Tom of Finland redesigned

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Tom of Smurfland by Alessio Slonimsky.

Rest assured this is about the only time anything Smurf-related will be allowed on these pages, the blue wretches having been partially redeemed for artist writer Dale Lazarov’s pin-up challenge for the month of May. Lazarov regularly proposes homoerotic redesign challenges on his Tumblr pages, something I wasn’t aware of until reading about this recent one. The challenge was to reimagine the artist’s beefcake clones in different comics or cartooning styles but some contributors took things a little further, as with the Wyeth and Beardsley pastiches below. This month there’s the Gay Propaganda Poster Pin-Up Challenge, entries for which have been posted here. I wouldn’t mind offering something to one of these challenges myself if I can find a spare moment.

Find out more about Dale Lazarov’s “smart, wholesome gay comics smut” at his website.

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Wyeth of Finland by KnottyBits.

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Twinks of Finland by Alexander.

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Tom’s Man drawn in the style of Aubrey Beardsley by Choklit Daddy.

Elsewhere on { feuilleton }
• The gay artists archive

Previously on { feuilleton }
• Tom of Finland postage stamps

The Passionate Shepherd To His Love

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More Marlowe, and something else for the month of May while it lasts. This embellished collection of poems by Christopher Marlowe and Walter Raleigh dates from 1902, and is another limited edition. The embellisher was PA Schwarzenbach who provides suitably florid decorations.

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RS Sherriffs’ Tamburlaine the Great

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I would have posted this by now if it hadn’t been for the recent unpleasantness. Robert Stewart Sherriffs (1906-60) was a Scottish artist who I confess I hadn’t come across before until Nick H (thanks, Nick!) drew my attention to this book at silver-gryph’s eBay pages. Sherriffs’ illustrated edtion of The Life and Death of Tamburlaine the Great by Christopher Marlowe was published in a limited edition in 1930.

The drawings are black-and-white throughout, and of such a quality you have to wonder why Dover or someone hasn’t done a reprint. The general approach owes much to the usual suspects, notably Aubrey Beardsley and Harry Clarke, but there’s a development of these earlier styles that you also find in the work of Ray Frederick Coyle and Beresford Egan. In addition to the full-page plates Sherriffs also provided a number of insect vignettes, the last of which is a Death’s-head Hawkmoth.

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Paul Konewka’s Faust

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Discovered via the GoetheZeitPortal, these illustrations for Faust by German artist Paul Konewka (1841–1871) date from 1865, although the copies here are from a later edition. Konewka was a silhouette cutter so while these may look like ink illustrations they’re actually paper silhouettes displaying a formidable level of detail and complexity. Whatever the technique, the story itself is immediately recognisable from the characters even if none of the more dramatic scenes are represented. There aren’t many books you could treat in this fashion since the story has to be almost universally familiar; Shakespeare would be an obvious candidate—Konewka subsequently produced illustrations for A Midsummer Night’s Dream—fairy tales (like Arthur Rackham’s Sleeping Beauty), and also Lewis Carroll’s Alice books come to mind.

The copies shown here are from another shoddy Google scan at the Internet Archive but you do get to see all the pages. The Goethe site has better copies of the illustrations.

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Weekend links 208

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The Blue Girl (2013) by Sungwon.

• “Meanwhile, in her parents’ room [Max] Ernst painted aardvarks eating ants and big human hands around the windows. ‘Sexual connotations, I think,’ she says shyly.” Agnès Poirier talks to Cécile Eluard about her childhood among the Surrealists.

• “Thrilling and prophetic”: why film-maker Chris Marker‘s radical images influenced so many artists. Sukhdev Sandhu, William Gibson, Mark Romanek and Joanna Hogg on the elusive director.

• At Dangerous Minds: Throbbing Gristle live in Manchester in 1980, and Brian Butler talks about the rediscovered early print of Kenneth Anger’s Lucifer Rising. There’s a trailer!

• From 1981: The Art of Fiction No. 69 at The Paris Review, an interview with Gabriel García Márquez. Related: Thomas Pynchon reviewed Love in the Time of Cholera in 1988.

• “Seven years ago, a stolen first edition of Borges’s early poems was returned to Argentina’s National Library. But was it the right copy?” Graciela Mochkofsky investigates.

• “What was Walter Benjamin doing with his shirt off in Ibiza?” Peter E. Gordon reviews Walter Benjamin: A Critical Life by Howard Eiland & Michael W. Jennings.

• A video by Marcel Weber for Måtinden, a track from Eric Holm’s Andøya album. Another album on the Subtext label that I helped design.

• More Ian Miller: Boing Boing has pages from his new book, The Art of Ian Miller, and there’s an interview at Sci-Fi-O-Rama.

• Outrun Europa, a free compilation of 80s-style electronic music. There’s a lot more along those lines here.

• Praise Be! Favourite religious and spiritual records chose by writers at The Quietus.

• Ralph Steadman illustrated Alice’s Adventures in Wonderland in 1973.

• British Pathé is uploading 85,000 of its newsreel films to YouTube.

• Drawings by Lebbeus Woods at The Drawing Center, New York.

• At Pinterest: Ian Miller and Kenneth Anger.

• Lucifer Sam (1967) by Pink Floyd | The Surrealist Waltz (1967) by Pearls Before Swine | Which Dreamed It (1968) by Boeing Duveen And The Beautiful Soup