{music} – Page 6 – { feuilleton }

Weekend links 792

West Side Story (1961) poster designed by Joe Caroff.

• “From the very moment of its inception, the Wound Man was an image intimately tied to actual practice. He was in fact many, many things at once: epistemic diagram, medical tool, affective muse, technical spur, international artwork.” Jack Hartnell explores the tortured paths of book illustration known as the Wound Man.

• At The Daily Heller: The late Joe Caroff, who Steven Heller calls “the most prolific designer you’ve never heard of”.

• From V to Vineland and Inherent Vice: John Keenan ranks Thomas Pynchon’s books.

• Sometimes Easy, Sometimes Hard: Toby Manning on Harmonia’s Deluxe at 50.

• At Unquiet Things: The infinite cosmos of Martina Hoffmann.

• Mix of the week: A mix for The Wire by Sanam.

• The Strange World of…Joe McPhee.

• RIP Terence Stamp.

• Gravity’s Angel (1984) by Laurie Anderson | Wounder (2006) by Burial | Melodie Is A Wound (2025) by Stereolab

Weekend links 791

Cover design by Marian Bantjes for a 2009 series of Nabokov reprints.

• “It is quite unlike the bland featurelessnesses of the current fiction in which dull creative writing students chat to dull creative writing students (there is today a generalised fear of imaginative invention and giving offence).” Jonathan Meades on late style and Vladimir Nabokov’s Transparent Things.

• Cathi Unsworth remembers the late Roger K. Burton, founder of London’s unique exhibition and venue space, The Horse Hospital.

• New music: Interior of an Edifice Under the Sea by Pan American & Kramer; Glass Colored Lilly by Yuki Fujiwara.

• Mixes of the week: DreamScenes – August 2025 at Ambientblog, and Bleep Mix 307 by On-U Sound.

• At the BFI: Michael Brooke chooses 10 great Eastern European science-fiction films.

• At The Wire: David Toop and Ania Psenitsnikova on moving beyond music and dance.

• At Colossal: Weird Buildings celebrates architects who think outside the box.

• Verbal #12 includes new fiction by Michael Moorcock, among others.

• At Unquiet Things: Exquisite incantations in clay by Forest Rogers.

• Steven Heller’s font of the month is Experimo.

• Dale Cornish’s favourite albums.

• Tenth Letter of the Alphabet

• Ecstasy Symphony/Transparent Radiation (Flashback) (1987) by Spacemen 3 | Almost Transparent Blue (1996) by David Toop | Transparent (1997) by Reflection

Engulfed Cathedrals

La cathédrale engloutie by Claude Debussy. From Préludes pour Piano (1910).

• La cathédrale engloutie performed by Daniel Barenboim.

The Submerged Cathedral (1929) by MC Escher.

La cathédrale engloutie (1950) by Ithell Colquhoun.

La cathédrale engloutie III (1960) by Ceri Giraldus Richards.

La cathédrale engloutie (1968) by Luc Simon.

Snowflakes Are Dancing (aka Clair De Lune) (1974) by Tomita.

• Track 6: The Engulfed Cathedral (Preludes, Book 1, No. 10).

Escape From New York (Original Motion Picture Soundtrack) (1981) by John Carpenter In Association With Alan Howarth.

• Track 4: Engulfed Cathedral.

Re:Sort (2003) by Sora.

• Track 4: La Cathédrale Engloutie.

Previously on { feuilleton }
• L’après-midi d’un faune
• Hokusai record covers
• Tomita album covers

Weekend links 790

Set design by Vladimir Pleshakov for the Ballets Russes’ The Firebird (1923).

• The latest book from Swan River Press is A Mystery of Remnant and Other Absences, a collection of fictions by the late B. Catling. Copies include postcards with accompanying texts by Alan Moore and Catling’s friend and regular collaborator, Iain Sinclair.

• New music: The Loneliness Of The Hollow Earth Explorer Vol. 1 by Arrowounds; The Eraserhead: Music Inspired By The Film Of David Lynch by Various Artists.

• Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: The Purple Cloud by MP Shiel.

• A catalogue of lots at another After Dark: Gay Art and Culture online auction. Homoerotic art, photos, historic porn. etc.

• At Colossal: Laser-cut steel forms radiate ornate patterns in Anila Quayyum Agha’s immersive installations.

• Photographs by Man Ray and Max Dupain showing at the Heide Museum of Modern Art, Melbourne.

• Mix of the week: Isolatedmix 134 by Artefakt.

• At Dennis Cooper’s it’s Anna Karina’s Day.

• Three Imposters

• Purple Haze (1967) by The Jimi Hendrix Experience | Pilots Of Purple Twilight (1981) by Tangerine Dream | Purple Rain (live, 1985) by Prince & The Revolution

Weekend links 789

Niemand (1990) by Micha Ullman.

• The Diary of a Nobody (1964) by Ken Russell, John McGrath, Weedon Grossmith & George Grossmith. A recent posting at Play For Forever, an archive of hard-to-find/unreissued British TV drama.

• New music: Paul St. Hilaire With The Producers by Paul St. Hilaire; Atoms In The Void by Ivan the Tolerable & Hawksmoor; The Cosmic Tones Research Trio by The Cosmic Tones Research Trio.

• At Public Domain Review: Julie Park explores the history of the camera obscura.

• At The Wire: Read an extract from Philosophy of Jazz by Daniel Martin Feige.

• At Unquiet Things: Jana Heidersdorf’s fairy tale subversions.

• At Colossal: Five decades of land art by Andy Goldsworthy.

• The Strange World of…Marissa Nadler.

• RIP Robert Wilson.

• Nobody (1968) by Larry Williams & Johnny Watson with Kaleidoscope | “There Is Nobody” (1976) by Brian Eno | Nobody (1978) by Ry Cooder