• Saul Bass’s cult science-fiction film, Phase IV, has received a very welcome (Region B) blu-ray release from 101 Films. Everything is a metaphor for the unavoidable just now, but a film about a group of scientists besieged by a tiny and insidious biological threat can’t help but have additional resonance. The new release includes […]
The Art of the Occult: A Visual Sourcebook for the Modern Mystic by S. Elizabeth. The book will be published in September by White Lion Publishing, and includes some work of mine. • “The structure of the film as a memory palace consists of scenes intercutting different movies, depicting similar situations lived by the same […]
Detecting the Forgery (1967), a collage print by Gary Lee-Nova. • Nigel Kneale’s adaptation of Susan Hill’s The Woman in Black was given a UK TV screening in 1989, followed by a brief video release after which it was buried for years, and subsequently overshadowed by the later (inferior) big-budget feature film. Network will be […]
The next release on the Ghost Box label will be Puzzlewood by Plone, “unironically joyful and melodic electronica; informed by library music, music for children’s TV and a deep passion for the history of music technology”. The album will be available in April. Design, as always, is by Julian House. • “With his panting breath […]
• The late David Roback was a musician who would have been called “enigmatic” for his refusal of the interview treadmill, preferring instead to let his music speak for itself. I wouldn’t label myself a “fan” (a word I dislike at the best of times) but over the years I’ve collected just about everything that […]
Eric Burdon and the Animals, Mother Earth, Hour Glass; Fillmore Auditorium, October 19-21, 1967 by Bonnie MacLean. • RIP Bonnie MacLean, another of the original San Francisco poster artists, and the only woman of note in the US psychedelic poster scene. (Not the only woman, however; in Europe we had Marijke Koger.) Related: Bonnie MacLean’s […]
Rabbit Man with Skull Lady (1998) by Allan Kausch. • “They were the first generation that said, ‘Fuck it, we’re not going to be intimidated.’ They weren’t going to make specifically pro-gay statements, but they were the first generation to really live that out. If you look at the Alternative Miss World, it’s a kind […]
The Byrds (1967) by Wes Wilson. • RIP Wes Wilson, one of the first of the San Francisco psychedelic poster artists of the 1960s, and also one of the more visible thanks to the popularity of his compressed type designs, some of which were derived from a style developed by Alfred Roller for the Vienna […]
Cover art by Michael Ashman, 1979. • RIP Terry Jones, not only a writer, actor and director but also a presenter of the BBC’s short-lived Paperbacks series in 1981, a programme that included Angela Carter among its guests. Related: The Box (1981), a short film directed by Micky Dolenz, based on a play by Terry […]
Projet onirique (tombeau pour un poète) (1901) by Henry Provensal. • “20 years later, Sexy Beast remains something of an oddity…It offers a deconstruction of the genre, which is then reconstructed to marry the unhinged, convulsive beauty of surrealism with sturdy, universal storytelling.” Thomas H. Sheriff looks back at Jonathan Glazer’s debut feature. • Blau […]
Wild Things – Hachilympic, a poster by Tomoko Konoike for the Tokyo 2020 Olympics. • Hidden Jewels in ‘The Garden of Orchids’: Steve Toase on Der Orchideengarten (1919–1921), the German magazine of fantastic art and literature. Since the article doesn’t mention it, I’ll note again that the first Anglophone appraisal of the magazine (and also […]
The Sentinel 280, a car design by Syd Mead from 1964. • “Boris Dolgov did not exist. The man who bore that name may have existed, but there never was a man in the United States with that name until 1956, too late for Weird Tales.” Teller of Weird Tales on the mysterious identity of […]
Poster by Zdenek Ziegler for Roma (1972), a film by Federico Fellini. • At Dennis Cooper’s: a short history of Straight to Hell, a long-running fanzine launched by Boyd McDonald in 1971 dedicated to true stories of men having sex with other men. The post gives an idea of the contents but for a deep […]
Fahrenheit 451 (1966) poster by György Kemény. • “The novel is constantly assailed by people wanting to conscript it to their own ends. (Other art forms are not similarly burdened; someone yelling ‘What about global warming?’ between numbers at a Keith Jarrett concert would be recognized to have made a category error.)” Jonathan Clarke on the demands that […]
Angelus Novus (1920) by Paul Klee. • “Compared to [László] Krasznahorkai’s earlier fiction, Baron Wenckheim’s Homecoming is funnier and more stylistically accessible—despite its length and seemingly endless sentences—but it is also his most unremittingly ruthless work,” says Holly Case. Elsewhere: “Baron Wenckheim’s Homecoming may not bring joy or consolation, but reading it is a mesmerisingly […]
Art by Rand Holmes for Gay Comix No. 1, September 1980. • In the universe next door, Los Angeles in November, 2019 looks like the drawings in the Blade Runner Sketchbook (1982). The book has been out of print for many years but available online for a while, although seldom in a downloadable form. A […]
Cover art by Gahan Wilson for Monster (1980) by Herbie Hancock. • RIP Gahan Wilson, a great cartoonist with a flair for horror, the macabre and grotesque. Many of his best cartoons are buried in back issues of The New Yorker, Playboy and National Lampoon but book collections of his work are worth seeking out. […]
An engraving from The Geometric Landscapes of Lorenz Stoer (1567). • Curtis Harrington’s cult horror film, Night Tide (1961), receives a lavish blu-ray reissue from Powerhouse in January. The limited edition will include an extra disc of Harrington’s early short films which encompass Poe adaptations and also Wormwood Star, his portrait of occult artist (and […]
Typhonic Neural Tantra by The Wyrding Module. • November 2019, as many people have been noting, is the month in which Ridley Scott’s Blade Runner takes place. At Dangerous Minds Paul Gallagher writes about the unrelated William Burroughs script whose title was borrowed for Scott’s film. • More Ridley Scott (sort of): disco was still […]
Art by Joe Mugnaini (1955). • Mixes of the week: The Ivy-Strangled Path Vol. XIX by David Colohan, and The Ephemeral Man’s Teapot 2—Atmosphere insomniac by The Ephemeral Man. • Patrick Clarke talks to Morton Subotnick and Lillevan about Subotnick’s pioneering synthesizer composition, Silver Apples Of The Moon (1967). • A second volume of London’s […]
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