The weekend artists, 2014

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The Crystal Gazer (or The Magic Crystal, 1904) by Gertrude Käsebier.

Once again the annual review of artists/designers/photographers featured in the weekend posts arrives at the beginning of the new year rather than the end of the old. Scroll down to see what caught my attention over the past twelve months.

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We Are The Water – Snow Drawings Project, Colorado (2014) by Sonja Hinrichsen with 50 volunteers.

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Le Palais des Merveilles, 1907 – 1927 – 1960 by Clovis Trouille.

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The Three Witches (2014) by Lorena Carvalho.

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William Heath Robinson’s Rabelais

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Ending the year with some Heath Robinson illustrations I’d not seen before, probably because their grotesque qualities set them apart from the rest of his whimsical drawings and fairy tale illustrations. Illustrated editions of Rabelais are rare owing to the coarse and scatological nature of the novels. Gustave Doré‘s robust and bloodthirsty character made him a good match for the material but it’s a surprise to find a generally light-hearted illustrator like Heath Robinson tackling the same stories.

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Robinson’s illustrations were for a two-volume set published in 1904 (see here and here), and are suitably dark with plenty of solid blacks and heavy cross-hatching. Some of the drawings are so different to the artist’s usual work they could be taken at first glance for pieces by Sidney Sime or Mervyn Peake. More typical are the numerous vignettes that appear at the ends of chapters. The examples here are from Google scans at the Internet Archive but some of the original drawings may be seen in better quality (and purchased if you have the money) at the Chris Beetles gallery.

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The Talking Thrush and Other Tales of India

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British illustrator William Heath Robinson died in 1944 which means that 2015 will see his own books fall into the public domain in many countries. The books he produced during and after the First World War established his reputation as a creator of impromptu contraptions, to such a degree that the term “Heath Robinson” has the same currency in Britain as “Rube Goldberg” does in the US when describing an improbable mechanical device. Robinson’s whimsical drawings have always been his most popular works but I favour his earlier illustrations, especially his illustrated Poe and A Midsummer Night’s Dream.

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The Talking Thrush and Other Tales of India by William Crooke and William Henry Denham was first published in 1899; the version linked here is a reprint from 1922. The fin de siècle is evident in the Art Nouveau styling of some of the borders, the kind of detailing that Heath’s brother, Charles Robinson, often deployed. Heath’s later illustrations dropped the decoration to concentrate on human figures, caricature and the positive use of white space.

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Weekend links 239

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The Crystal Gazer (or The Magic Crystal, 1904) by Gertrude Käsebier.

• “I had to resort to extreme violence”: how Hipgnosis revolutionised the album sleeve. Aubrey Powell, last surviving member of the design team, talks to Joe Muggs.

• Mixes of the week: Radio Belbury: Programme 14; The Conjurer’s Hexmas by SeraphicManta; Secret Mix 139 by A Closer Listen.

• Social progress, high-speed transport and electricity everywhere: Iwan Rhys Morus on how the Victorians invented the future.

• At Cinephilia & Beyond: “The most complete investigation into the origins and making of Citizen Kane.”

Poor Souls’ Light: seven curious tales for the end of the year, and a dedication to Robert Aickman.

• Music and the Occult: Stuart Maconie and Rob Young spend an hour in the magick circle.

Alejandro Jodorowsky and Iain Sinclair in conversation at the British Library, July 2014.

• From 1972: An unpublished Victor Moscoso interview by Patrick Rosenkranz.

The Spooky Story Behind Hollywood’s Favourite Mansion.

The Lost World of British Tape Recording Clubs.

• 2014 was a year of outrage.

Wyrd Daze issue 11

Inspirograph

• Pepper-Tree (1984) by Cocteau Twins | Otterley (1984) by Cocteau Twins | Aikea-Guinea (1985) by Cocteau Twins