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Colors (1967) by Ken Nordine. • “The Do was the thing”: a lengthy chat with Chuck Gould of the San Francisco Diggers. The second interview from Jay Babcock’s oral history of the Diggers. • Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950–1980 edited by Andrew Nette and Iain McIntyre. • […]

UK poster, 1950. Cocteau’s film receives a UK blu-ray release this week. • Into the Zone: 4 days inside Chernobyl’s secretive “stalker” subculture by Aram Balakjian. (Again. There’s an implication in Balakjian’s piece that illicit Chernobyl tourism is a new thing even though people have been doing this for a while now.) Related: Jonathan’s visit […]

Masayo Fukuda‘s octopus is cut from a single sheet of paper. • “But in the title track, Homosapien contains a truly great song; four and a half minutes of bubbling synth and clever wordplay, atop which Shelley puts to one side the knowing coyness he’d frequently inserted into his contributions to the Buzzcocks catalogue, loosens […]

Visions Cosmiques—Improvisations Dédiées À L’équipage D’Apollo 8 (1969) by Jean Guillou. No designer credited. • 50 years ago this weekend Apollo 8 was on its way to the Moon. Jean Guillou’s album of organ improvisations took the mission as its inspiration although his turbulent music seems more suited to the near-disaster of Apollo 13 than […]

• Yet more Gorey: Mark Dery’s biography of the artist prompted The New Yorker to unearth a piece of cover art that Edward Gorey submitted 25 years ago. In the same magazine Joan Acocella reviews Dery’s book and examines Gorey’s life and art. At Expanding Mind, Erik Davis talks with Mark Dery about Surrealism, the […]

Orgasm Addict (1977). Design by Malcolm Garrett; collage by Linder. • RIP Pete Shelley, Buzzcock and Homosapien. Shelley is celebrated for being in the vanguard of Britain’s punk movement, of course. (Buzzcocks’ Spiral Scratch was the UK’s first independent single.) But he also loved Can, recorded an album of electronic drones (Sky Yen), and in […]

Cammell & Roeg’s Performance (1970) was marketed in Italy with all the restraint for which the Italian film industry has long been celebrated. • “To the good men I offer the hand of friendship, to the foes of our sex I offer resistance and annihilation!” We Women Have no Fatherland (1899), a novel by Ilse […]

Seishu Hanaoka’s Wife (1970) by Awazu Kiyoshi. • Hoodoo, Conjuration, Witchcraft & Rootwork: a colossal new addition to the Internet Archive, being a 5-volume, 4766-page collection of folkloric material gathered by Harry Middleton Hyatt in Alabama, Arkansas, Florida, Georgia, Illinois, Louisiana, Maryland, Mississippi, North Carolina, South Carolina, Tennessee, and Virginia between 1936 and 1940. • […]

Cover for the now-defunct Cthulhu Sex magazine, volume 2, no. 23. Art by Chad Savage. • Revising Lovecraft: The Mutant Mythos by Paul StJohn Mackintosh. Mackintosh was interviewed at Greydogtales in 2016 where he made a point that certainly chimes with my experience: “…the English-speaking genre community seems to have far more trouble with certain […]

Art by Ichiro Tsuruta. • “Writing is so much about subverting dogmatisms of all kinds, above all the ones that insist you cannot go there! You must not say that! Writers need to go anywhere, to take anything on. And the only rule is to do it well.” Rikki Ducornet in a feature at Dennis […]

• I’ve wondered for years why there was such a difference in quality between Plight & Premonition (1988) and Flux + Mutability (1989), a pair of instrumental albums by David Sylvian and Holger Czukay. The former warrants repeated listening while the latter…doesn’t. David Sylvian‘s reminiscences about the recording sessions are enlightening. • “There’s something evil […]

Czech poster for Robert Bresson’s Une Femme Douce (1969) by Olga Polácková-Vyletalová. There’s more about Polácková-Vyletalová’s striking poster designs (and this one in particular) at Mubi. See also the Polácková-Vyletalová collection at Terry Posters. • “I heard that in Japan the tendency is to hammer down the nails that stick out. I think that Haruomi […]

The Temple of Love (1911–24) by Herbert E. Crowley. • My film viewing in the 1980s involved a considerable amount of backtracking: watching any film noir that turned up on the TV while chasing the early works of David Cronenberg, and various “New Hollywood” classics on television or at repertory cinemas (when such things were […]

William Hope Hodgson’s final Carnacki mystery, The Hog, received its first magazine publication in January 1947. The cover art by AR Tilburne may not have been originally created for Hodgson’s tale but it complements the story’s atmosphere of febrile dread. • It’s still April so that means it’s still the month that saw the 100th anniversary […]

Poster for Steppenwolf (1974), a film directed by Fred Haines (his only one) based on the novel by Herman Hesse, and starring Max von Sydow and Dominique Sanda. No artist or designer credited. • “…in her 20s, she heard two elderly folk singers and was struck by their ‘gentle dignity’. It cemented her own philosophy: […]

Cover art by Alonso for a 1929 Spanish edition of The Canterville Ghost by Oscar Wilde. • Major music news of the week is the announcement, after a hiatus of nine years, of a new Jon Hassell album. Listening To Pictures (Pentimento Volume One) will be released on Hassell’s new label, Ndeya, in June. Meanwhile, Paul Schütze […]

TIME, June 21st 1968. Cover by Roy Lichtenstein. • “Forget the democratic processes, the judicial system and the talent for organization that have long been the distinctive marks of the US. Forget, too, the affluence (vast, if still not general enough) and the fundamental respect for law by most Americans. Remember, instead, the Gun. That […]

Cover art for Outer Dark (1994) by Bill Laswell. Photography by Thi-Linh Le. • “In an era where music, among other creative endeavors, has been devalued as mere ‘content,’ freely accessed through the new digital medium, the very survival of those who create music and art and culture has been threatened. Bassist, iconic producer, and […]

Love is a Martyrdom (1965) by Stephanie Godwin. See Joscelyn Godwin’s Flickr pages for more. • David Shire’s synthesizer score for Apocalypse Now was the first music recorded for the film but was abandoned when Shire was fired due to other commitments. 39 years later, his score has been released by La-La Land Records. • […]

Britain’s Royal Mint acknowledges this year’s bicentenary of the publication of Frankenstein with a commemorative £2 coin. • A trailer for The Green Fog, a film by Guy Maddin, Evan Johnson and Galen Johnson, which uses clips from over 200 films set in and around San Francisco to create a collage companion to (and critique […]