Disc design for Eight Day Journal (1998) by Sam Rivers / Tony Hymas.
Continuing an occasional series about artists or designers whose work has appeared on record sleeves. I’ve used the artist’s full name (or his Earth name, if you prefer) in the title of this one to distinguish Moebius the comic artist and illustrator from Dieter Moebius of Cluster, Harmonia, et al. As with Harry Clarke, it’s taken a long time for Discogs to compile a substantial collection of these covers, and the catalogue there is still incomplete thanks to a lack of credits on some of the sleeves. Unlike other artists whose cover work tends to be a repurposing of existing art many of the Giraud/Moebius covers were created for the albums on which they appear.
7 Colts Pour Schmoll (1968) by Eddy Mitchell.
An album by a prolific French rock’n’roller. Giraud (as he was credited here) was no doubt hired on the strength of his Blueberry strips.
Blueberry (1973) by Dadi.
And speaking of Blueberry… Jean Giraud drew the adventures of Jean-Michel Charlier’s Western anti-hero for 15 years under the name “Gir”. The character was very popular in France, hence this spin-off single by Marcel Dadi.
Dadi’s Folks (1973) by Marcel Dadi.
Jazz Septet (1973) by Ogoun Ferraille.
Are You Experienced / Axis: Bold As Love (1975) by Jimi Hendrix.
A gatefold sleeve for a series of four reissues of the Hendrix catalogue on the Barclay label. The other covers were by Philippe Druillet, Jean Solé and an artist unidentified on the link above but it looks to me like the work of Philippe Caza. I’ve got most of the music but I’d buy these for the covers alone.
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Docteur Faust (1971) by Igor Wakhévitch.
Philippe Druillet: album cover artist. As with John Martin, I’m surprised there aren’t more examples. Once again, Discogs.com proves incomplete so I’ve added a couple more including the first on this list, Docteur Faust. If you know of any others, please leave a comment.
Igor Wakhévitch’s berserk masterpiece is a cult item in this house, and something I’ve written about already. The cover art is the icing on an unclassifiable cake.
Grail (1970) by Grail.
The cover is the opening page of The Wild Wind Isles, one of Druillet’s Lone Sloane stories. Produced by Rod Stewart; did you notice? “We are sailing…”
Electric Ladyland (1975) by The Jimi Hendrix Experience.
A gatefold sleeve for a series of four Hendrix reissues on the Barclay label. The other covers were provided by Moebius, Jean Solé and an artist unidentified on the link above but it looks to me like the work of Philippe Caza.
Black Sun (1978) by Black Sun.
Black suns are a regular feature of Druillet’s work (and mine, ahem) so the artist at least suits the title. The debut album of a short-lived French funk/soul group.
East/West (1980) by Richard Pinhas.
The French equivalent of Krautrock doesn’t have a name but Richard Pinhas is one of its leading practitioners. This is still my favourite among his solo works, not least because it’s more successfully musical than other albums which feature great slabs of guitar or synth doodling. In addition to a cover of David Bowie’s Sense Of Doubt there’s also science fiction author Norman Spinrad ranting through a vocoder on the opening and closing tracks. The great cover art is a page from Druillet’s 1980 adaptation of Flaubert’s Salammbô.
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