The art of Lucio Bubacco

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Devils and Angels.

There’s been plenty of speculation over the past twenty-four hours concerning the nature of the post-mortem torments that might await Jerry Falwell now that his soul has departed its corpulent container. Various suggestions I’ve seen run the gamut from the fanciful—being buggered for eternity by purple Teletubbies—to the semi-serious—finding himself in the Third Circle of Dante’s Inferno along with the rest of the gluttons who, so Dante tells us, lie in continual hail and rain whilst eating their own excrement. For a man who spent most of his life talking shit, the latter would seem to be a fitting end.

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Devils and Angels (details).

Which disrespectful preamble brings us to another Italian, Lucio Bubacco, and his glass artworks. Bubacco is a Venetian and Venice has long been a centre of excellence in glass-blowing and sculpture. Yet Bubacco excels even by the standards of his birthplace, and his work is a deal more witty, imaginative and finely-crafted than the dull porn glassworks Jeff Koons had produced (by Italians also) for his Made in Heaven series in 1991. Of the work on Bubacco’s site my favourites are those in the “Transgressive” section which includes the marvellous Devils and Angels tableaux shown above, where a complement of masculine angels and demons are arranged about the central pillar in a Kama Sutra of celestial copulation. Not all his work is this outrageous, some is merely sweetly subversive like The Kiss showing an amorous encounter between a satyr and a naked man. That’s still enough to upset Falwell’s Puritan pod people but then they’re beyond our salvation, aren’t they?

Official site | Lucio Bubacco on MySpace

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Previously on { feuilleton }
The art of ejaculation
Czanara’s Hermaphrodite Angel
Angels 4: Fallen angels
Angels 1: The Angel of History and sensual metaphysics
The glass menagerie

Congratulations are in order…

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…for Miss Melinda Gebbie and Mr Alan Moore on the day of their wedding. I can’t make it to Northampton today but here’s the delightful invitation that Melinda created which features a Fabergé egg adorned with views of San Francisco and the happy couple dancing inside. I hope the weather’s good for them.

Update: Neil Gaiman posted photos.

Previously on { feuilleton }
Alan Moore in Arthur magazine

The art of Patten Wilson, 1868–1928

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The Four Seasons (1897).

Typically gorgeous work from the unjustly neglected Victorian illustrator. There’s more scans of the Coleridge illustrations (shown below) at Dr Chris Mullen’s excellent Visual Telling of Stories site.

Continue reading “The art of Patten Wilson, 1868–1928”

The Male Gaze

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Trunk (Jay Garvin) by James Bidgood (early 1960s).

The Male Gaze is an exhibition at the powerHouse Arena,
Brooklyn, NYC, from April 20th–May 27th, 2007.

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Untitled by Raymond Carrance (aka Czanara) (1960–70).

Sullen burger boys meet the effete cognoscenti in The Male Gaze: a group show including over 20 artists whose cultural explosions have rocked foundations across the world. With work spanning over 100 years of bloodless revolution, The Male Gaze features contemporary artists and their classic antecedents reinventing themselves, their world, and their media in savvy, bawdy, dreamy, and terrifyingly new ways. Artists include Stephen Andrews, Gio Black Peter, James Bidgood, AA Bronson, Raymond Carrance, Robert Filippini, Andrew Harwood, Christian Holstad, Scott Hug and Michael Magnan, Brian Kenny, Bruce LaBruce, Qing Liu, Ryan McGinley, Futoshi Miyagi, Slava Mogutin, J. Morrison, Will Munro, Joe Ovelman, Paul P., Jack Pierson, Ezra Rubin, Paul Mpagi Sepuya, Lionel Smartly, and Wilhelm Von Gloeden.

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Two revisited portraits of John by Paul Mpagi Sepuya (2004).

The NYT interviews some of the artists

powerHouse Arena
37 Main Street
Brooklyn
NY 11201

Elsewhere on { feuilleton }
The gay artists archive