Shorpy arcades

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The Arcade, Cincinnati (1905).

Some arcade views from the Shorpy Historical Photo Archive, home of many wonderful high-res pictures. The Colonial Arcade below has appeared here before since some of Shorpy’s prints can also be found at the Library of Congress. This page has details about Cleveland’s arcades while the photos themselves show the changing fashions. It’s surprising to find the people in the 1966 photo appearing almost as blurred as their ancestors.

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Colonial Arcade, Cleveland (1908).

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Euclid Avenue Arcade, Cleveland (1966).

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Previously on { feuilleton }
Austrian arcades
Cours et passages à Paris
Arcades panoramas
Arcades
Passage des Panoramas
Passages 2
Passages

Balloons in the Grand Palais

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Autochrome by Léon Gimpel.

The Grand Palais exhibition hall in Paris is one of the few sites remaining from the Exposition Universelle of 1900 (see yesterday’s post), and is still in use today as a venue for art exhibits, fashion shows and the like. The huge and graceful canopy ceiling makes it a far better venue for art events than the Turbine Hall in Tate Modern, London, which suffers from being narrow, lightless and bisected by a concrete walkway.

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Nine years after the Exposition the first Paris Air Show was held at the Grand Palais giving us these photos of the place filled with a variety of balloons and a blimp. I’m wondering now whether you could fit an entire Zeppelin inside the nave (probably not), although even if it fit there’d be no way to get it inside without demolishing a wall.

The current Grand Palais site has a section devoted to the history of the building which includes this surprising photo from 1937 showing the Beaux Arts structure covered in a Deco-style disguise.

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Previously on { feuilleton }
Paris III: Le Grande Répertoire–Machines de Spectacle

Exposition Universelle photochroms

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Grand entrance.

Every time I think I’ve said enough on this subject something else turns up. I’ve linked before to the Brooklyn Museum’s tinted photographs of the Paris Exposition Universelle of 1900 but these photochom prints at the Library of Congress are so sharp, detailed and subtly hued they make all other views seem crude in comparison. If you’ve seen earlier views of the exposition buildings then everything here is very familiar, albeit more lifelike than anything you’ll find elsewhere. In addition to the greater veracity, the Library of Congress also makes many of its pictures available as high-quality files. These prints and the few minutes of film footage is the closest you’ll get to this event without a time machine.

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Champs de Mars.

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Le Chateau d’eau and plaza.

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The Palais Lumineux.

Continue reading “Exposition Universelle photochroms”

Borobudur panoramas

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Photo by Ursula & David Molenda.

Panoramas of Borobudur, the Buddhist monument in Magelang, Central Java, which lay undisturbed and overgrown for centuries until restoration began following the British occupation of the island in the 19th century. The bell-like structures are stupas, many of which contain statues of the Buddha in different symbolic postures. The entire monument is a complex three-dimensional map of the Buddhist cosmology: pilgrims ascend from the lowest level reading the bas-reliefs and visiting each Buddha in turn. Wikipedia has a detailed account of both the history of the monument and its meaning as a piece of religious architecture.

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Photo by Ursula & David Molenda.

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Photo by Lanang Lintang.

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Photo by Lanang Lintang.

Elsewhere on { feuilleton }
The panoramas archive

Weekend links 130

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Sarah and Writhing Octopus (New Wave Series, 1992) by Masami Teraoka.

Strange Flowers continues to push all my buttons. For a while now I’d been intent on writing something about the strange (unbuilt) temples designed by German artist/obsessive naturist Fidus (Hugo Höppener) but I reckon James has done a better job than I would have managed. Also last week he wrote about Schloss Schleißheim, a palatial estate outside Munich with connections to Last Year in Marienbad and another eccentric, pseudonymous German artist: Alastair (Hans Henning Voigt).

• The circus poster that inspired John Lennon’s Sgt. Pepper song Being For The Benefit Of Mr. Kite! has been reproduced as a limited edition letterpress print. Related: Wikipedia’s page about Pablo Fanque (1796–1871), “the first black circus proprietor in Britain”.

• The first two volumes of The Graphic Canon, both edited by Russ Kick, are reviewed at Literary Kicks. I’ve not seen either of these yet but volume 2 contains my interpretation of The Picture of Dorian Gray. Related: the second book previewed at Brain Pickings.

You only have to read [Alan Bennett’s] diaries to see that, underneath the wit and humour and sandwich-filled pottering around old churches, there is a deep resentment at what has happened to England in his lifetime and an instinctive distrust, sometimes amounting to deep loathing, of most politicians. Listening, for instance, to Alan Clark and Kenneth Clarke talking on the radio about the arrest of General Pinochet in 1998, he writes: “Both have that built-in shrug characteristic of 80s Conservatism, electrodes on the testicles a small price to pay when economic recovery’s at stake.”

Michael Billington on Alan Bennett: a quiet radical

Hauntologists mine the past for music’s future: Mark Pilkington draws a Venn diagram encompassing Coil, Broadcast, the Ghost Box label, Arthur Machen, MR James, Nigel Kneale, Iain Sinclair and others.

Hell Is a City: the making of a cult classic – in pictures. The mean streets of Manchester given the thriller treatment by Hammer Films in 1959. The film is released on DVD this month.

The Function Room: The Kollection, Matt Leyshon’s debut volume of horror stories, has just been published. The cover painting is one of my pieces from the 1990s.

New Worlds magazine (now apparently known as “Michael Moorcock’s New Worlds“) has been relaunched online.

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A drawing from Anatomy (part 1), a series by Alex Konahin.

• The forthcoming Scott Walker album, Bish Bosch, will be released on December 3rd. 4AD has a trailer.

Cormac McCarthy Cuts to the Bone: Noah Gallagher Shannon on the early drafts of Blood Meridian.

• The Velvet Underground of English Letters: Simon Sellars Discusses JG Ballard.

• Michelle Dean on The Comfort of Bad Books.

The typewriter repairers of Los Angeles

Cats With Famous People

Marienbad (1987) by Sonoko | Komm Nach Marienbad (2011) by Marienbad | Marienbad (2012) by Julia Holter.

(Thanks to Ian and Pedro for this week’s picture links!)