Weird Tales – Page 9 – { feuilleton }

Der Orchideengarten illustrated

Halloween approaches and as a precursor it’s a great pleasure to be able to post a selection of interior illustrations from Der Orchideengarten, courtesy of Will at A Journey Round My Skull. Der Orchideengarten was a German magazine of weird fiction which ran for 51 issues from 1919 to 1921 and whose existence today is rarely acknowledged despite being credited as the world’s first fantasy magazine. Information is scarce and these scans come from Will’s own copies which is why I’ve posted fifteen more below the fold; you can’t see this stuff anywhere else. A Journey Round My Skull featured some covers and a different set of interior illustrations earlier this year, and there should be a new post complementing this one with more of the magazine’s stunning cover designs.

What strikes me about these black-and-white drawings is how different they are in tone to the pulp magazines which followed shortly after in America and elsewhere. They’re at once far more adult and frequently more original than the Gothic clichés which padded out Weird Tales and lesser titles for many years. Some are almost Expressionist in style, while the Wild Hunt series below shows a distinct Goya influence. I’d love to know how the written content matches the illustrations; I suspect there’s the same difference of atmosphere and emphasis to American weird fiction as there is in the drawings.

Update: Will’s new post is Watering the Toxic Garden which will be followed on Thursday by the results of his Evil Orchid Bookplate Contest.

Click on any of these pictures for a larger version.

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Der Orchideengarten

Will at A Journey Round My Skull turned up some gold this week in the form of several covers from a German periodical, Der Orchideengarten, which ran for 51 issues from 1919 to 1921. This is generally credited as being the world’s first fantasy magazine which makes its unaccountable obscurity all the more surprising. Both Will and I first encountered the magazine in Franz Rottensteiner’s essential history of fantasy, The Fantasy Book, published by Thames & Hudson in 1978, with a US edition produced by Collier Books. As well as being a wide-ranging history, Rottensteiner’s book is profusely illustrated throughout and includes two tantalising and distinctly weird covers from Der Orchideengarten, a magazine which Rottensteiner describes as “one of the most beautiful fantasy magazines ever published.” Over the years I’ve found myself becoming thoroughly acquainted with most of the book’s contents as authors were discovered and various gaps filled. One of the few points of obscurity left was that column which describes Der Orchideengarten and those two covers. So you can perhaps appreciate the excitement at seeing more of these rare specimens brought to light.

There’s no need to repeat the history when you can read it for yourself on Will’s page and see the covers. One of the magazine editors was author Karl Hans Strobl whose collection of weird tales, Lemuria, had been published two years earlier. This monochrome copy of the cover design is by Richard Teschner, taken from one of my Art Nouveau design books where it stands out like a rather grotesque sore thumb. I don’t know if Teschner was a contributor to Der Orchideengarten but on the strength of this he should have been.

Update: Will posts some interior illustrations.

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• The Great God Pan
• Jugend Magazine
• Meggendorfer’s Blatter
• Simplicissimus

The King in Yellow

Along the shore the cloud waves break,
The twin suns sink beneath the lake,
The shadows lengthen
In Carcosa.

Strange is the night where black stars rise,
And strange moons circle through the skies
But stranger still is
Lost Carcosa.

The King in Yellow, Act i, Scene 2.

Rearranging the bookshelves this week had me looking again at this old Ace paperback of Robert Chambers’ weird classic, one of that select handful of books which can bear a blurb from HP Lovecraft. Any Lovecraft aficionados yet to read the first four stories in Chambers’ collection (the others pieces are of lesser interest) are missing out. These are as good as anything that Weird Tales published and together they achieve that unique blend of science fiction, fantasy and horror which Lovecraft and others also managed in the days when writers, and readers for that matter, were far less concerned with the definition and boundaries of genre.

My Ace edition was the first paperback printing from 1965 and the cover painting is by Jack Gaughan, credited inside as being based on Chambers’ own first edition design. I’d often wondered what the original cover looked like and now, of course, it’s easy to find. Whether Chambers himself drew this is unclear but whoever the artist was, the design is rather more finessed than Gaughan’s sketchy painting.

Searching around reveals two further variations, one of which—the green cover—is described on a bookselling site as the actual first edition of the book from 1895. Yours for a mere $1,750. The other cover is probably a later reprint which gives a clearer view of the mysterious King. What’s notable here is the curious sigil on both the Neely editions. I was hoping this might be the dreaded Yellow Sign which is the subject of Chambers’ fourth (and Lovecraft’s favourite) story; it’s certainly more suitable than the squiggle which seems so unaccountably popular among certain quarters of Lovecraft fandom. It isn’t the Yellow Sign, however, it turns out to be the monogram for publisher F. Tennyson Neely. Perhaps this is just as well. “The solution to the mystery is always inferior to the mystery itself,” as Borges said, and some things, like the malevolent play which gives its name to this collection, are best kept out of reach.

• The King in Yellow at the Internet Archive

Elsewhere on { feuilleton }
• The book covers archive
• The Lovecraft archive

Previously on { feuilleton }
• Arthur Machen book covers
• Clark Ashton Smith book covers

The Willows by Algernon Blackwood

Light play on the river Thame by net_efekt.

…the major products of Mr. Blackwood attain a genuinely classic level, and evoke as does nothing else in literature an awed convinced sense of the imminence of strange spiritual spheres of entities.

The well-nigh endless array of Mr. Blackwood’s fiction includes both novels and shorter tales, the latter sometimes independent and sometimes arrayed in series. Foremost of all must be reckoned The Willows, in which the nameless presences on a desolate Danube island are horribly felt and recognised by a pair of idle voyagers. Here art and restraint in narrative reach their very highest development, and an impression of lasting poignancy is produced without a single strained passage or a single false note.

Thus HP Lovecraft in 1927 from his lengthy overview of horror fiction, Supernatural Horror in Literature. Lovecraft was enthusiastic about many of Blackwood’s weird tales, rating him as one of the contemporary masters along with Arthur Machen. A year before his essay he prefaced The Call of Cthulhu with a Blackwood quote and regularly referred to The Willows as one of his favourite stories. Blackwood’s tale continues to find enthusiasts today, among them the Ghost Box music collective whose Belbury Poly CD titled after the story manages to reference in the space of 44 minutes Blackwood, Machen, CS Lewis and The Morning of the Magicians.

If your curiosity is sufficiently piqued by this point, you can read the story online at Wikisource or Project Gutenberg. Or you can listen to a reading in a new posting at LibriVox. The perfect thing for autumn and the month of Halloween.

Previously on { feuilleton }
• Horror in the shadows
• Wanna see something really scary?
• Ghost Box
• The Absolute Elsewhere

Lovecraft in Los Angeles

Frank H Woodward’s excellent documentary about the life and work of HP Lovecraft receives a screening in Los Angeles at Shriekfest 2008 on October 4th. As mentioned earlier, this is easily the best film to date about HPL and features several illustrations of mine.

Wyrd is proud to announce the
L.A. Premiere of the documentary
Lovecraft: Fear Of The Unknown

Presented by Shriekfest 2008

DATE: Saturday, October 4th, 2008
TIME: 1:45 PM
PLACE: Raleigh Studios, The Chaplin Theater
5300 Melrose Ave. Los Angeles, CA 90038

Producer William Janczewski will be in attendance!

Admission is $8. To purchase tickets, you can visit the Shriekfest 2008 site.

H.P. Lovecraft was the forefather of modern horror having created the Cthulhu mythos. LOVECRAFT is a chronicle of the life, work and mind behind these weird tales.

• narrated by Robin Atkin Downes
• music by Mars of Dead House Music
• associate producer Andrew Migliore
• produced by William Janczewski, James B. Myers & Frank H. Woodward
• written & directed by Frank H. Woodward

Previously on { feuilleton }
• New things for July
• The monstrous tome
• New things for October