Kirlian photography

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quarter3 (2006) by nebamix.

Thinking recently about the resurgence of interest in the various forms of parapsychological and occult phenomena that were so popular in the 1970s, I’m surprised not to see more mention of Kirlian photography, or the capturing of high-voltage coronal discharges on photographic plates. In the 70s the idea was that Kirlian photographs depicted auric fields, and the phenonemon was widespread enough for a while enough to attract the attention of (among others) David Bowie. From a purely aesthetic point of view I’ve always enjoyed the appearance of these photographs. Flickr has a Kirlian photography pool with a variety of examples (fewer than I’d hope) while there are more to be seen at the Full Spectrum site where they specialise in high-quality Kirlian images. While browsing the pictures you could maybe listen to Kirlian Photograph by Cabaret Voltaire, a track from their still strange and unsettling debut album, Mix-Up, itself a product of the 1970s.

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A negative discharge (1896).

Previously on { feuilleton }
Thought-Forms and Auras

The Cephalopoda of the Hawaiian Islands

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A little something for Darwin Day, and a collection of illustrations I hadn’t seen before. The Cephalopoda of the Hawaiian Islands (1914) is another title in the splendid (and huge) collection of the Biodiversity Heritage Library whose Flickr sets have been linked here before. Some of those prior examples have ended up being collaged into Lovecraftian entities so there’s always the possibility of that happening to one or two of these illustrations in the future.

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Previously on { feuilleton }
Vampyroteuthis Infernalis by Vilém Flusser
Le Poulpe Colossal
Fascinating tentacula

Weekend links 143

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Ai No Corrida poster design by Egil Haraldsen (2001).

• “Back then, publishing an interview with Félix Guattari alongside little chats with rough trade and street walkers was unheard of — it still is for the most part.” BUTT on Kraximo, a gay Greek magazine of the 1980s.

13 books for 2013: A selection of forthcoming titles at Strange Flowers which so closely aligns with my preoccupations that I worry he’s reading my mind.

• “The Macaulay Library is the world’s largest and oldest scientific archive of biodiversity audio and video recordings.”

• A free BitTorrent Robert Anton Wilson audio and video pack. See also the RAW files at the Internet Archive.

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The Pangu Building, Beijing, January 12th, 2013. Blade Runner arrives six years early.

Wired celebrates 100 years of Edward Johnston’s typeface for the London Underground.

Borges’ translation of Ulysses. Or of the last page of Ulysses as a translation of Ulysses.

0181, a new album by Four Tet, can be heard in full at SoundCloud.

• The Edge question for 2013: “What should we be worried about?

JG Ballard documentaries at Ubuweb.

Unlocking Dockstader.

• RIP Nagisa Oshima.

Ai No Corrida (1980) by Quincy Jones | Empire Of The Senses (1982) by Bill Nelson | Forbidden Colours (1983) by David Sylvian & Riuichi Sakamoto

Weekend links 140

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Thanks to Callum for pointing the way to a beautiful set of playing cards designed by Picart le Doux.

Of cigars and pedants by Houman Barekat, in which Vladimir Nabokov has a problem with Henry James. Tangentially related: Post-Punk’s Nabokov: Howard Devoto and Magazine, live from Berlin, 1980. (Given A Song From Under The Floorboards, and lines like “I could have been Raskolnikov / But mother nature ripped me off”, I’d say it’s more accurate to describe Devoto as Post-Punk’s Dostoyevsky.)

• “I was introduced to Kneale’s work like most kids: by a fifty-foot hologram of a psychic locust and a British colonel deliquesced by five million years of bad Martian energy.” In Keep Me in the Loop, You Dead Mechanism Dave Tompkins looks back at Nigel Kneale’s TV play The Stone Tape. I reported my own impressions at the end of October.

• At The Quietus this week, Carol Huston on Lord Horror: A History Of Savoy Publishing. Michael Butterworth is interviewed, and the piece includes some quotes from earlier interviews by yours truly.

As the Massachusetts minister Increase Mather explained in 1687, Christmas was observed on Dec. 25 not because “Christ was born in that Month, but because the Heathens Saturnalia was at that time kept in Rome, and they were willing to have those Pagan Holidays metamorphosed into Christian” ones. So naturally, official suppression of Christmas was foundational to the godly colonies in New England.

Rachel N. Schnepper on the Puritan War on Christmas.

• Maxine Peake and the Eccentronic Research Council have a seasonal song for you. Take the title, Black ChristMass, as a warning. The group recently played live on The Culture Show.

• Clive Hicks-Jenkins’ Artlog is currently hosting Alphabet Soup, an online exhibition by different artists each depicting the letters of the alphabet. Start here and click forward.

Ornate Typography from the 19th Century featuring samples from the King George Tumblr. Related: Sheaff ephemera.

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Saturn at Saturnalia. A Cassini image of the planet’s nightside.

Kenneth Anger interviewed by P. Adams Sitney. A 53-minute tape recording from 1972.

• At The Outer Church: James Ginzburg of Emptyset posts a winter music mix.

When Candy Darling met Salvador Dalí.

The psychedelic secrets of Santa Claus.

• At Pinterest: Camp as…

Saturn (1956) by Sun Ra | Permafrost (live, 1980) by Magazine | Uptown Apocalypse (1981) by B.E.F.

Astronomy in China: The Pekin Observatory, 1888

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Observatoire de Peking (c. 1790).

Work this week has necessitated going through more 19th-century journals. For a while now I’ve had some downloaded copies of Scientific News, a kind of London equivalent of Scientific American, but I hadn’t noticed this particular article until I had to look through it again. The uncredited piece describes the ancient astronomical instruments at the observatory in the heart of Beijing, China (or “Pekin” as they have it here). Armillary spheres always catch my attention, and the Beijing ones are splendid examples supported by ornamental dragons. The text is informative but also mildly condescending as most discussion of China or Japan at this time tended to be. The piece includes some nice engraved illustrations of the instruments (scroll down), all of which can still be seen today surrounded by a city which the Chinese of 1888 would no longer recognise.

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ASTRONOMY IN CHINA: THE PEKIN OBSERVATORY

VICE-ADMIRAL MOUCHEZ has just received from Pekin, for the Astronomical Museum which he has founded in connection with the Observatory of Paris, a series of photographs representing the Pekin Observatory and the instruments there erected. By the courtesy of our contemporary La Nature we are enabled to place these curious views before our readers, and thus give them an exact idea of the present state of astronomy in the nation which has cultivated it with the greatest zeal, for the longest time, and among whom it has received the most remarkable developments.

Astronomical functions have not ceased to be held in honour in China, and the Observatory of the Celestial Empire is at present under the direction of an uncle of the Emperor, who ranks as the fifth prince of the blood, and bears the title of Chancellor.

The number of persons attached to this establishment is more considerable than that at Paris. It amounts, including students, to 196. The chief functionaries after the Chancellor are a Chinese director and a Tartar director, having the right to wear a button of a precious stone, and to bear on the chest the image of a sea-raven. Then follow two sub-directors, one Chinese and one Tartar, and two assistants entrusted with calculations. These latter, prior to the expulsion of the Jesuits, were always foreigners. Two other functionaries require to be noted. The first is the keeper of the buildings, and the second the custodian of the water-clocks, as chronometers have not been as yet introduced into the observatory, any more than have telescopes.

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