The art of Maxwell Armfield, 1881–1972

armfield1.jpg

De Profundis.

I’ve known Maxwell Armfield’s work in the past mainly for the appearance of his paintings in books of late Victorian or even Pre-Raphaelite art. His depiction of Faustine (1904), which illustrates a Swinburne poem, is probably the most popular of these, with a subject resembling Rossetti’s portraits of Jane Morris. So it’s a surprise to find his illustration work using a very different, more open style based on Ancient Greek art and (possibly) Classical enthusiasts such as John Flaxman. Among the online examples, the redoubtable Internet Archive has a few book downloads available including a volume of Armfield’s rather tepid poetry, The Hanging Garden, and other verse (1914), which nonetheless includes the fine illustrations shown here. In addition there’s a curious fable by Vernon Lee, The Ballet of the Nations; a Present-day Morality (1915) in which Death stages a ballet (aka another war) to decimate humanity, and a short book Rhythmic Shape; A Text-book of Design (1920), Armfield’s guide to art and design theory.

armfield2,jpg

“Out of the East he came.”

Elsewhere on { feuilleton }
The illustrators archive

Magnifying the Prado

prado1.jpg

Albrecht Dürer’s Self-portrait of 1498 as revealed by a new collaboration between Madrid’s Prado Museum and Google Earth. Google has photographed a number of the Prado’s paintings in ultra-high resolution, allowing users of their atlas application to examine the pictures to a degree which the artists themselves wouldn’t have experienced without the use of a magnifying lens. This must be the first time it’s been possible to scrutinise the actual brushstrokes of an online reproduction; screen grabs below show a zoom into Dürer’s right eye. So far only 14 paintings have been given this treatment but among them is the Garden of Earthly Delights triptych by Hieronymus Bosch. It’s worth downloading Google Earth simply for the opportunity to lose yourself in that work’s fantastic tableaux.

prado2.jpg