Illustrating Poe #5: Among the others

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The Conqueror Worm (c. 1900) by František Kupka.

Poe’s illustrators are legion, you could easily devote an entire blog to nothing but depictions of his stories and poems. By way of rounding off this week of posts I thought I’d point to some of the works which have caught my attention over the years, several of them being obscure enough to warrant further investigation.

František Kupka’s drawing is, as far as I can gather, one of a series based on Poe’s poem; this seems to be a related piece. As with many Symbolists artists, you can spend a great deal of time scouring the available resources to find more of their work. We’re told that one of Kupka’s more well-known paintings, The Way of Silence (1903), was inspired by the poem Dream-land.

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Berenice (1905) by Alberto Martini.

Alberto Martini (1876–1954) is a fascinating artist whose work bridges the decline of Symbolism and the rise of Surrealism. He’s also another talent whose work is woefully underrepresented on the web so let’s hope that changes soon. Wikipedia describes him as having produced 135 Poe illustrations of which only a small handful are visible online, and most of the ones that are go unlabelled. I know this one is for Berenice since I have it in a book but any Poe reader should guess the title from those blazing teeth. A few more of Martini’s drawings can be seen here.

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Illustrating Poe #4: Wilfried Sätty

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Here it is, the book that began my fascination with the collage art of Wilfried Sätty (1939–1982), a German artist and psychedelic poster designer resident in San Francisco during the 1960s and 1970s. Warner Books published his Poe collection in 1976 and for some reason omit the umlaut from his name even though it’s present in Thomas Albright’s introductory note. I bought my copy in 1979 at a time when I was writing a lot of unsuccessful “experimental” fiction, and the sight of these tremendous collages inspired a surge of writing activity which disregarded Poe’s stories altogether. I’d seen enough of Max Ernst’s engraving collages to know that Sätty was following Ernst’s example but something about Sätty’s work struck me in a manner I couldn’t articulate other than by trying to set down the thoughts they inspired. Personal obsessions aside, I’ve since come to regard this book as the only illustrated Poe which can approach Harry Clarke’s inimitable volume.

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I’m fortunate to own two copies of this edition otherwise I wouldn’t have attempted to scan any pages when doing so involves bending the spine rather badly. The book is profusely illustrated, with many full-page or double-spread illustrations most of which I haven’t tried to reproduce. What you have here are the title pages from nearly all the pieces and a couple of additional illustrations. Sätty’s Poe is still the easiest of his books to find secondhand if you browse the dealer pages at AbeBooks. For more of his incredible work there’s this page at Ephemera Assemblyman, and for details of the artist’s life and career there’s my 2005 essay in Strange Attractor Journal Two.

• Sätty’s illustrations for The Annotated Dracula (1975) at Flickr.

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Weekend links 33

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Blue Sky Noise (2010) by Esao Andrews.

Franz Xaver Messerschmidt is the first exhibition in the United States devoted exclusively to the 18th-century sculptor. Related: an earlier post about the artist’s work.

• How are the team behind War Horse planning to follow up their smash hit? With a gay love story performed by puppets. Related: Achilles (1995) by Barry JC Purves.

• More great posts at A Journey Round My Skull: Czechoslovakian Expose VI and Black Cradle of Bright Life, fifteen works by the Macedonian artist Vangel Naumovski (1924–2006).

Top 10 Anti-Gay Activists Caught Being Gay. Related: “Fuck your feelings,” in which columnist Dan Savage gets righteously impatient when a correspondent complains. As Savage says, people who use their faith as a stick to beat gay people contribute to an atmosphere of intolerance in which kids are bullied for being gay (or appearing to be), or transgender, or merely different, and kill themselves as a result. Over the past couple of weeks there’s been an upsurge of US media attention to the most recent suicides; Savage inaugurated the It Gets Better project in order to help. Also related: God Loves Poetry.

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Meigh (2010) by Esao Andrews.

Antony Hegarty enthuses about Shoot Yer Load, one of the scurrilous 12″ singles released by my Savoy colleagues in the 1980s. Antony and the Johnsons have a new album out, Swanlights, on Secretly Canadian.

When the future of music was a rainbow hued parabola: book designer John Gall collects old synthesizer manuals.

Fantastic Memories (1944) by Maurice Sandoz, illustrated by Salvador Dalí.

Urban optometry: life as a London crane operator at BLDGBLOG.

• Today is 10/10/10 which means it’s Powers of Ten Day.

These New Puritans: a band like no other.

Art Nouveau: a virtual exhibition.

Diaghilev: Lord of the dance.

Flaming Telepaths (1974) by Blue Öyster Cult; Flaming Telepaths (2005) by Espers.

The art of Ignacio Goitia

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Pasión por Canaletto (2005).

Ignacio Goitia is a Spanish artist whose depictions of opulent aristocracy manage to be subversively homoerotic thanks to the addition of figures we can interpret as boyfriends, sex slaves or wish-fulfilling phantasms; Ludwig II would no doubt approve of the sentiment even if he disagreed with some of the decor. Goitia’s art increases the Surrealist incongruity in other paintings with a preponderance of giraffes, although none of them appear to be burning à la Dalí. You’ll have to browse his galleries to see how he uses them.

Another Thombeau tip—thanks Tom!

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Royal couple (2010).

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Schloss Neuschwanstein

Yuri Yakovenko bookplates

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Yet more bookplates, discovered whilst browsing the wealth of material at this Japanese site recommended by Andy Paciorek. Belarus artist Yuri Yakovenko’s name is given a number of spellings on various sites so I’ve gone with the one from a Belarus art page since they can be presumed to know best how to label their fellow artists. Yakovenko’s hyper-detailed, occult-inflected brand of Surrealist imagery is so striking you have to wonder why his work hasn’t gained more visibility. Is it because the contemporary Ex Libris print world appears to be a self-contained zone within the wider art market? Whatever the answer, this is a region worthy of further investigation.

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Elsewhere on { feuilleton }
The etching and engraving archive

Previously on { feuilleton }
Tranquillo Marangoni bookplates
Book-plates of To-day
Louis Rhead bookplates
Pratt Libraries Ex Libris Collection
The Evil Orchid Bookplate Contest
The art of Oleg Denysenko
David Becket’s bookplates