steampunk – Page 8 – { feuilleton }

World Fantasy Awards

Presenting some of the cover art and interior illustration from 2011 which won me the World Fantasy Award for best artist in Toronto on Sunday. (The complete awards list is here.) It was a surprise to be nominated, and even more of a surprise to win since working in different areas—book, music, comics—is never a good way to get noticed for doing one particular thing. It’s also the case that sf/fantasy art awards tend to favour painters or virtuoso digital artists over people such as myself who I suppose are more illustrator-designers; that’s not a criticism, just an acknowledgement of the strength and popularity of highly-refined pictorial art in this area of the literary world. The recognition hazard works in the opposite direction: the design world often gives the most attention to graphic design alone, with the illustration quotient being regarded as secondary content.

I’m not exactly sure what the judges were looking at of my work so these examples have been chosen for being published during the year under examination. They’re also covers that people seemed to like a lot, especially KW Jeter‘s Morlock Night (even though I still prefer Infernal Devices!), and those for Mike Shevdon‘s books. The Jeter and Shevdon volumes are all published by Angry Robot who will also be publishing Lavie Tidhar‘s The Bookman Histories early next year sporting another of my covers. Lavie’s novel Osama won best novel in Toronto while Ann and Jeff VanderMeer (editors of the Lambshead book below) picked up a best anthology award for their monumental The Weird. And to add to the good company, my regular publishers Tachyon saw one of their authors, Tim Powers, gaining best story collection. Congratulations to everyone, and a big thanks to Ann for collecting my award.

I’m always using these posts to point to other artists so it’s only right that I encourage everyone to go and look at the work of the other nominees. Here they are (although Jon Foster’s site appears down at the moment):

• Julie Dillon
• Jon Foster
• Kathleen Jennings
• John Picacio

John Picacio has a rather gorgeous calendar due out soon, details here.

Title page for The Thackery T. Lambshead Cabinet of Curiosities edited by Ann & Jeff VanderMeer (Harper Voyager).

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Steampunk Revolution

The “S” word again. One of the jobs from earlier this year is now available for purchase from publishers Tachyon and other outlets. Steampunk Revolution is the third in a series of steampunk story collections edited by Ann VanderMeer (Jeff VanderMeer was co-editor on the first two volumes). I designed the previous title, Steampunk Reloaded, and was working on these pages whilst also putting together the cover for Lavie Tidhar’s The Bookman Histories. Tidhar’s trilogy is a steampunk affair (and this collection features one of his Bookman stories) so there’s some slight overlap between the two designs, notably the use of a typographic “charm” I took from a Victorian printer’s catalogue. I’ve since seen that shape used elsewhere so it’s evidently more common than I thought. Bah.

The title page design above can be added to my ongoing obsession with the Exposition Universelle of 1900. Malissa Kent’s story, The Heart is the Matter, ends with a scene at the Exposition so I had an excuse to use an elaborate banner which includes an Exposition medal. (The same medal, incidentally, that you still see on the labels of Campbell’s Soup). The illustration below is adapted from one of Walter Crane’s Socialist drawings, and I feel bad now that we didn’t credit him for it. Sorry, Walter.

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Weekend links 124

Couple with Clock Tower (2011) by Louise Despont.

Assuming such a thing doesn’t already exist, there’s a micro-thesis to be written about the associations between the musicians of Germany’s Krautrock/Kosmische music scene in the early 1970s and the directors of the New German Cinema. I’d not seen this clip before which shows the mighty Amon Düül II jamming briefly in Fassbinder’s The Niklashausen Journey, a bizarre agitprop TV movie made in 1970. More familiar is the low-budget short that Wim Wenders helped photograph a year earlier showing the Düül performing Phallus Dei. Wenders later commissioned Can to provide music for the final scene of Alice in the Cities. And this is before you get to Werner Herzog’s lengthy relationship with Popol Vuh which includes this memorable moment. Any others out there that I’ve missed?

• Album sleeves in their original locations. And speaking of album sleeves, photo prints of some very famous cover designs by Storm Thorgerson will be on display at the Public Works Gallery, Chicago, throughout September and October.

• Crazy for kittehs: the quest to find the purring heart of cat videos: Gideon Lewis-Kraus goes where few journalists dare to tread. Also at Wired, the same writer explores the Cat Cafés of Tokyo.

• The City of Rotted Names, a “shamelessly Joycian cubist fantasy” by Hal Duncan, available to read in a variety of formats on a pay-as-thou-wilt basis until Monday only.

• Jailhouse rockers: How The Prisoner inspired artists from The Beatles to Richard Hawley.

• How To Survive A Plague, a documentary about HIV/AIDS activism in the US.

• Deborah Harry: hippy girl in 1968, punk in 1976, and Giger-woman in 1981.

• Alan Garner answers readers’ questions about his new novel, Boneland.

• For steampunk aficionados: ‘COG’nitive Dreams by Dana Mattocks.

• David Bowie, Iggy Pop, Madonna & Asparagus: Kraftwerk in 1976.

• New music videos: Goddess Eyes I by Julia Holter | Sulphurdew by Ufomammut | Warm Leatherette by Laibach.

The Bookman Histories

Now that Angry Robot books has revealed the cover design which kept me busy throughout July I can do the same here. The Bookman Histories is an omnibus reprinting of Lavie Tidhar‘s steampunk trilogy which comprises The Bookman, Camera Obscura and The Great Game. The stories are frenetic, crowded with incident and feature a huge range of characters that find real people such as Jules Verne and Harry Houdini encountering contemporaries—both human and non-human—from the fiction of the late 19th century. All the requisite steampunk boxes are ticked. David Icke will be thrilled to know that in these books the British royal family are a bunch of lizards from space…

My initial impulse when faced with far too much material was to cram every square centimetre of the cover with detail but if I’d have done that I’d probably still be working on it, and would also have run the risk of it turning into an incoherent mess. So this layout, which is crowded enough, is something of a compromise. I also wanted to save some space for the title design.

The main body of the title isn’t a font but was created from scratch based on letterforms and decorative elements from this fantastic set of fire insurance title pages. I’d been wanting to try something based on these hand-drawn designs ever since Mr Peacay posted them at BibliOdyssey last year. This particular design provided the basic letter shapes although I had to invent several of missing characters.

In the third part of the trilogy the Martians from HG Wells’ War of the Worlds invade, so I spent rather too much time fashioning a Martian tripod from lots of tiny bits of machinery. This is one of the earlier drafts. It was an odd thing finishing this cover (which includes the planet Mars in the background) whilst the world was getting excited by the real landing on Mars of the Curiosity Rover.

The Bookman Histories will be published in March next year. Meanwhile there’s more steampunk design on its way. Watch this space.

Previously on { feuilleton }
• Aether Cola
• Crafting steampunk illustrations
• SteamPunk Magazine
• Morlocks, airships and curious cabinets
• The Steampunk Bible
• Steampunk Reloaded
• Steampunk overloaded!
• More Steampunk and the Crawling Chaos
• Steampunk Redux
• Steampunk framed
• Steampunk Horror Shortcuts

More Golems

Golem by Jiri Barta.

There are always more golems. Among recent reading I’ve been catching up with the works of Michael Chabon, and have just finished The Amazing Adventures of Kavalier & Clay (2000), a novel concerned with several things that obsessed me when I was 13, namely Harry Houdini, conjuring tricks and the Empire State Building. Chabon even acknowledges JC Cannell’s The Secrets of Houdini, a book I re-read many times trying in vain to learn some of Houdini’s card tricks. What didn’t obsess me at that age happens to be the main subject of the novel: superhero comics. Chabon does a good job of communicating the enthusiasm that powered the early days of the American comics industry, however, and I can appreciate the enthusiasm that history generates for him even if I don’t quite share it. Lurking at the back of his story is the mute and symbolic figure of Rabbi Loew’s Golem of Prague, mention of which prompted me to see whether Czech animator Jiří Barta had managed to complete his film of the Golem story, a project which has been stalled since the 1990s. He hasn’t, unfortunately, but there is a trailer which I hadn’t seen before, a sight that makes the prospect even more tantalising. Someone give this man some money to finish his film.

Emet (2009).

Elsewhere, there’s Emet by Bonsaininja Studio, Milan, a short steampunk take on the Golem creation story. Great use of CGI and digital animation but I’d still prefer to see Barta’s version. Meanwhile, the whole of Paul Wegener’s The Golem: How He Came into the World (1920) is now on YouTube. If you’ve never seen Wegener stomping around medieval Prague with his shopping basket then here’s your chance.

Previously on { feuilleton }
• Hodgson versus Houdini
• Das Haus zur letzten Latern
• Hugo Steiner-Prag’s Golem
• Barta’s Golem