Colleen Corradi Brannigan’s Invisible Cities

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Cities and Memory 5: Maurilia.

Colleen Corradi Brannigan’s multimedia project was linked here back in 2011 when news of her endeavours reached a number of high-profile websites. These artworks are another attempt to depict all of Italo Calvino’s cities, this time using a range of media that includes sculpture. I like the variety of this series; some of the depictions approach the more rigorous perspectives of MC Escher while others are as loose as Expressionist paintings. The website also includes extracts from Calvino’s descriptions.

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Trading Cities 4: Ersilia.

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Thin Cities 3: Armilla.

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Lichtspiel Schwarz-Weiss-Grau, a film by László Moholy-Nagy

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A beguiling short from 1930 made by the Hungarian artist to demonstrate the patterns of light and shade created by his Light-Space Modulator (aka Light Prop for an Electric Stage, 1922–1930), an early kinetic sculpture. The film could have worked well enough as a series of documentary shots but Moholy-Nagy compounds the effects with superimposition, lens fragmentation and even a brief negative sequence. Watch it here.

Previously on { feuilleton }
Ballet Mécanique

Lady Bug, a film by Ben Proudfoot

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Lady Bug is a short study of Canadian artist Elizabeth Goluch, the creator of beautiful sculptures of insects and other creatures crafted from precious metals. Ben Proudfoot’s film is one of a series, Life’s Work: Six Conversations with Makers, looking at artists and craftspeople in the Nova Scotia area. I’d not browsed Elizabeth Goluch’s website for a while so it’s good to see new additions like this jellyfish that conceals a Medusa pendant. I’m very partial to Ms Goluch’s work, of course, but the other films are worth a look as well.

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Previously on { feuilleton }
Elizabeth Goluch’s precious metal insects

Weekend links 258

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Simon Stålenhag‘s SF artwork will be published in book form if funding is secured. In the future everything will be crowdfunded for 15 minutes.

• Mixes of the week: FACT Mix 494 is a fantastic dub selection by Colleen; Secret Thirteen Mix 151 is by Sally Dige; Stephen Mallinder‘s return to the doom-laden Industrial music of the 1980s suits the post-election mood. Mallinder’s mix is helping promote Industrial Soundtrack for the Urban Decay, a documentary by Amélie Ravalec.

• “…it felt more like real life to me than the average hour-long television show.” Sopranos creator David Chase on what he enjoyed about Twin Peaks. Related: Twin Peaks Tarot cards.

Sound & Song in the Natural World edited by Tobias Fischer & Lara Cory. A book about animal music and communication with a 60-minute CD of field recordings.

• “The psychedelic renaissance has already begun, and for the most part I welcome it,” says Erik Davis in a wide-ranging interview with Sean Matharoo.

• It rumbles on: Brown Pundits on “An Embarrassment at PEN”. A useful collection of stories, reactions and polemic from the past two weeks.

Fanny and Stella: The Shocking True Story, a play by Glenn Chandler about Victorian London’s scandalous pair of cross-dressing men.

• Artist Charles Ray causes a problem for the Whitney Museum of American Art with his sculpture of a naked Jim and Huckleberry Finn.

• “Don’t believe Orson Welles,” says his biographer Simon Callow, “especially when he calls himself a failure.”

• A return to Adolph Sutro’s Cliff House features several photos I’d not seen before.

• More Tarot: Arcana: The Tarot Poetry Anthology is looking for funding.

• At Dangerous Minds: The ancient magic of the record label.

Foreign Movie Posters

Tarot (Ace of Wands theme, 1970) by Andy Bown | Distant Dreams (Part Two) (1980) by Throbbing Gristle | The Devil In Me (1982) by Stephen Mallinder

Weekend links 250

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Untitled artwork by Melinda Gebbie.

• “Johnny Rocket is like a Chaucerian epic retold by David Peace with music by Bruce Haack and The Focus Group for a music hall located in Hell.” John Doran talks to Maxine Peake and the Eccentronic Research Council about their “psychedelic ouija pop”.

Allison Meier looks at a new exhibition of Victor Moscoso’s psychedelic drawings. Related: Julia Bigham writing in Eye magazine in 2001 about London’s psychedelic poster scene.

• “Oh to eye the very enfilade through which that orchidaceous entity would make his stately progress…” Strange Flowers on the eccentric Count Stenbock.

Melinda Gebbie: What Is The Female Gaze? The artist is in conversation next month with Mark Pilkington and Tai Shani at the Horse Hospital, London.

Pamela Colman Smith: She Believes in Fairies. The Tarot artist and illustrator in a rare interview from 1912.

• Minimalist posters: “a lack of nuance disguised as insight,” says John Brownlee.

• Saturday night in the City of the Dead: Richard Metzger on the John Foxx-era Ultravox.

The Will Gregory Moog Ensemble plays the Brandenberg Concerto No. 3.

• “In a weird way”: a brief history of a phrase by Ivan Kreilkamp.

Die Hexe: An installation by Alex Da Corte.

• RIP Daevid Allen

Istaqsinaayok

You Can’t Kill Me (1971) by Gong | Master Builder (1974) by Gong | When (1982) by Daevid Allen