Weekend links 848

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Exhibition poster, 1970.

• RIP Peter Max, an artist who made the popular manifestations of psychedelic graphics near-synonymous with his own name which was always typeset and prominently displayed with a copyright symbol on his printed creations. Max’s formulation of the artist-as-brand was so extensive he makes those who attempted similar things look like slackers. Even Salvador Dalí didn’t have his own breakfast cereal. Hippy transcendence fused with naked commercialism. More Max: The 1971 Peter Max Astrologicalendar; Riverside Drive, a Max-designed typeface; Max on TV: The Fifth Dimension Special: An Odyssey in the Cosmic Universe of Peter Max (1970); Peter Max book covers, puzzles and more.

• “Film is a very unusual combination of things because it has an incredible financial commitment of spending, yet it has to be free and creative. To be any good, the cinema that I do has to be free and yet there are many constraints on it now and my best films were made in an era of wildness…” The late Jeremy Thomas talking to Nick James in 2014 about his long career in cinema.

• At Nautilus: The Promise and Peril of Toad Smoking, the Everest of Psychedelics. Kristen French talks to Kimon de Greef about his new book, The Ego Trip: Psychedelic Toads, a Trail of Deaths and the Guru Who Peddled Transcendence.

• At Smithsonian Mag: Thomas Waters on six ways that people of the past used magic to protect their homes, from witch bottles to mystical symbols.

• New music: September Nineteen Sixty Nine by Adam Wiltzie / Jóhann Jóhannsson; Now We Can Sing by Max Richter; Norfolk by Richard Sage.

• At CDM: Adam Wiltzie talks to Peter Kirn about his posthumous collaboration with Jóhann Jóhannsson.

• At Public Domain Review: Thomas W. Laqueur on dogs in the paintings of Paolo Veronese.

• At Dennis Cooper’s: Spotlight on Leonora Carrington The Hearing Trumpet (1977).

• At the BFI: Kim Newman chooses 10 great sci-fi B-movies.

• Old music: King Crimson on German TV in 1969.

• 1969 (1969) by The Stooges | 1969 (1983) by The Sisters Of Mercy | 1969 (2002) by Boards Of Canada

Weekend links 614

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Uncredited cover art for the forthcoming Ghost Power, the debut album from the group of the same name, a collaboration between Jeremy Novak (Dymaxion) and Tim Gane (Stereolab, Cavern Of Anti-Matter).

• Objective correlatives: “In compiling the following list of influences and inspirations for my memoir, Modern Instances: The Craft of Photography, I had a certain, specific range of aesthetic experiences in mind,” says Stephen Shore.

• “Smoking toad has been likened, in one guide to psychedelics, to ‘being strapped to the nose of a rocket that flies into the sun and evaporates.'” Kimon de Greef on The Pied Piper of Psychedelic Toads.

• “I’ve always been fascinated by the idea that before there was language there was music,” says Meredith Monk.

• Coming soon from Strange Attractor: Obsolete Spells – Poems and Prose from Victor Neuburg and the Vine Press.

• “…scepticism is not simply about knowledge or language. It is a way of life,” says Nicholas Tampio.

• Life during wartime: Jonathan Wright on Radio Tisdas and the roots of Tinariwen.

• Mix of the week: A Hallow Ground mix for The Wire.

• Volunteers rally to archive Ukrainian web sites.

• The Strange World of…Ahmed Abdul-Malik.

• I Put A Spell On You (1965) by Nina Simone | Cast A Spell (1969) by The Open Mind | Spinning A Spell (1970) by Mystic Siva