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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Ô Sidarta: a film about Philippe Druillet

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“Qualité très médiocre,” says the uploader of this 10-minute film by Michel Jakar about French comic artist Phillipe Druillet but that’s okay with me when we’re given an opportunity to see Druillet at work in 1974. (Ô Sidarta, as Druillet-heads will tell you, is the name of Lone Sloane’s spaceship.) Jakar captured the saturnine artist on 35mm (!), accompanied by a buzzing electronic score from Alain Pierre; the drawing we see Druillet creating was later used on a poster when the film was being shown around festivals. Cut into the shots of the artist at work are pages and panels from the Lone Sloane story, Délirius (1973), and a later album, Yragaël (1974). Most fascinating for me was seeing Druillet flinging the ink and paint around at speed. This makes sense given the huge volume of pages he was producing in the 1970s, all of them crawling with detail and shading, but it’s still good to have suspicions confirmed.

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Previously on { feuilleton }
Lovecraft: Démons et Merveilles
Heavy Metal, October 1979: the Lovecraft special
Philippe Druillet album covers
Druillet’s vampires
Salammbô illustrated
Druillet meets Hodgson

 


Lovecraft: Démons et Merveilles

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UK publisher Titan Books announced earlier this year that they’d be reprinting the first volume of Glénat’s excellent comic-strip adaptation of Michael Moorcock’s Elric novels in an English edition, a book that should be out in September. This was a surprise to me when I’ve complained for years that Titan seldom showed any interest at all in Continental comics, despite France and Belgium being over-burdened by world-class creators. I’ve been surprised again this week by the news that Titan will also be reprinting the English edition of Philippe Druillet’s The 6 Journeys of Lone Sloane in March next year. Druillet’s books have been unavailable in English editions for decades so this is good news indeed, even if the attention is scandalously late.

As I noted in the post about Glénat’s Elric, Druillet illustrated Moorcock’s albino anti-hero in 1973. The artist is better known for his Lovecraftian depictions, however, even when—as in the adventures of Lone Sloane—the story could easily sustain itself without all those sinister temples, fish people, Cyclopean architecture and the menace of nameless gods. The Lovecraft influence, which can be found in some of his earliest illustrations, comes to the fore in Lovecraft: Démons et Merveilles, an HP Lovecraft story collection published in an expensive limited edition by Éditions Opta/André Sauret in 1976. Druillet provided ten colour illustrations plus a design for the boards. Some of these illustrations have since been used on paperback editions of Lovecraft in France, although many of them crop the artwork. Tentacles have become a perennial cliché in Lovecraftian art (I should know, I’ve drawn enough of them) so it’s worth noting how few there are in Druillet’s drawings.

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No tears for the creatures of the night

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No Tears (1978): A song and 12″ EP by Tuxedomoon. Sleeve design by Winston Tong.

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• An artwork from 2005 by Will Munro.

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• A make-up portfolio from 2012 by Belinda Betz. Photographer : Erwin Tirta. Model : Jesy Love. Make-Up Artist (Special Effects) : Belinda Betz.

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• A badge design at Zazzle.

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A Pinterest page. Tags: dracula, isabelle adjani, vampires, werewolves, witchcraft, francisco goya, edward gorey, joanna lumley.

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• A club night in St Gallen, Switzerland.

Previously on { feuilleton }
Blaine L. Reininger: An American Friend
Tuxedomoon: some queer connections
Made To Measure
Subterranean Modern: The Residents, Chrome, MX-80 Sound and Tuxedomoon
Tuxedomoon on La Edad de Oro, 1983
Tuxedomoon designs by Patrick Roques
Pink Narcissus: James Bidgood and Tuxedomoon

 


Weekend links 217

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Le Petit Journal, June 16, 1912. Via Beautiful Century.

Occult art by Nicomi Nix Turner, Daniel Martin Diaz, Amy Earles and William Crisafi. Related: Illustrations by Ernest M. Jessop for The Witches Frolic by Thomas Ingoldsby.

• “Our definition of ‘Industrial’ then was a very broad one, it’s definitely not so much now.” Chris Carter & Cosi Fanni Tutti on 20 Jazz Funk Greats by Throbbing Gristle.

• At Dangerous Minds: the Amok Assault Video (1988), an hour of the bizarre, the extreme and the outré which will probably get yanked from YouTube before too long.

I’ve always thought the exchange of words for money is no more and no less problematic than any other kind of prostitution—and it’s important that we prostitutes control a certain amount of our production (and reproduction, for that matter). If I’m writing a book and I’m warned, “Oh, this is unsaleable, you need to make it shorter,” or, “It has to be this, or that,” I’m proud to say I don’t pay attention.

Though this is becoming more difficult. As large publishers turn into monopolies, and the MBAs who are running them—maybe editors used to run them before—are steadily tightening the screws, they feel more and more that they get to call the shots.

Writers can do anything, says William T. Vollmann

• Mixes of the week: Over two hours of Coil and other artists sequenced by Surgeon, and Secret Thirteen Mix 122 by DJ Skirt.

Alan Moore calls for a boycott of the “wretched” new Hercules film on behalf of his friend Steve Moore.

Joe Orton‘s first play, Fred and Madge, will receive its world premier in September.

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Ned Raggett found the drawing of mine that’s part of the Tentacles exhibition currently showing at the Monterey Aquarium, California. Thanks, Ned! There’s a sepia-toned version of the drawing in my Cthulhu calendar.

• “Weird is a wayward word,” says Erik Davis in an exploration of weirdness old and new.

• More details about the forthcoming Scott Walker + Sunn O))) collaboration.

• A trailer for a reissue of Robert Wiene’s The Cabinet of Dr. Caligari (1920).

A history of sex toys in pictures.

Books on Book Covers

Octopus’s Garden (1969) by The Beatles | The River (1970) by Octopus | Octopus (1970) by Syd Barrett

 


Young Knight in a Landscape

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Young Knight in a Landscape (1510).

A painting by Venetian artist Vittore Carpaccio (c. 1460–1525/26) replete with natural detail. Many of these details, the animal ones in particular, are no doubt symbolic, although what they symbolise can change over time, and may also refer to the personal mythology of the family for whom the painting was created. Dogs often represent fidelity but the dog crouching on the path behind the knight wears an expression that may be taken for a snarl. The hawk knocking another bird from the sky is more obviously a symbol of belligerence which suits the action of drawing a sword.

The note for this painting says it was attributed to Albrecht Dürer until 1919, something I find surprising. The vegetation is certainly painted with a Dürer-like precision but Dürer was equally precise with his figures, and would have paid more attention to the modelling of the hands. One detail I don’t recall seeing before is the codpiece pocket. The Scottish sporran often has a pocket in the back, there being no pockets in kilts or, for that matter, in suits of armour.

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Books

    The Haunter of the Dark
    Reverbstorm

 


 

Previously on { feuilleton }

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{ feuilleton } recommends


The Outer Church

 

I Am The Center--Private Issue New Age Music In America 1950-1990

 

Cosmic Machine--A Voyage Across French Cosmic & Electronic Avantgarde (1970-1980)

 

Why Do The Heathen Rage? by The Soft Pink Truth

 

School Daze by Patrick Cowley

 

Somnium by Steve Moore

 

Strange Attractor Journal Four

 

Clive Hicks-Jenkins

 

A Humument by Tom Phillips

 

Schalcken the Painter

 

Berberian Sound Studio

 

Quatermass and the Pit

 

The Stone Tape by Nigel Kneale

 

Beasts by Nigel Kneale

 

A Field In England

 

Blood on Satan's Claw

 

Enter the Void

 

David Lynch Collection

 

Children of the Stones--The Complete Series

 

BBC Ghost Stories for Christmas (Box Set)

 

The Erotic Films of Peter de Rome

 

L'Ange by Patrick Bokanowski

 

Piotr Kamler--A La Recherche du Temps

 


 




 

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The Crackdown by Cabaret Voltaire