Weekend links 466

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The Simulator (1936) by Dora Maar.

• Surprise of the week for me was the discovery of a new album, Kshatrya – The Eye Of The Bird, by cult French composer Igor Wakhévitch. This had been out for a while but I’d managed to miss the announcements. The music was recorded in 1999 so isn’t exactly new but it’s the first new Wakhévitch release (as opposed to a reissue or compilation) since Let’s Start in 1979. Very good it is too, almost completely electronic but not as discordant as his synth-dominated Hathor album.

• “Popol Vuh is a Mass for the heart.” Gerhard Augustin talks to Florian Fricke about Popol Vuh’s music in a “rare” (lost? previously unseen?) interview. Undated but the City Raga album is referred to as a recent release so it’s probably around 1995.

Brian Dillon on the voraciousness and oddity of Dora Maar’s pictures. Related: Rick Poynor on The Simulator by Dora Maar.

The Secret Ceremonies: Critical Essays on Arthur Machen, edited by Mark Valentine and Timothy J. Jarvis.

Juliette Goodrich on the tale of the Buchla synthesizer, the repair engineer, and a dormant drop of LSD.

Scott Tobias on Midnight Cowboy at 50: why the X-rated best picture winner endures.

• A Hidden History of Women and Psychedelics by Mariavittoria Mangini.

• Previews of Chords, the new album by composer Ellen Arkbro.

• Mix of the week: Secret Thirteen Mix 290 by Mark Stewart.

• “Somehow I became respectable,” says John Waters.

• At Dennis Cooper’s: Walerian Borowczyk Day.

• The Bandcamp Guide to Earth.

Gén #1 by Ray Kunimoto.

Secret Ceremony (Theme From Brond) (1987) by Scala (Bill Nelson & Daryl Runswick) | Healing Ceremony (1990) by African Head Charge | Ceremony Behind Screens (1995) by David Toop

Weekend links 462

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The next release on the Ghost Box label, Chanctonbury Rings is “a blend of folk, electronic music, poetry, prose and environmental sound” by Justin Hopper & Sharron Kraus with The Belbury Poly. The album will be available in June. Design, as always, is by Julian House.

• Clumsy and insensitive translations can ruin the enjoyment of a foreign-language film. Don’t blame us, say the subtitlers pressing film-makers for more appreciation of their art. Anne Billson on the difficulties of translating for a medium of moving images.

• At Expanding Mind: Hypermedia researcher and author Konrad Becker talks with Erik Davis about algorithms from hell, the madness of rationality, media seances, and the martial art of freedom.

The HP Lovecraft Cat Book: a limited collection of Lovecraft’s writings about cats edited by ST Joshi and illustrated by Jason C. Eckhardt.

Amacher was also inspired by a short story she found in the 1986 cyberpunk anthology Mirrorshades, edited by Bruce Sterling—a tale called Petra by Greg Bear, about a grand cathedral, possibly Notre Dame in Paris, in a ravaged, postapocalyptic landscape. Stone gargoyles and other statues mate with humans, creating new hybrids who wander the labyrinthine chambers of the battered house of worship.

Geeta Dayal on composer Maryanne Amacher

• The novel that wouldn’t leave Anthony Burgess alone: Alison Flood on the discovery of a non-fiction continuation of the themes in A Clockwork Orange.

Kristina Foster on photographs of Central Asia’s Striking Soviet Architecture.

Adrian Shaughnessy‘s ten favourite design and visual culture books.

William Joel on the process behind Helvetica’s 21st century facelift.

• The Stupid Classics Book Club by Elisa Gabbert.

The Haunted Generation by Bob Fischer.

Haunted Cocktails (1983) by Intro | Haunted Gate (1997) by David Toop | The Universe Is A Haunted House (2002) by Coil

Weekend links 423

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The Miracle (Genet’s Dream) (2001) by Delmas Howe.

• “Zachary Lipton, an assistant professor at the machine learning department at Carnegie Mellon University, watched with frustration as this story transformed from ‘interesting-ish research’ to ‘sensationalized crap’.” Oscar Schwartz on how the media gets AI alarmingly wrong.

• The Aesthetics of Science Fiction: what does SF look like after cyberpunk? Very Brutalist if you ask Rick Liebling, although the first example shown in his piece—the Brunel University Lecture Centre—appears briefly as future architecture in A Clockwork Orange.

• At Expanding Mind: Erik Davis talks with philosopher and religious studies professor Dustin Atlas about ancient skepticism, Madhyamaka Buddhism, the taste of honey, Montaigne, Robert Anton Wilson, and the path of doubt.

• At Muddy Colors: Part 1 of their choices for best fantasy book covers of the year so far, a list which includes my cover for Moonshine by Jasmine Gower. Thanks!

• Soundtracking with Edith Bowman, episode 84: director Todd Haynes on the music of Wonderstruck, I’m Not There, Carol and Far From Heaven.

• Mixes of the week: FACT mix 663 by Space Afrika, Secret Thirteen Mix 262 by Mieko Suzuki, and Black Minimalism, a playlist by David Toop.

• Two minutes, eight barrels: drone and GoPro footage of surfer Koa Smith riding the waves of the Namibia shoreline.

• David Lynch’s Sacred Clay: Shehryar Fazli reviews Room to Dream by David Lynch and Kristine McKenna.

Charlotte Higgins on myths, monsters and the maze: how writers fell in love with the labyrinth.

• Monstrous Geometries in the Fiction of HP Lovecraft by Moritz Ingwersen.

Listen to the mournful wails of planets and moons.

• A Peel Session by Laika

Surf Ride (1956) by Art Pepper | Surf (1976) by Tim Blake | Surfside Sex (1982) by Patrick Cowley

Fourth Worlds: A Jon Hassell Mix

As noted in the previous post, Jon Hassell has a new and very well-received album out this month, his first in several years. To honour the occasion I thought I’d finally post the Hassell mix I’ve had in mind for some time. The delay was mainly a consequence of not settling on a final version, so the album release has at least forced my hand. This still doesn’t feel completely satisfactory but it has the benefit of not being a recycling of familiar works.

About ten years ago I made a CD compilation of Hassell-related odds and ends: one-off works from compilations, interesting collaborations and the like. The CD set forms the basis of this mix although I’ve blended everything into a single piece rather than present separate tracks. Some of these pieces are either rare or overlooked so even those familiar with the Jon Hassell discography may hear something new.

Note: I only noticed after uploading the mix that the presence of more than five tracks by the same artist means that people in the US may not be able to play this one. Sorry about that: blame your laws/politicians, etc.

Malay (edit) (1981) by Jon Hassell

Shadow (1982) by Brian Eno
From Eno’s On Land.

Ba-Benzélé (1982) by Jon Hassell
A different version to the piece from Possible Musics which appears on Music And Rhythm, a WOMAD compilation album.

Passaggio A Nord-Ovest (1982) by Jon Hassell
One of several pieces unique to Sulla Strada (1995), a collection of Hassell music old and new compiled for an Italian stage work based on Jack Kerouac’s On the Road.

Map of Dusk (1982) by Jon Hassell
A special commission for Myths 3. La Nouvelle Sérénité, a Sub Rosa compilation.

Sketch Pad With Trumpet And Voice (1985) by Peter Gabriel
From the soundtrack to Birdy.

Heroin (1993) by Ry Cooder
More soundtrack work, this one being for Walter Hill’s Trespass which features Hassell’s trumpet timbres throughout. I always regard this album as a darker, nightscape parallel to Hassell’s sunnier City: Works Of Fiction, not least for the way both albums are hip-hop related. There’s more from Trespass later in the mix.

Tycho City (1997) by Bluescreen Project
From The Vertical Collection (Sketches). Bluescreen Project was a collaboration with Peter Freeman which remixes works from the Hassell catalogue to create new hybrids.

Pygmy Dance (1993) by Jon Hassell
Another unique commission, this time for Ai Confini / Interzone on New Tone Records.

Slow Loris Vs. Poison Snail (1997) by David Toop
A guest appearance with tabla player Talvin Singh.

Power Malay (1997) by Bluescreen Project

Anima (1991) by Les Nouvelles Polyphonies Corses With Hector Zazou
A collection of Corsican songs given contemporary settings by Hector Zazou.

A Day For Trade Winds (2000) by Ronu Majumdar, Ry Cooder & Jon Hassell, Abhijit Banerjee

Amsterdam Blue (Cortege) (2000) by Jon Hassell, Gregg Arreguin, Jamie Muhoberac And Peter Freeman
From a soundtrack for a film that few people have a good word for, Million Dollar Hotel. It does, however, feature a Jon Hassell cameo and this excellent piece of music.

The Seeds Of Fate (1998) by The Insects & Richard Grassby-Lewis Featuring Jon Hassell
From the soundtrack to Richard Kwietniowski’s film of Gilbert Adair’s funny and touching novel, Love and Death on Long Island.

Weekend links 389

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I Had Sweet Company Because I Sought Out None. Collage by Helen Adam.

• Readers of The Library of Babel by Jorge Luis Borges continue to be compelled to either illustrate the impossible archive or create virtual equivalents. The Library of Blabber by nothke is a procedural version for home computers in which each volume on the shelves contains randomly-generated content.

• The Japanese American Toy Theatre of London presents: James Bonk in Matt Blackfinger (1987). Directed by Akiko Hada, with music by David Toop, and a song from Frank Chickens’ Kazuko Hohki (who also co-wrote the script).

• Music, Time and Long-Term Thinking—The Long Now Foundation (and a fair amount of Brian Eno) by Austin Brown, Alex Mensing and Ahmed Kabil.

• A Return to Normilcy: Bernie Brooks talks to post-punk group Normil Hawaiians about their 1982 album More Wealth Than Money which has just been reissued.

• Sound artist and theremin player Sarah Angliss has reworked music by Bernard Herrmann for an upcoming stage adaptation of The Twilight Zone.

• Does the world need another reissue of A Secret Wish by Propaganda? Not really but there’s a “deluxe” vinyl and CD edition on the way.

• “What Would [Bernard] Wolpe Do?” Talking Wolpe, Albertus and book cover design with the Faber & Faber Art Department.

• Mixes of the week: FACT mix 629 by Idle Hands/Chris Farrell, and XLR8R Podcast 518 by Cassy.

• At Phantasmaphile: Neglected collage artist Helen Adam (1909–1993).

Collectors’ corner: photos of book and music libraries

• The Black Meat (Deconstruction Of The Babel-Tower of Reason) (1994) by Automaton | Babel (2010) by Massive Attack feat. Martina Topley-Bird | Branching (2016) by The Library of Babel