Deutsche Kunst und Dekoration #3

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A slight return to Deutsche Kunst und Dekoration, the German periodical of art and decoration. Volume 3, which covers the period from October 1898 to March 1899, was missing from the copies stored at the Internet Archive but has recently been added to the burgeoning collection of books and journals being digitised at the University of Heidelberg. What might have been a frustrating omission turns out to be less interesting than some of the editions which followed but it still features plenty of examples of the German Art Nouveau style.

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Eritis Similis Deo (They were like God) (1896) by Félicien Rops.

Previously on { feuilleton }
Deutsche Kunst und Dekoration #25
Deutsche Kunst und Dekoration #24
Deutsche Kunst und Dekoration #23
Deutsche Kunst und Dekoration #22
Deutsche Kunst und Dekoration #21
Deutsche Kunst und Dekoration #20
Deutsche Kunst und Dekoration #19
Deutsche Kunst und Dekoration #18
Deutsche Kunst und Dekoration #16
Deutsche Kunst und Dekoration #15
Deutsche Kunst und Dekoration #12
Deutsche Kunst und Dekoration #11
Deutsche Kunst und Dekoration #10: Turin and Vienna
Deutsche Kunst und Dekoration #10: Heinrich Vogeler
Deutsche Kunst und Dekoration #9
Deutsche Kunst und Dekoration #8
Deutsche Kunst und Dekoration #7
Deutsche Kunst und Dekoration #6
Deutsche Kunst und Dekoration #5
Deutsche Kunst und Dekoration #4
Deutsche Kunst und Dekoration #2
Deutsche Kunst und Dekoration #1
Deutsche Kunst und Dekoration
Jugend Magazine revisited

The art of Ludwig von Hofmann, 1861–1945

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Ludwig von Hofmann was a German artist whose work has already appeared via the above example from Deutsche Kunst und Dekoration. Many of Hofmann’s drawings and paintings appeared in that magazine’s rival publication, Pan magazine, for which the artist also provided a cover design for the collected editions, and vignettes for the interiors.

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Hofmann is also of note for those of us who search art history for potentially gay art or artists. A handful of his works turn up continually on forums where homoerotic artwork is posted even though I’ve yet to see any evidence that his desires ran in this direction. It’s true that many of Hofmann’s pictures focus exclusively on the naked male form, but it’s equally true that he painted and drew a large number of naked women. Males and females often appear together in Adam and Eve pictures, a theme which was so common in German art at this time it’s easy to assume that most artists were using the subject as the merest excuse to represent the unclothed figure.

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Ganymede poster design from Pan (1895).

Biographical details state that Hofmann married his cousin in 1899 although he still may have been  bisexual, of course. If I was making a case for a Uranian inclination in his art I’d point to his poster design on the Ganymede theme (a favourite among gay artists with its story of Zeus falling for a beautiful boy), his many drawings of bathing boys and naked riders on horseback (the latter seems an obsession), Thomas Mann’s admiration for his work, and at least one sketch of a boy from Capri, an island with a long history as a favourite holiday resort for the rich and famous homosexuals of Europe. Whatever the truth, many of Hofmann’s pictures remain homoerotic, intentionally or not, and a few further examples are posted here. I should note that two of the pictures have been cropped to focus on the male figures, and that many of them lack verifiable dates.

Continue reading “The art of Ludwig von Hofmann, 1861–1945”

Weekend links 70

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Faustine (1928) by Harry Clarke.

• This week’s Harry Clarke fix: 50 Watts reposts the Faust illustrations while Golden Age Comic Book Stories has the illustrated Swinburne.

What Goes Steam in the Night is an evening with contributors to The Steampunk Bible hosted in London by The Last Tuesday Society on September 6th:

Co-author S. J. Chambers invites you to the official U.K. celebration of her book The Steampunk Bible (Abrams Image). Part lecture, part signing, and part entertainment, S. J. will be accompanied by contributors Jema Hewitt (author of Steampunk Emporium ) and Sydney Padua (Lovelace & Babbage) for a discussion of the movement, a special performance by Victorian monster hunter, Major Jack Union, and inevitable hi-jinks and shenanigans to later be announced.

• RIP Conrad Schnitzler, an incredibly prolific electronic musician, and founder member of Tangerine Dream and Kluster/Cluster.

Golden Pavilion Records reissues fully-licensed late 60’s and 70’s psychedelic, progressive, acid-folk & art-rock music.

Dressing the Air is “an exclusive consulting and online resource for the creative industries”.

Luke Haines explains how to cook rabbit stew whilst listening to Hawkwind.

Wood pyrography by Ernst Haeckel from his home, the Villa Medusa.

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Satia Te Sanguine (1928) by Harry Clarke.

The truth is, the best novels will always defy category. Is Great Expectations a mystery or The Brothers Karamazov a whodunnit or The Scarlet Letter science fiction? Does Kafka’s Metamorphosis belong to the genre of fantasy? In reality men don’t turn into giant insects. And it’s funny. Does that mean it’s a comic novel? […] At a time when reading is in trouble, those readers left should define themselves less rigidly.

Howard Jacobson: The best fiction doesn’t need a label.

Pace the redoubtable Jacobson, Alan Jacobs believes We Can’t Teach Students to Love Reading.

How Ken Kesey’s LSD-fuelled bus trip created the psychedelic 60s.

Salvador Dalí creates something for Playboy magazine in 1973.

JG Ballard: Relics of a red-hot mind.

Electric Garden (1978) by Conrad Schnitzler | Auf Dem Schwarzen Kanal (1980) by Conrad Schnitzler.