Weekend links 208

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The Blue Girl (2013) by Sungwon.

• “Meanwhile, in her parents’ room [Max] Ernst painted aardvarks eating ants and big human hands around the windows. ‘Sexual connotations, I think,’ she says shyly.” Agnès Poirier talks to Cécile Eluard about her childhood among the Surrealists.

• “Thrilling and prophetic”: why film-maker Chris Marker‘s radical images influenced so many artists. Sukhdev Sandhu, William Gibson, Mark Romanek and Joanna Hogg on the elusive director.

• At Dangerous Minds: Throbbing Gristle live in Manchester in 1980, and Brian Butler talks about the rediscovered early print of Kenneth Anger’s Lucifer Rising. There’s a trailer!

• From 1981: The Art of Fiction No. 69 at The Paris Review, an interview with Gabriel García Márquez. Related: Thomas Pynchon reviewed Love in the Time of Cholera in 1988.

• “Seven years ago, a stolen first edition of Borges’s early poems was returned to Argentina’s National Library. But was it the right copy?” Graciela Mochkofsky investigates.

• “What was Walter Benjamin doing with his shirt off in Ibiza?” Peter E. Gordon reviews Walter Benjamin: A Critical Life by Howard Eiland & Michael W. Jennings.

• A video by Marcel Weber for Måtinden, a track from Eric Holm’s Andøya album. Another album on the Subtext label that I helped design.

• More Ian Miller: Boing Boing has pages from his new book, The Art of Ian Miller, and there’s an interview at Sci-Fi-O-Rama.

Outrun Europa, a free compilation of 80s-style electronic music. There’s a lot more along those lines here.

• Praise Be! Favourite religious and spiritual records chose by writers at The Quietus.

Ralph Steadman illustrated Alice’s Adventures in Wonderland in 1973.

British Pathé is uploading 85,000 of its newsreel films to YouTube.

• Drawings by Lebbeus Woods at The Drawing Center, New York.

• At Pinterest: Ian Miller and Kenneth Anger.

Lucifer Sam (1967) by Pink Floyd | The Surrealist Waltz (1967) by Pearls Before Swine | Which Dreamed It (1968) by Boeing Duveen And The Beautiful Soup

Witkinesque

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Arriving in the post this week, a Christmas gift from Supervert, a chapbook featuring a new piece of writing that purports to be the unauthorised biography of American artist/photographer Joel-Peter Witkin. The premise is that the facts of the real Witkin’s life are far too mundane to account for his extraordinary photo tableaux so Supervert supplies details such as “Mary Witkin [his mother] worked as a bookkeeper in a DDT plant, slowly saving to enrich the unfathomable reservoirs of the absurd.” A metaphysical portrait of the artist, then, with echoes of David Lynch or Bruno Schulz. Inside the chapbook was a promo postcard bearing pictures of the delightful Ms. Stoya whose reading of Necrophilia Variations has now gained over four million YouTube views.

The Witkin book isn’t for sale but copies are available to those who enter the Supervert contest which is running throughout December. All you need do is enter an email address here then keep your fingers crossed.

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Sanitarium, New Mexico (1983) by Joel-Peter Witkin.

Witkin’s tableaux made an immediate impression circa 1993 when I bought a copy of PhotoVision, a Spanish photography journal which had devoted an entire issue to his work. This arrived at a point when I was halfway through drawing the Reverbstorm comic series, and Witkin’s parade of unorthodox humanity, crucified apes and sundry body parts seemed an ideal complement for the parade of similar grotesqueries (and sundry body parts) we were putting into the comic pages. I also liked the way Witkin worked his own variation on familiar scenes from art history, something we were doing throughout Reverbstorm (Witkin’s Vase: Study For the Base of the Crucifix just happens to combine a partly dissected human skull with Picasso’s Guernica, a recurrent motif throughout the series).

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Above and below, some of the more Witkinesque details from part seven of Reverbstorm. The main figure above was a direct reference to Witkin’s Sanitarium, New Mexico. Many figures in other drawings are given Witkin-like blindfolds.

Continue reading “Witkinesque”