Weekend links 6

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Shades of Toho: the city of San Francisco encounters its octopoid nemesis on this gig poster from DKNG. Via OMG Posters!

• Related to the above: Godzilla Haiku.

View from Another Shore: a fantastic (so to speak) and overdue interview with Franz Rottensteiner, writer and editor of landmark studies of fantasy and science fiction.

Ronald Searle: a life in pictures: an appreciation by Guardian cartoonist Steve Bell.

• 832 masks: The Maskatorium at Flickr.

The Cult of the Theremin: lots of theremin links including this page of scans from a beautiful Art Deco theremin brochure. (Thanks to Kara for the tip!) Related: the DIY IKEA lamp theremin.

Music & Science Fiction, an exhibition at Maison d’Ailleurs.

• Nathalie found a stoned angel in Rome.

• EVB’s Boy of the Week is a Spanish guy in his underwear drawn by Jacobo Labella.

• Film of the month: Sally Potter’s Orlando on DVD, featuring the luminous enigma of Tilda Swinton.

Frans De Geetere’s illustrated Maldoror

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Calling this 1927 edition “illustrated” perhaps stretches the point seeing as Frans De Geetere’s illustrations are rather more minimal and restrained than you’d expect for Lautréamont’s proto-Surrealist masterwork. The Koopman Collection’s page for this book lists 65 Geetere’s etchings but only shows a handful. I’d like to see more of these even if the samples here are representative, Les Chants de Maldoror being a book more deserving of illustration than most.

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Frans De Geetere (1895–1968) was Belgian and there’s a Symbolist lineage in this work with his naming Fernand Khnopff and other Belgian Symbolists as influences. He was also a friend of the wealthy arts patron Harry Crosby whose note about the artist promises more than the artwork here delivers:

The darkness of the forest where he was born, the sombre curriculum of the monks together with the rich darkness of ecclesiastical music, the spark of revolt kindled at the Academy of Brussels and whipped into a flame of hatred by the frescoes his father compelled him to paint in the neighboring churches, his first escape (if artists can be said to escape), the year of hunger whitewashing the walls of houses (le soleil contre le mur blanc) and, at nineteen, night duty as guardian in a maison de fous, these were, for M. Frans de Geetere, the foundation stones of that strange building men call the soul. In the madhouse he worked at his painting by day, and by night snatched unsettled hours of sleep, and in this environment developed those queer, abnormal faces that stare out at us from the pages of Maldoror. …And if “Lautreamont has liberated the imagination and dispelled our fear to enter into darkness” as Mr. Jolas so significantly remarked, M. de Geetere with a smoldering rage and fearlessness of creation followed the poet into darkness–“into the occult beyond” to quote Mr. Jolas again, “where new and demonic visions” (I am reminded of Beardsley and Redon and Alastair) “people our solitude.”

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Elsewhere on {feuilleton }
The illustrators archive
The etching and engraving archive

Previously on {feuilleton }
The art of Sibylle Ruppert
Maldoror illustrated

The art of Melchior Lechter, 1865–1937

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The first issue of yesterday’s arts and crafts magazine Deutsche Kunst und Dekoration includes an article about Melchior Lechter, a German artist and designer whose illustration work I knew from books by gay poet Stefan George but who seems unjustly neglected by fin de siècle art histories. The reminder prompted me to search a bit more actively and doing so turned up another Internet Archive document, Melchior Lechter, a monograph from 1904 by Maximilian Rapsilber. These are Google scans and the quality is very good for once, with a collection of impressive graphic works in Lechter’s religious Art Nouveau style, as well as photos of his furniture and stained glass window designs. I can’t say much more about artist since all the available documentation is in German but the visuals in Rapsilber’s book make me wish we could see more of his work.

(Note: if you want to download the full PDF, do so here.)

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Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Deutsche Kunst und Dekoration

Deutsche Kunst und Dekoration

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Deutsche Kunst und Dekoration (1897) by Joseph Rudolf Witzel.

One of the discoveries made by following leads from the back issues of Jugend magazine was the unearthing of another cache of German periodicals at the Internet Archive. Deutsche Kunst und Dekoration (German Art & Decoration) was founded by Alex Koch in 1897 and the early editions are heavily advertised in the back pages of Jugend. Koch’s journal covers similar ground to the art magazine Pan which was running at the same time but includes additional features on furniture, architecture and interior design. Given the period, all the early issues are heavily biased towards Art Nouveau as the following samples demonstrate. I’m not sure what the figures in Joseph Rudolf Witzel’s poster are supposed to represent. Jugend means “youth”, and most of the Art Nouveau artists and designers were relatively young so it’s possible to see the boy as representative of this. In which case the woman would have to be a muse since it’s only as muse figures (or goddesses, like the picture of Athena below) that women are allowed much of an active role in art of this period.

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The Internet Archive has 50 volumes of Deutsche Kunst und Dekoration covering 1898 to 1922. I’ve barely begun to look at these, and I’ve already found more journals along similar lines so expect this to be a recurrent theme for a while. The following graphics are samples from the first volume, a series of designs for posters and bookplates.

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Previously on { feuilleton }
Jugend, 1896
Jugend Magazine revisited
The Great God Pan
Jugend Magazine