The recurrent pose 30

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The previous post in this series showed Flandrin’s Jeune Homme Assis au Bord de la Mer (1836) being used as a book cover illustration and here it is again, confirming once again how easily the painting fits the world of homoerotica whatever the original intention of the artist. I hadn’t come across this book before but it looks like it may be worth buying despite the mixed reviews.

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And a recent posting from this Flickr user is another deliberate imitation of Flandrin’s pose.

Elsewhere on { feuilleton }
The recurrent pose archive

Ecce homo

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Saint Sebastian appears rather unconcerned by his wounds in this contemporary version by Yves De Brabander, part of his Ecce Homo series which reworks some recurrent themes from western art history.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
The art of Robert Sherer
The art of Joan Sasgar
Saint Sebastian in NYC
Guido Reni’s Saint Sebastian
The art of Takato Yamamoto
Fred Holland Day

William Burroughs’s Stuff

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Some of it, anyway. This bullet grasshopper was owned by William Burroughs and photographed by Peter Ross as part of a series presenting some of the writer’s possessions. No clues as to who constructed this but I like the way it combines two of Burroughs’ persistent interests, insects and weapons. Via Coudal.

Previously on { feuilleton }
Jewelled butterflies and cephalopods
William S Burroughs: A Man Within
Geoffrey Haberman’s brass insects
Elizabeth Goluch’s precious metal insects
Kelly McCallum’s insect art
The art of Jo Whaley
The art of Philippe Wolfers, 1858–1929
Lalique’s dragonflies
Lucien Gaillard

Illuminated ice

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The International Ice and Snow Sculpture Festival at Harbin in north-east China excels itself this year with its illuminated ice sculptures. Some of these creations are so elaborate they must spend months planning them. The Boston Globe’s Big Picture has a page of incredible photos and a film report of the event.

Previously on { feuilleton }
Lumiere at Durham
Tetragram for Enlargement
Eno’s Luminous Opera House panorama
The art of Rune Guneriussen
Lightmark
Exotic France in Harbin
Giant Lantern Festival
Maximum Silence by Giancarlo Neri
Volume at the V&A

Snowbound cinema

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A satellite view of snow across Great Britain on January 7, 2010.

Walking the snow-laden streets this week felt like a considerable novelty when we rarely have snowfalls of any depth here and what there is never lasts much longer than a day. The current low temperatures which began just before Christmas may be inducing a national trauma but the genuinely wintery weather makes a change from the dreary weeks of rain and cold which usually prevail until April.

Whilst trudging through the crusted ice I found myself remembering favourite films which make the most of winter landscapes. Here’s a short list to follow the earlier winter-themed posts.

McCabe & Mrs Miller (1971)
Several Westerns before this one had featured winter scenes but I think Robert Altman’s was the first to be set at the height of winter in a snowbound town. Memorable for Vilmos Zsigmond’s photography, Leonard Cohen’s lugubrious songs, Warren Beatty’s doomed businessman stomping around wrapped in furs muttering “Pain, pain, pain!”, and the finale when he’s hunted down by a trio of assassins.

The Shining (1980)
Has anyone not seen this film? Despite the artificial snow, Kubrick’s direction and John Alcott’s photography communicate authentic chills, both meteorological and metaphysical.

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Yes, it’s a genuine Christmas postcard from Oregon’s Timberline Lodge which became the model for Kubrick’s Overlook Hotel. Writer Tom Veitch sent me this some years ago.

The Thing (1982)
John Carpenter’s grisly Antarctic horror is the film I still find to be his best. Like his earlier Assault on Precinct 13, this is another siege situation borrowed from Howard Hawks only this time the enemy is within. Until someone films At the Mountains of Madness, this is the closest you’ll get to Lovecraft’s polar nightmares.

Runaway Train (1985)
Few people know this: escaped convicts Jon Voight and Eric Roberts find themselves on the titular train with rail worker Rebecca De Mornay, and it’s a long ride through frozen landscapes as they try to escape the law and the train itself before it crashes. Andrei Konchalovsky directs a story by Akira Kurosawa rewritten by Edward Bunker (who has a cameo) and others. The result is a strange blend of hardboiled drama and existential symbolism with a great score by Trevor Jones.

Fargo (1996)
One of the Coen Brothers’ best. Watching this again over Christmas along with many of their other films, it was amusing to see Steve Buscemi transform from Fargo‘s vicious and splenetic kidnapper to the mild-mannered character he plays in The Big Lebowski. Despite the statement at the beginning of the film, Fargo isn’t a true story but its existence became tangled with some curious real-life events.?

Update: I was reminded on Twitter about Altman’s bizarre future Ice Age drama, Quintet, which I should have mentioned above. Not as successful as the earlier film but its setting certainly suits the weather.

Previously on { feuilleton }
Bruegel in winter
Winter panoramas
Winter music
Winter light
Kubrick shirts
At the Mountains of Madness
Images by Robert Altman