Weekend links 371

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• My cover design for the Doug Murano-edited story collection, BEHOLD! Oddities, Curiosities and Undefinable Wonders, appeared here last December but a repost is in order since the book has been published this week by Crystal Lake. Back in December I didn’t have a list of the featured authors but I do now: Clive Barker, Neil Gaiman, Ramsey Campbell, Lisa Morton, Brian Kirk, Hal Bodner, Stephanie M. Wytovich, John Langan, Erinn L. Kemper, John FD Taff, Patrick Freivald, Lucy A. Snyder, Brian Hodge, Kristi DeMeester, Christopher Coake, Sarah Read and Richard Thomas. The foreword is by Josh Malerman, and the interior illustrations are by Luke Spooner.

• “How do you memorialize an artist who refused to remain identical to himself? How do you remember one of the great philosopher-artists of memory?” Ben Lerner on the elusive Chris Marker.

Diabolical Fantasia: The Art of Der Orchideengarten, 1919. A welcome reprinting of art from the German magazine of weird fiction compiled by Thomas Negovan. (Previously)

• Coming in September: Conny Plank: The Potential of Noise, a documentary by Reto Caduff and Stephan Plank about the great record producer.

The Roman Roads of Britain mapped by Sasha Trubetskoy in the style of Harry Beck’s London Tube Map.

• At Dennis Cooper’s: Spotlight on…Julia Kristeva Powers of Horror: An Essay on Abjection (1980).

Ian Shank on the trove of erotic Roman art that scandalized Europe’s royals.

• At Haute Macabre: Biblio-alchemy: The Liquid Library of Annalù Boeretto.

• What makes a French film noir? Andrew Male has some suggestions.

David Shariatmadari on how 1967 changed gay life in Britain.

• Mix of the week: Gated Canal Community Radio.

• A Gallery of Moods by Mlle Ghoul.

Loe And Behold (1970) by Sir Lord Baltimore | Behold The Drover Summons (1983) by Popol Vuh | Beholding The Throne Of Might (2014) by The Soft Pink Truth

The Sandman, a film by Paul Berry

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Nothing to do with Neil Gaiman’s Goth dream-master, and not a film for children despite appearances, Paul Berry’s short animation, The Sandman (1991), is based on Der Sandmann by ETA Hoffmann. The less said about its content, the better; watch it to the end. Paul Berry later worked as a puppet animator on feature films including The Nightmare Before Christmas. I didn’t know—and was dismayed to discover—that he died in 2001 at the age of 40.

Weekend links 271

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Environment Transformer/Flyhead Helmet by Haus-Rucker-Co (1968). From Hippie Modernism at the Walker Art Center, Minneapolis.

• From 2006: Weird Tales: The Strange Life of HP Lovecraft. Geoff Ward examines Lovecraft’s life and work for BBC Radio 3 with contributions from Neil Gaiman, ST Joshi, Kelly Link, China Miéville and Peter Straub. Meanwhile, Ned Beauman wonders whether Ford Madox Ford is “as scary as Lovecraft”.

• Alexei German’s years-in-the-making feature film, Hard to be a God (previously), receives a UK release this week. Paul Duane reports on an overwhelming viewing experience, while Nigel Andrews says it “may be the greatest film since the millennium began”.

• Mixes of the week: Adventures In Sound And Music, 30 July 2015, hosted by Joseph Stannard, and RCMIX9 by worriedaboutsatan.

As Nabokov insisted, “Literature is invention. Fiction is fiction. To call a story a true story is an insult to both art and truth.” The genre thrives because its deceptions are liberating. For Wood, the thrill of reading fiction is intimately connected with the awareness that fiction constitutes “an utterly free space, where anything might be thought, anything uttered.” The excitement comes when, as readers, we’re allowed to participate in this freedom and experience the fiction imaginatively, without being required to believe that it is true.

Joanna Scott on The Virtues of Difficult Fiction

• “Writing used to be a solitary profession. How did it become so interminably social?” asks Meghan Tifft.

• The original, real-life dystopian cityscape of Kowloon Walled City, and the artwork it inspired.

• The Long, Lonely Walk: Nick Ripatrazone on hallways in horror films.

New cover designs for the Essentials range from Penguin Books.

Lemi Ghariokwu: “How I designed Fela Kuti’s album covers”.

• “Do CDs sound better than vinyl?” asks Chris Kornelis.

• Magic Fly (1977) by Space | Human Fly (1978) by The Cramps | I Am The Fly (1978) by Wire

A Mountain Walked

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Art by David Ho.

This may be a frustrating post for some since it concerns a limited edition anthology that sold out almost as soon as it was announced a year or so ago. Even though the book was published last year it’s taken a few months for my copies to arrive. A Mountain Walked is a collection of Cthulhu Mythos stories compiled by leading Lovecraft scholar ST Joshi, and published in the US by Centipede Press. Anyone familiar with Centipede’s more luxurious volumes will know that they don’t do things by halves, and this weighty tome is no exception: a large-format hardback (the signed edition is also cased), with heavy paper stock, colour printing, tinted sheets and a bulk that runs to almost 700 pages.

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Art by David Ho.

Many of the stories are reprints but there’s also new material from contributors including Thomas Ligotti, Neil Gaiman, Caitlín R. Kiernan, Laird Barron, the late Michael Shea (to whom the book is dedicated), Patrick McGrath, TED Klein, Gemma Files, Ramsey Campbell and many others. The artwork also ranges widely; I’d not seen anything by David Ho before but he’s very good, hence the samples shown here. But there’s also a variety of other work, even a Lovecraftian Peanuts comic strip by Julien Baznet. I was pleased that my Cthulhoid picture was placed with the introduction, it makes up for my never having responded to Mr Joshi when he wrote to me years ago asking if I’d be interested in contributing something to Necronomicon Press.

Since the book was so successful there’s been talk of doing a cheaper reprint. In the meantime, bloated Lovecraftian plutocrats (Yuggothcrats?) will find very expensive copies for sale on eBay. A few more page samples follow.

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Continue reading “A Mountain Walked”

Weekend links 229

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Untitled (2007) by Remko van Drongelen.

• Another week, another Kickstarter project: Frank Woodward’s 2008 documentary, Lovecraft: Fear of the Unknown, was an excellent study of HP Lovecraft’s life and work featuring interviews with John Carpenter, Neil Gaiman, Caitlín R. Kiernan, Peter Straub, Guillermo Del Toro and leading Lovecraft scholar ST Joshi; the film also included a few examples of my Cthulhoid artwork. Disc copies of the film have been out-of-print for a while so Frank’s fund is hoping to raise money for a new Blu-ray edition featuring extended interviews and other extras.

• David Cronenberg’s debut novel, Consumed, “reads somewhat like a mashup of William Gibson, the king of near-future SF cool, and 1970s horror maestro James Herbert,” says Steven Poole. I’d have thought a more obvious analogy would be with JG Ballard; descriptions of Cronenberg’s narrative make it sound like Ballard’s concerns repurposed for our current era of electronically-mediated everything. Related: Crash by Sanyú, “adaptación de un fragmento de la novela de J. Ballard”.

• “To commune with the music of Cyclobe is to enter not just a strange world, but strange constellations – interdimensional, atemporal zones of carefully cultivated auras bordering wild, unstable forces.” Russell Cuzner talks to Ossian Brown and Stephen Thrower about Derek Jarman, hurdy-gurdies and the deceptive nature of time.

…there are no rules in fiction even if creative writing programs everywhere have tried to make people believe there are. When I read fiction that has passed through the filter of too many workshops, I often get the feeling that I’m reading the same novel over and over again: the same way of being humorous, the same way of being candid, the same way of creating empathy.

Valeria Luiselli talking to Jennifer Kabat about fiction, cities and maps.

• The rationale behind Silent Partners: Artist & Mannequin from Function to Fetish is “to explore the way that the artificial human figure has routinely provided artists with the most direct and reliable route to visual realism. And then to work out why that makes us so upset.” Kathryn Hughes on a new exhibition.

• “It immediately throws up some interesting thoughts: Bowie as the young dandy and the obvious comparisons with Oscar Wilde and The Picture Of Dorian Gray, with the portrait that ages.” Designer Jonathan Barnbrook on the cover photos for David Bowie’s forthcoming album Nothing Has Changed.

• October brings all the music mixes. This week there’s a choice of FACT mix 463 by Dntel, Autumn’s Whirr by Café Kaput (aka Jon Brooks), and Suspected Rural Telephone Box Poltergeist by The Geography Trip.

• “…when you first go into the room it’s like entering a furnace… a furnace of sound.” Scott Walker talks to John Doran about recording with Sunn O))). The new album, Soused, is out on 20th October.

We are the Martians: the Legacy of Nigel Kneale, a new collection of Kneale-related essays and appreciations, edited by Neil Snowdon.

• Kim Newman is one of the contributors to the Kneale collection. Here he is on the main types of ghost story, and how to recognize them.

Issue 7 of Glitterwolf magazine is out on the 15th, and it’s a Halloween special.

Etai Rahmil makes mask-pipes from glass for weed smokers.

Accidental Cool Art

Hurdy Gurdy Man (1968) by Donovan | Hurdy Gurdy Man (1970) by Eartha Kitt | Hurdy Gurdy Man (2009) by Patrick Cowley & Jorge Socarras