{ feuilleton }

William S Burroughs: A Man Within

The Ticket that Exploded. Cover design by Thomi Wroblowski for a John Calder edition, 1985.

William S Burroughs: A Man Within is a feature-length documentary by Yony Leyser, and is, so the makers say, the first posthumous documentary about the always essential writer. Howard Brookner’s 1983 film, Burroughs, is probably definitive where the biography is concerned since Brookner was fortunate to get most of the key surviving Beats, family members, and allies while they were still around. Leyser’s trailer looks interesting, however (I’m hoping the film isn’t merely a parade of celebrities and soundbites), and it’s things like this which pass on the message of Burroughs’ continued importance to a new generation.

The film features never before seen footage of William S. Burroughs, as well as exclusive interviews with his closest friends and colleagues including John Waters, Genesis P-Orridge, Laurie Anderson, Peter Weller, David Cronenberg, Iggy Pop, Gus Van Sant, Sonic Youth, Anne Waldman, George Condo, Hal Willner, James Grauerholz, Amiri Baraka, Jello Biafra, V. Vale, David Ohle, Wayne Propst, Dr. William Ayers, Diane DiPrima, Donovan, Dean Ripa (the world’s largest poisonous snake collector), and many others, with narration by actor Peter Weller, and soundtrack by Sonic Youth.

Release is slated for later this year. Meanwhile, there’s another trailer on YouTube for a Burroughs’-inspired short, The Japanese Sandman, based on WSB’s quest for the drug yage in the jungles of Panama. For an explanation of the title, consult the Reality Studio.

Elsewhere on { feuilleton }
• The William Burroughs archive

Nicoletto Giganti’s naked duellists

This is something you don’t generally see in swashbuckling films, a duellist being stabbed through the eye. To judge by the plates in Nicoletto Giganti’s sword-fighting manual it seems to have been a very common form of attack; duels with bare blades were a serious business. For some reason most of the combatants in these pictures also have bare bodies, possibly to better display the positioning of their limbs.

I found this 1644 book by accident last year while searching for something completely unrelated then forgot to bookmark the page. Good job, then, that the indispensable Mr Peacay at BibliOdyssey had come across the same pages. He also found plates from an older book dealing with different forms of hand combat.

Elsewhere on { feuilleton }
• The men with swords archive
• The etching and engraving archive

Previously on { feuilleton }
• Battle of the Naked Men

The art of Warwick Goble, 1862–1943

Moon Maiden (1910).

Goble’s Moon Maiden, an illustration from Green Willow and Other Japanese Fairy Tales, is proof that a peacock train needn’t be the sole preserve of masculine birds, but then Ruth St Denis had already shown us that. Art Passions has a decent selection of Goble’s fairy pictures although if you want to see the full complement of drawings made for these books you need to consult the Internet Archive. As usual with illustrators of this period, I find I prefer many of the black-and-white works over the paintings; Art Passions doesn’t have any of those, unfortunately, while the book scans are too low-res to do them justice. Once again, Bud Plant provides an overview of the artist’s career.

Sea-Nymphs – Ding-Dong, Bell (1920).

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Ruth St Denis

Fillmore sealife

Country Joe & the Fish by Wilfred Weisser (1968).

A pair of sea-themed psychedelic posters from a small collection here. Most of the examples are familiar faces but these two stood out for me, especially the octopus one by Wilfred Weisser which I hadn’t seen before. The figures in Bob Fried‘s poster below look like they may have been borrowed from Walter Crane or a later Victorian illustrator.

Update: For the record, Bob Fried’s figures are indeed by Crane, an illustration for Spenser’s Faerie Queene from The Studio magazine, 1896.

Canned Heat by Bob Fried (1967).

Previously on { feuilleton }
• Max (The Birdman) Ernst
• Taking Woodstock
• Dutch psychedelia
• Family Dog postcards
• Octopulps

More book design

Yes, it’s been a busy year. These are books three and four respectively of the titles I’ve been designing for Tachyon Publications, and there are more on the way.

Kage Baker’s The Hotel Under the Sand is a charming fantasy for children concerning the hotel of the title and its curious inhabitants, which include a ghost bellboy and a pirate captain. The illustrations were by Stephanie Pui-Mun Law and I tried to complement these with the lettering design and graphic elements. I always enjoy working on illustrated books.

The Very Best of Fantasy & Science Fiction is a very different beast, a big (480 pages) selection by Gordon Van Gelder of some of the many first-class stories from the sixty-year history of the fiction magazine. F&SF has published so many classic stories over the years the book could easily have been twice as big. As it is there are pieces by Alfred Bester, Ray Bradbury, Shirley Jackson, Philip K Dick, Harlan Ellison, Stephen King and Neil Gaiman, among others. The design in this case came from studying a copy of the magazine from 1967; I was already thinking of using Bodoni for the story titles and that choice was confirmed when I saw it used for the same purpose in the magazine. The calligraphic titles were also scanned from there, their design going back to the very first issue.

Both these books are on sale now, and Keith Brooke gave a glowing appraisal to the latter in The Guardian at the weekend.

Previously on { feuilleton }
• Medicine Road by Charles De Lint
• The Best of Michael Moorcock