Category: {typography}

Presenting a new book design, and a very substantial production. Bob Haberfield: The Man and His Art is a two-volume slipcased collection of the late Bob Haberfield’s drawings, paintings and illustrations, dating from his youth in Australia to his retirement in Wales. As a commercial artist, Haberfield is best known for the many cover paintings he produced in the 1970s for fantasy, horror and SF books, especially those for the Michael Moorcock novels published in the UK by Mayflower. He continued to work as a cover illustrator in the 1980s but his career encompassed album cover design during the 1960s in Australia, advertising and product illustration in Australia and Britain, and a great deal of personal work, all of which is covered here. The books were commissioned by Bob’s son, Ben Haberfield, who contributes a personal reminiscence and biographical note; the books also feature a discussion of Bob’s art by an old friend, Garry Kinnane, along with shorter pieces and remembrances by Michael Moorcock, Rodney Matthews, Peter Meerman, John Guy Collick, and John Davey.

As for the artwork, this covers an extraordinary range of styles and media. The first volume, The Man, is Haberfield’s personal catalogue of his career, covering his days at art school in the 1960s to his years in Wales. The second volume, His Art, is the commercial work: book covers, record and magazine covers, and a large amount of product illustration for advertising, supermarkets and food companies. Haberfield was a versatile artist with a flair for imitation, something which helped his later illustrations for product packaging (biscuits, chocolates, etc) where he was often him to create paintings or drawings in very different styles. So too with his book covers, many of which have gone unidentified for years because the publishers didn’t give Haberfield a credit, while the artwork wasn’t easily identifiable as being Haberfield’s own. I’m pleased that we’ve been able to confirm that several uncredited Panther paperbacks are Haberfields.

Genre illustrators tend to fall into two camps: the first group enjoy doing the kinds of drawing or painting that they’re requested to do for cover commissions, and are happy to do more of the same when left alone. The second group approach cover work as a job and nothing more; when left to their own devices you find them painting landscapes or portraits or whatever. Bob Haberfield was definitely in the second category. He landed in London in 1968 just as Mayflower Books was scaling up its publishing with a line of books that included UK paperback debuts of Michael Moorcock novels. Haberfield’s covers immediately stood out from Mayflower’s other books of the period, most of which were unimpressive photographic productions. Moorcock’s career took off shortly after; the Mayflower books were reprinted in larger quantities, and for a several years those books and Haberfield’s Buddhist-themed paintings were unavoidable in British bookshops. The Moorcock covers only occupy a small percentage of the pages in this collection but for many people they’ll be the main point of interest. It wasn’t possible to present all of the original paintings, many of them having been lost over the years or sold to unknown private collectors. But the collection does include a complete gallery of Haberfield’s Moorcock cover art, along with covers and original paintings for Panther (mostly horror titles), Penguin and others.

My design for the collection is fairly restrained, the main concern having been the presentation of hundreds of individual pieces of artwork; there are 608 pages altogether, containing around 800 individual paintings and drawings. The headlines are set in various weights of Busorama, a font launched in 1970 which is a common sight in design from that decade. Putting this lot together involved considerable effort, especially on the part of co-editor/publisher John Davey. It’s good to see it out at last.

The books are published by Jayde Design and are available here. RRP is £52 which is a lot but pretty much the standard for a two-volume slipcased set. More page samples follow below. There’s also an early review by The Outlaw Bookseller at YouTube.

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