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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.

Archive for the ‘David Lindsay’ tag

 

From The Furthest Signals

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It’s been a busy year so far for A Year In The Country with two themed compilation albums being followed this month by a third, From The Furthest Signals. The latest theme is an intriguing one, taking as its starting point the erasing of broadcast tapes by British TV companies in the 1960s and early […]

Posted in {electronica}, {music}, {television} | 2 comments »

 


Etidorhpa by John Uri Lloyd

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I wouldn’t usually post so many illustrations but these depictions by J. Augustus Knapp for Etidorhpa by John Uri Lloyd add a great deal to the attractions of this early work of science fiction. Lloyd’s book is subtitled The End of Earth; The Strange History of a Mysterious Being; The account of a remarkable journey […]

Posted in {art}, {books}, {drugs}, {illustrators}, {science fiction} | 4 comments »

 


A Strange Manuscript Found in a Copper Cylinder

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A great title. As usual I came across this whilst searching for something else. Something about this was familiar but I haven’t read the book, and I suspect it will be one of those where the title proves a lot more evocative than the narrative. The author was a Canadian writer, James De Mille (1833–1880), […]

Posted in {art}, {books}, {fantasy}, {illustrators} | Comments Off

 


The art of Bob Pepper

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Forever Changes (1967) by Love. Art by Bob Pepper, design by William S. Harvey. Following yesterday’s post about Philip K Dick covers (and Erik Davis’s appraisal of the DAW cover), I decided to check out Bob Pepper’s work a bit more and it quickly became obvious I should have joined the dots with this particular […]

Posted in {art}, {books}, {electronica}, {fantasy}, {horror}, {illustrators}, {lovecraft}, {music}, {psychedelia} | 20 comments »

 


Masonic fonts and the designer’s dark materials

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The trailer for The Golden Compass turned up this week, the first part of Philip Pullman‘s His Dark Materials trilogy, and I can’t help but note that the film’s designers have chosen Jonathan Barnbrook’s Mason font for the titles and the rest of the typography. This isn’t so surprising given that Mason has been used […]

Posted in {art}, {books}, {design}, {fantasy}, {film}, {painting}, {symbolists}, {typography}, {work} | 1 comment »

 


 



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