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Dress (2012) by Nao Ikuma. • Two of my Cthulhu artworks can currently be seen in the Ars Necronomica exhibition at the Cohen Gallery, Brown University, Providence, RI. The exhibition is part of NecronomiCon, and runs to September 13th. In related news, my steampunk illustration has been nominated in the Visual category of this year’s […]

The Stone Tape has accrued a considerable cult reputation since it was first broadcast as a BBC ghost story during Christmas, 1972. I was too young to see the original transmission—I used to hear awed reports from those who remembered it—and didn’t get to see it until the BFI brought out on DVD a few […]

Japanese poster (1982). At The Quietus Steve Earles looks back at John Carpenter’s visceral and uncompromising The Thing which exploded messily onto cinema screens thirty years ago. It’s always worth being reminded that this film (and Blade Runner in the same year) was considered a flop at the time following bad reviews and a poor […]

Design by David Pelham (1972). Continuing an occasional series. Pity the poor designer who has to create a new cover for Anthony Burgess’s novel when David Pelham’s Penguin cover—created in haste forty years ago—is more visible than ever. Pelham’s design is a familiar sight on these pages but it’s also an increasingly familiar sight elsewhere, […]

Seven-inch sleeve design by Savage Pencil for Wrong Eye (1990) by Coil. • “Can you use sensory deprivation to explore ESP? And then make music from the process?” Drew Daniel and MC Schmidt of Matmos decided to find out for their new EP. Related: Occult Voices—Paranormal Music, Recordings of Unseen Intelligences, 1905–2007 at Ubuweb. Details […]

Coronal Mass Ejection from the surface of the Sun, August 31st, 2012. • “Most of the main parts were recorded in a single day using Vangelis’s famous technique: try to play as many synths as possible at once.” Simon Drax on the prolific musical output of Zali Krishna. The new Krishna opus is Bremsstrahlung Sommerwind, […]

Dreams before Surrealism: a sheet music cover from 1926 by René Magritte. • The week in music: Listen to compositions by Annea Lockwood. | At the Free Music Archive: Uncomfortable Music, a tribute to David Lynch’s Eraserhead (and, it should be said, to Alan Splet’s unique soundtrack). | Alan Licht plays a track from Trout […]

Growing up in the 1970s put cinema-going kids of my generation in a frustrating position: we knew that the censorship of decades past was over but we weren’t old enough to see any of the films benefiting from the relaxed strictures. Consequently some notorious releases grew larger in the imagination than they might have otherwise, […]

Typographic Composition (1924) by Teresa Zarnowerówna from a post about Polish graphic design at 50 Watts. • “Direct action is a matter of acting as if you were already free… [...] …the link between military and money systems remains the dirty secret of capitalism.” A lengthy and essential interview with “anarchist anthropologist” David Graeber, author […]

left: The Hostage (1966); right: The Female Terrorist (1971). Both by Konrad Klaphek. No, I’m not suggesting that David Pelham’s paintings for the Ballard covers he designed in the 1970s are inspired by the earlier work of German artist Konrad Klaphek. But it’s tempting to think of Klaphek’s isolated objects as being intended for Ballard […]

Pop music is one of the best forms of time travel when it summons a memory that returns you to a specific time and place. All I need to revisit the summers of 1981/82/83 is a blast from one of these albums, each a Martin Rushent production that benefited from his expertise with synth and […]

Or So It Seems (1983) by Duet Emmo. Design by The Brothers Quay. • “Make things, no rules, but be quick.” Bruce Gilbert, musician in (among others) Wire, Dome and Duet Emmo is interviewed. Related: Daniel Miller, Mute label boss and another member of Duet Emmo is interviewed (and provides a mix) at The Quietus. […]

Kjendalskronebrae, Nordfjord, Norway (c. 1900). From the Library of Congress Prints and Photographs Division via Wood s Lot. Are you suffering list fatigue yet? I certainly have been, especially from the apparently endless “best ___ of the decade” catalogues which would have you believe that the significant cultural products of the past ten years have […]

These days I still wear T-shirts but only under other clothes, I’m no longer happy with the T-shirt as an item on its own. (It doesn’t help that my arms are so skinny they always look awkward depending from a pair of short sleeves.) The irony is that I’ve spent a lot of time over […]

top left: David Pelham’s classic design (1972); top right: photography by Lionel F Williams (Eye) and SOA / Photonica (Cogs) (1996). bottom left and right: photography by Véronique Rolland (2000 & 2008). In April this year I wrote about James Pardey’s excellent site devoted to book covers from the Penguin science fiction range. I’m often […]

Taking a break from the psychedelic overload today with a return to (what else?) black and white photographs of naked men. The subjects this time are from Mobilario Humano, fanciful suggestions for furniture designs by David Blázquez which use the photographer himself as the subject, collaged into a series of pliable clones. Allen Jones produced […]

Autobahn by Kraftwerk; Vertigo #6360 620. Colin Buttimer was in touch last week to let me know he’d copied my Barney Bubbles post (with my permission) to his excellent new site, Hard Format, which is devoted to the art of music design. In the intro to that piece he repeats something he’d mentioned to me […]

The HAL Project. January flew by in a blizzard of work so posting here tended to rely more on pictures than words. As usual the things I’ve been designing will be unveiled when they’re closer to being published or released but for now here’s some new or not-so-new items worthy of note. • The HAL […]

Before speech synthesis became a standard feature of home computing there was this crude device for teaching children spelling, now emulated in Flash by Kevin St. Onge. Anyone who’s heard Kraftwerk’s later music will recognise the tones generated by the top row of buttons which Ralf and Florian used on the track Home Computer for […]

Clearing junk today turned up some obsolete artefacts one of which (the Kraftwerk) has been kept for purely sentimental reasons. It’s been amusing the past few years watching the vinyl disc refuse to crawl onto the scrapheap of history despite its death having been announced many times over by journalists who—as usual—should know better. Several […]