Bruges panoramas

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Do you detect a theme here? The 360º Cities site which I linked to yesterday won’t be news to some since its panorama views are now incorporated into Google Earth. I hadn’t fully investigated it before, however, so I wasted some time today wandering the streets of Bruges almost as you would in a computer game thanks to the way the different panoramas are linked. Clicking the arrows or the thumbnail views means you’re immediately transported to the next location. (Needless to say this works best using the full screen option on a large monitor.) The photographs in this instance are by Robin de Baere.

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Bruges is another of those waterlogged places with cobbled streets which so beguile me, hence the choice of a Belgian town over more obvious European locations. The light skies in the night shots—a result of long exposures—lend the empty streets some of the same mysterious atmosphere captured by René Magritte in his Empire of Light series. Magritte was Belgian, of course, so it’s rather fitting, as was Paul Delvaux, another painter of noctural mystery.

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Empire of Light by René Magritte (1953–54).

Elsewhere on { feuilleton }
The panoramas archive

Previously on { feuilleton }
Bruges-la-Morte
Taxandria, or Raoul Servais meets Paul Delvaux

Darkness visible

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Pandemonium by John Martin (1841).

Happy birthday to John Milton, 400-years-old today.

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“High on a throne of a royal state, which far / Outshone the wealth of Ormus and of Ind” by Gustave Doré (1866).

Elsewhere on { feuilleton }
The etching and engraving archive

Previously on { feuilleton }
Chiaroscuro II: Joseph Wright of Derby, 1734–1797
Angels 4: Fallen angels
Death from above
The apocalyptic art of Francis Danby

Fizeek Art

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Baccant (1956) by George Quaintance.

Fizeek Art Quarterly was an American magazine of gay art and erotica which ran for 26 issues from 1961 to 1969. Artists included Tom of Finland and—as can be seen above—George Quaintance. The Fizeek Art Weblog continues the tradition of the magazine by posting extracts from old issues as well as more contemporary material (below) in a similar vein. “Vein” is perhaps an apt choice of description given the quantity of tumescent penises on display. Most of the images are quite gleefully hardcore (and often deliciously silly with it); as usual, if that’s not your thing then don’t look. Perfectly fine for the rest of us, however.

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Virgo by Kit.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Let’s get physical: Bruce of Los Angeles and Tom of Finland
Philip Core and George Quaintance