Weekend links 164

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Ekaterina Panikanova paints on books.

Back in 2009 I bought a book of Art Nouveau illustration and design which contained an intriguing drawing by an Austrian artist, Franz Wacik (1883–1938). At the time there was little of Wacik’s other work online so I was delighted by the latest post at 50 Watts which showcases a selection of his illustrations. Wacik was a contemporary of British illustrator Sidney Sime, and both artists share a predilection for the comic and the grotesque.

• “The outlawing of drugs such as cannabis, MDMA and LSD amounts to the ‘the worst case of scientific censorship since the Catholic Church banned the works of Copernicus and Galileo’, the former Government drugs advisor Professor David Nutt has claimed.” Related: “At last, the edifice of drugs prohibition is starting to crumble,” says Amanda Feilding.

Alan Johnston on “A gay island community created by Italy’s Fascists”, and at Another Nickel In The Machine a report on The Gateways Club, one of the few meeting places for London’s lesbians in the 1960s. Alex Park wonders “Why Is Gay Porn So Popular In Pakistan?”

• If it’s June 16th then it must be Bloomsday: The Irish Times has a page of Joyce-related links to mark the anniversary. This year there’s a global reading of Ulysses taking place.

• “Now we can concentrate on album number nine,” says Kraftwerk’s Ralf Hutter. The rest of us will impatiently count the passing seconds.

• After a week in which George Orwell’s Nineteen Eighty-Four has seen an increase in sales, a look at its cover designs old and new.

Aleister Crowley: Wandering the Waste is a 144-page graphic biography of the Great Beast by Martin Hayes and RH Stewart.

Barnbrook Design‘s presentation of Taxidermy, a book by Alexis Turner, is rather splendid.

• FACT Mix 386 is a great collection of dubby grooves compiled by Young Echo.

• From 2001: Michael Wood in the LRB reviewing Apocalypse Now Redux.

• The first recording of Allen Ginsberg reading Howl.

Rejoyce (1967) by Jefferson Airplane | The Sensual World (1989) by Kate Bush | Molly Bloom (2013) by Alan Munde

Lewandowski at Fortune

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It’s a shame that artist Edmund Lewandowski (1914–1998) didn’t do more covers for Fortune magazine as I enjoy this combination of painting and design a great deal. The cover above shows how well you can illustrate a farming theme without resort to a view of rolling fields and busy tractors; the cover for March 1948 would still be a great solution today, diesel trains presented as an almost abstract pattern. Lewandowski is remembered today for his Precisionist paintings many of which continue the industrial theme.

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Previously on { feuilleton }
Petruccelli at Fortune
Fortune illustrators
Fortune in June

Petruccelli at Fortune

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Yet more from the Fortune magazine scans at Chris Mullen’s VTS site. The covers here are all by American artist Antonio Petruccelli (1907–1994), a very versatile illustrator whose work is well-represented at VTS. In addition to his work for other magazines there’s a small selection of unused Fortune designs.

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Continue reading “Petruccelli at Fortune”

Fortune illustrators

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Chemicals by Ronald Searle, November 1963.

More from the pages of Fortune magazine via the labour of love which is the VTS archive. A good reminder of the degree to which some magazines used to support many different kinds of illustrators and designers. The serious piece by Ronald Searle was a surprise since I thought he’d given up that kind of work by 1963. Below there’s a 3D caricature of Robert Kennedy by Gerald Scarfe.

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Poster Portfolio by Cassandre, 1937.

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Incantation by Charles Sheeler, 1946.

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RCA Building by Walton Blodgett, date unknown.

Continue reading “Fortune illustrators”

The recurrent pose 51

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Maren writes: “When I saw your recurrent gallery I couldn’t help but think of this photo my partner took of me one weekend here in San Francisco.” Many are the contemporary imitations of the Flandrin pose but this is one of the most accurate I’ve seen for its recapitulation of the details, from the ocean background to the fabric seat. My thanks to Maren for letting me post this!

Elsewhere on { feuilleton }
The recurrent pose archive