The Art of Shadowgraphy

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Though Shadowgraphy has been known from time immemorial, and as ’twere a thing of bye-gone days, Trewey’s practice of the art comes as a novelty, and is highly entertaining alike to the schoolboy and the lean and slippered pantaloon.

Thus the overwrought prefatory note in this small book of hand-shadow exercises by Felicien Trewey. In addition to diagrams showing the creation of the familiar animal shapes there’s a brief life of Monsieur Trewey, “the original Fantaisist Humoristique”, and some details of Trewey’s shadow pantomimes. Since these involve various props I find them a bit of a cheat, rather like origami shapes that require two sheets of paper or even a pair of scissors.

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The book opens and closes with ads for Hamley’s toy shop, still the most celebrated shop of its kind in London. If it’s a surprise to see Hamley’s promoting their wares with devils and skulls, the latter seem fitting for the page of sinister “ventriloquial figures”, two of which are shown smoking cigarettes. The walking figure with “pneumatic mouth” is no doubt the one that tries to strangle you while you sleep.

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Refn’s reds

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When you work your way through a director’s filmography, particularities of mise-en-scène often become apparent. Nicolas Winding Refn’s next film—The Neon Demon—has a title that promises more of the same. I’m looking forward to it.

Pusher (1996)

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Kim Bodnia (above) and Laura Drasbæk (below).

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Bleeder (1999)

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Zlatko Buric (above) and Kim Bodnia (below).

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Weekend links 250

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Untitled artwork by Melinda Gebbie.

• “Johnny Rocket is like a Chaucerian epic retold by David Peace with music by Bruce Haack and The Focus Group for a music hall located in Hell.” John Doran talks to Maxine Peake and the Eccentronic Research Council about their “psychedelic ouija pop”.

Allison Meier looks at a new exhibition of Victor Moscoso’s psychedelic drawings. Related: Julia Bigham writing in Eye magazine in 2001 about London’s psychedelic poster scene.

• “Oh to eye the very enfilade through which that orchidaceous entity would make his stately progress…” Strange Flowers on the eccentric Count Stenbock.

Melinda Gebbie: What Is The Female Gaze? The artist is in conversation next month with Mark Pilkington and Tai Shani at the Horse Hospital, London.

Pamela Colman Smith: She Believes in Fairies. The Tarot artist and illustrator in a rare interview from 1912.

• Minimalist posters: “a lack of nuance disguised as insight,” says John Brownlee.

• Saturday night in the City of the Dead: Richard Metzger on the John Foxx-era Ultravox.

The Will Gregory Moog Ensemble plays the Brandenberg Concerto No. 3.

• “In a weird way”: a brief history of a phrase by Ivan Kreilkamp.

Die Hexe: An installation by Alex Da Corte.

• RIP Daevid Allen

Istaqsinaayok

You Can’t Kill Me (1971) by Gong | Master Builder (1974) by Gong | When (1982) by Daevid Allen