time. The combination doesn’t always work as well as it might—the nebulosity of watercolour painting runs counter to the definition and flatness of woodcut prints—but her illustrations still look more Japanese than European. To be fair to the artist, colour printing using photo separations was still in its infancy in 1912, and Paul’s paintings seem muddier in reproduction than they might have been in their original state. Davis’s book was published by Harrap, Harry Clarke’s London publisher, and you find similar deficiences in the reproduction of Clarke’s paintings.

paul03.jpg

paul04.jpg

paul05.jpg

Continue reading “Evelyn Paul’s Myths & Legends of Japan”

Weekend links 791

transparent.jpg

Cover design by Marian Bantjes for a 2009 series of Nabokov reprints.

• “It is quite unlike the bland featurelessnesses of the current fiction in which dull creative writing students chat to dull creative writing students (there is today a generalised fear of imaginative invention and giving offence).” Jonathan Meades on late style and Vladimir Nabokov’s Transparent Things.

• Cathi Unsworth remembers the late Roger K. Burton, founder of London’s unique exhibition and venue space, The Horse Hospital.

• New music: Interior of an Edifice Under the Sea by Pan American & Kramer; Glass Colored Lilly by Yuki Fujiwara.

• Mixes of the week: DreamScenes – August 2025 at Ambientblog, and Bleep Mix 307 by On-U Sound.

• At the BFI: Michael Brooke chooses 10 great Eastern European science-fiction films.

• At The Wire: David Toop and Ania Psenitsnikova on moving beyond music and dance.

• At Colossal: Weird Buildings celebrates architects who think outside the box.

Verbal #12 includes new fiction by Michael Moorcock, among others.

• At Unquiet Things: Exquisite incantations in clay by Forest Rogers.

• Steven Heller’s font of the month is Experimo.

Dale Cornish’s favourite albums.

Tenth Letter of the Alphabet

Ecstasy Symphony/Transparent Radiation (Flashback) (1987) by Spacemen 3 | Almost Transparent Blue (1996) by David Toop | Transparent (1997) by Reflection

Akihiro Yamada’s Lovecraftiana

yamada01.jpg

Akihiro Yamada is a Japanese illustrator and manga artist best known for his work in the sub-genre of historical fantasy, as well as character design for video games and other media. All of this art is very accomplished—he’s great with lengths of billowing fabric—while giving no hint at all of his earlier detours into cosmic horror. I’ve been familiar for some time with a couple of his covers in the “Cthulhu” series (c. 1988–1993) but hadn’t gone looking for the entire run until now. Doing so turned up another series of books published in the early 2000s by Kurodahan Press, Lairs of the Hidden Gods, with a quartet of covers in which the traditional Japanese print-making theme of the four seasons is given a demonic twist. All of these books are reprints of stories by Lovecraft and other writers, past and present, with the Kurodahan series being introduced by Robert M. Price. The artwork, meanwhile, is very different in style to Yamada’s more recent output, to an extent that you wouldn’t connect these covers with his fantasy illustrations without seeing a credit.

yamada02.jpg

I’ve long been curious about Japanese representations of the Cthulhu Mythos. Lovecraft’s fiction has obvious attractions for the Japanese imagination but the art used by Japanese publishers doesn’t always travel overseas unless the artists themselves capture the attention of aficionados in other countries. ISFDB is a very useful resource but it’s still lacking when it comes to the listing of foreign editions. There’s more out there to be discovered.

yamada03.jpg

yamada04.jpg

yamada05.jpg

Continue reading “Akihiro Yamada’s Lovecraftiana”

Weekend links 790

firebird.jpg

Set design by Vladimir Pleshakov for the Ballets Russes’ The Firebird (1923).

• The latest book from Swan River Press is A Mystery of Remnant and Other Absences, a collection of fictions by the late B. Catling. Copies include postcards with accompanying texts by Alan Moore and Catling’s friend and regular collaborator, Iain Sinclair.

• New music: The Loneliness Of The Hollow Earth Explorer Vol. 1 by Arrowounds; The Eraserhead: Music Inspired By The Film Of David Lynch by Various Artists.

• Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: The Purple Cloud by MP Shiel.

• A catalogue of lots at another After Dark: Gay Art and Culture online auction. Homoerotic art, photos, historic porn. etc.

• At Colossal: Laser-cut steel forms radiate ornate patterns in Anila Quayyum Agha’s immersive installations.

• Photographs by Man Ray and Max Dupain showing at the Heide Museum of Modern Art, Melbourne.

• Mix of the week: Isolatedmix 134 by Artefakt.

• At Dennis Cooper’s it’s Anna Karina’s Day.

Three Imposters

Purple Haze (1967) by The Jimi Hendrix Experience | Pilots Of Purple Twilight (1981) by Tangerine Dream | Purple Rain (live, 1985) by Prince & The Revolution