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Czech poster for Robert Bresson’s Une Femme Douce (1969) by Olga Polácková-Vyletalová. There’s more about Polácková-Vyletalová’s striking poster designs (and this one in particular) at Mubi. See also the Polácková-Vyletalová collection at Terry Posters. • “I heard that in Japan the tendency is to hammer down the nails that stick out. I think that Haruomi […]

The Temple of Love (1911–24) by Herbert E. Crowley. • My film viewing in the 1980s involved a considerable amount of backtracking: watching any film noir that turned up on the TV while chasing the early works of David Cronenberg, and various “New Hollywood” classics on television or at repertory cinemas (when such things were […]

William Hope Hodgson’s final Carnacki mystery, The Hog, received its first magazine publication in January 1947. The cover art by AR Tilburne may not have been originally created for Hodgson’s tale but it complements the story’s atmosphere of febrile dread. • It’s still April so that means it’s still the month that saw the 100th anniversary […]

Poster for Steppenwolf (1974), a film directed by Fred Haines (his only one) based on the novel by Herman Hesse, and starring Max von Sydow and Dominique Sanda. No artist or designer credited. • “…in her 20s, she heard two elderly folk singers and was struck by their ‘gentle dignity’. It cemented her own philosophy: […]

Cover art by Alonso for a 1929 Spanish edition of The Canterville Ghost by Oscar Wilde. • Major music news of the week is the announcement, after a hiatus of nine years, of a new Jon Hassell album. Listening To Pictures (Pentimento Volume One) will be released on Hassell’s new label, Ndeya, in June. Meanwhile, Paul Schütze […]

TIME, June 21st 1968. Cover by Roy Lichtenstein. • “Forget the democratic processes, the judicial system and the talent for organization that have long been the distinctive marks of the US. Forget, too, the affluence (vast, if still not general enough) and the fundamental respect for law by most Americans. Remember, instead, the Gun. That […]

Cover art for Outer Dark (1994) by Bill Laswell. Photography by Thi-Linh Le. • “In an era where music, among other creative endeavors, has been devalued as mere ‘content,’ freely accessed through the new digital medium, the very survival of those who create music and art and culture has been threatened. Bassist, iconic producer, and […]

Love is a Martyrdom (1965) by Stephanie Godwin. See Joscelyn Godwin’s Flickr pages for more. • David Shire’s synthesizer score for Apocalypse Now was the first music recorded for the film but was abandoned when Shire was fired due to other commitments. 39 years later, his score has been released by La-La Land Records. • […]

Britain’s Royal Mint acknowledges this year’s bicentenary of the publication of Frankenstein with a commemorative £2 coin. • A trailer for The Green Fog, a film by Guy Maddin, Evan Johnson and Galen Johnson, which uses clips from over 200 films set in and around San Francisco to create a collage companion to (and critique […]

The Invisible World of Beautify Junkyards will be the next release on the Ghost Box label in March 2018. Design by Julian House. • Tantalising discovery of the week was Alphons Sinniger’s Eno (1974), a 24-minute film about post-Roxy Music Brian Eno which shows (among other things) the recording of Here Come The Warm Jets. […]

Art by Twins of Evil for the forthcoming blu-ray from Arrow Academy. • Images (1972), the film that Robert Altman made between McCabe and Mrs Miller and The Long Goodbye, is the closest the director came to outright horror. A disturbing portrait of mental breakdown, with Susannah York in the lead role, and photography by […]

Mass by Ron Mueck at the National Gallery of Victoria Triennial. Photo by Tom Ross. • Thanks of the week: to In Wild Air for asking me to fill their list of six favourite things; to Hodderscape for including my cover for Jeannette Ng’s Under the Pendulum Sun among their choice of best book covers […]

French poster by Basha (Barbara Baranowska) for Andrzej Zulawski’s extraordinary Possession (1981). • “Alive from Off Center, renamed Alive TV in 1992, was an American arts anthology television series aired by PBS between 1984 and 1996. Each week, the series featured experimental short films by a mixture of up-and-coming and established directors. Notable episodes included […]

Lynd Ward again, and one of his illustrations for Frankenstein (1934). • “Julio Mario Santo Domingo was a collector and visionary who filled his homes and warehouses with the world’s greatest private collection related to the subjects of drugs, sex, magic, and rock and roll: a library of more than 50,000 items…” Altered States: The […]

• It won’t be out until late January—and then in the UK only—but the blu-ray premiere of The Mystery of Picasso (1956) by Henri-Georges Clouzot was announced this week. The initial run of the discs (there’s also a DVD) will include a booklet containing my essay about the film, something I was very pleased and […]

Le Chasseur by Lupe Vasconcelos who was profiled this week at Unquiet Things, and whose work may also be seen at the Ars Necronomica art show in Providence, RI, until the end of the month. • “After a morning’s writing, Stevenson would entertain himself with music, particularly the flageolet, which he played so badly ‘people […]

Untitled (2011) by YDK Morimoe. Via Jim Post at Dennis Cooper’s. • For The Climax Of The Night by Total Leatherette is almost certainly the only album you’ll see this year with autofellatio cover art. Faux Fox gives a taste of the new album, while an earlier piece, Squeeze Hunk, features a Tom of Finland-style […]

• My cover design for the Doug Murano-edited story collection, BEHOLD! Oddities, Curiosities and Undefinable Wonders, appeared here last December but a repost is in order since the book has been published this week by Crystal Lake. Back in December I didn’t have a list of the featured authors but I do now: Clive Barker, […]

The Conjure (2016) by Jolene Lai. Via Dangerous Minds. • RIP George Romero, a proudly independent filmmaker who succeeded on his own terms. Kim Newman remembers the man who remade horror cinema. Romero always referred to Powell & Pressburger’s Tales of Hoffmann (1951) as a key cinematic influence, something he discussed with Marc Lee in […]

Untitled painting by Serbian Surrealist Ljuba Popovic (1934–2016). I missed the announcement of Popovic’s death last year. • Bryan Washington on the radical grace of Gengoroh Tagame: My Brother’s Husband and the tradition of gay manga. Where bara artists are concerned, I favour the work of Mentaiko Itto. Bruno Gmünder recently published a collection in […]