The Dreamlands: A Lovecraftian film

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A crowd-funding goal has been announced for The Dreamlands, a feature film set in the worlds of HP Lovecraft’s Dream Cycle which, if it goes ahead, will be director Huan Vu’s second Lovecraftian feature. His first, Die Farbe (2010), is an excellent adaptation of The Colour Out of Space which impressed me with its atmosphere and its serious attitude towards the material, qualities that you can’t always rely on where horror cinema is concerned.

The Dreamlands will of necessity be more fantastical and so warrants a larger budget, hence the funding bid. I was asked to contribute to the production side of this late last year but prior commitments intervened, not least all the work I was doing on Lovecraft’s Monsters. I did find time to design the star symbol that’s being used to promote the film, however, and there’s talk at the moment of my working on some of the gifts for the funders in the higher brackets. More about that later. Watch the teasers, they’re very good.

Elsewhere on { feuilleton }
The Lovecraft archive

Lovecraft’s Monsters unleashed

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I posted my illustrations for this anthology back in December, after which Tachyon also asked me to create a cover for the book, something that hadn’t been planned at the outset. Lovecraft’s Monsters, edited by Ellen Datlow, is in the shops this month so here’s the cover and a few of my page layouts from the interior. I’m very pleased with this one so it’s been good to hear it’s been selling well already, and picking up positive reviews. My illustrations may be seen at large size here while the book itself should be available via all the usual outlets. If you insist on shopping in a river filled with piranhas then here’s a link. (That fish head on the cover is based on a piranha as it happens.)

The big Lovecraft collection from Centipede Press, A Mountain Walked, was also supposed to be out this month but the release has been bumped (again) to May 2014. It’s a huge volume so I’m not surprised if it’s taking longer than expected.

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Elsewhere on { feuilleton }
The Lovecraft archive

Weekend links 205

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King’s Cloak (2012) by Alice Lin.

• The week in Finnegans Wake: illustrations by John Vernon Lord for a new Folio Society edition; The Guardian‘s review from 1939; Christina Scholz explores Joyce’s use of the Ant and the Grasshopper fable; Sheng Yun wonders when Dai Congrong will compete the first Chinese translation of the book; Stephanie Boland on riverrun, the latest theatrical adaptation.

• It’s Robert Aickman‘s centenary year so Faber are reissuing several volumes of his peerless “strange stories”. And it’s good to see the great Clark Ashton Smith finally receive the blessing of Penguin Classics.

• The Teenage Boyfriend of the Beat Generation: Marcus Ewart slept with Allen Ginsberg (who showed him how to give a proper blowjob), and had an eight-year relationship with William Burroughs.

Yet another advocate of shorter work time was JS Mill. He dismissed the ‘gospel of work’ proposed by Thomas Carlyle in part because it drew a veil over the real costs of work, including slave work that Carlyle sought to defend. Instead, Mill advocated a ‘gospel of leisure’, arguing that technology should be used to curtail work time as far as possible. This stress on technology as a means to shorten work time was later to feature in Bert­rand Russell’s 1932 essay, ‘In Praise of Idleness’.

David Spencer on The Case for Working Less

• More Steve Moore memorials: Mitch Jenkins put the pages from Unearthing online, while Pádraig Ó Méalóid posted a personal appreciation at The Beat.

Linda Marsa on how psychedelics are helping cancer patients deal with their illness.

• The Weird Album: art by Enrique Alcatena (including some Lovecraftian pieces).

• Didgeridoom: Director Ted Kotcheff talks to Robert Barry about Wake in Fright.

The Jealous God (1985), a comic strip by Alejandro Jodorowsky & Silvio Cadelo.

• The Dune in Your Head: Ethan Gilsdorf on the greatest SF film never made.

50 minutes of Kraftwerk on Rockpalast in 1970. Astonishing.

• At 50 Watts: Sheet-music covers from Sweden in the 1920s.

Harvard discovers old library books bound in human skin.

Same-sex marriage is now legal in England and Wales.

Wyrd Daze has reached issue 5.

Kaleidoscopes at Pinterest.

Flight From Ashiya (live on TV! 1967?) by Kaleidoscope (UK) | Lie To Me (1969) by Kaleidoscope (US) | Kaleidoscope (1984) by The Rain Parade

The Horror Fields

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Cover art: In the Palm of the Absinthe Woods by Aria/ShePaintsWithBlood.

Last year I was asked to contribute a piece of fiction to a rural horror special of Morpheus Tales. In time for the Spring Equinox, The Horror Fields, edited by Matt Leyshon, is now unleashed. Inside there’s my short story, Figures in a Landscape, plus contributions from Rosalie Parker, Don Webb, Edward Pearce, Murphy Edwards & Brian Rosenberger, James Everington, Richard Farren Barber, Ian Hunter, Justin Aryiku, and Rhys Hughes.

Two editions are available at Lulu: digest-sized, and A4 size; both editions are discounted until the end of the month. There should also be a Kindle edition soon so when I have details I’ll mention them here. I’d recommend reading this in a field at night but here in the northern hemisphere it’s still a little too cold for that.

Previously on { feuilleton }
Robin Redbreast by John Bowen
Red Shift by Alan Garner
Children of the Stones
Penda’s Fen by David Rudkin

The Winchester Mystery House

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Winchester House, 525 South Winchester Boulevard, San Jose, Santa Clara County, CA.

“One of the peculiar traits of Hill House is its design—”

“Crazy house at the carnival.”

“Precisely. Have you not wondered at our extreme difficulty in finding our way around? An ordinary house would not have had the four of us in such confusion for so long, and yet time after time we choose the wrong doors, the room we want eludes us. Even I have had my troubles.” He sighed and nodded. “I daresay,” he went on, “that old Hugh Crain expected that someday Hill House might become a showplace, like the Winchester House in California or the many octagon houses; he designed Hill House himself, remember, and, I have told you before, he was a strange man. Every angle”—and the doctor gestured toward the doorway—”every angle is slightly wrong. Hugh Crain must have detested other people and their sensible squared-away houses, because he made his house to suit his mind. Angles which you assume are the right angles you are accustomed to, and have every right to expect are true, are actually a fraction of a degree off in one direction or another. I am sure, for instance, that you believe that the stairs you are sitting on are level, because you are not prepared for stairs which are not level—”

They moved uneasily, and Theodora put out a quick hand to take hold of the balustrade, as though she felt she might be falling.

“—are actually on a very slight slant toward the central shaft; the doorways are all a very little bit off centre—that may be, by the way, the reason the doors swing shut unless they are held…”

The Haunting of Hill House (1959) by Shirley Jackson.

I re-read Shirley Jackson’s novel a few months ago but neglected at the time to follow-up the reference to the Winchester House. News this week that Sarah Winchester’s sprawling folly in San Jose is to finally allow overnight stays prompted some investigation. The most remarkable thing about the Winchester Mystery House is that it’s much more of an oddity than its fictional relation, if you overlook (so to speak) the fact that Shirley Jackson’s house is a home to malevolent spectres. Sarah Winchester was heir to the Winchester rifle fortune, and instituted a process of continual and completely uncoordinated house-building for thirty-seven years, believing that this would confound the ghosts of those killed by the weapons bearing her name. Among the house’s 160 rooms are extraneous chambers and closets, doors to nowhere, and stairways serving no purpose. The spirit-trapping decorations include repeated spider-web motifs, and a recurrence of the number 13; one room at least was originally a Séance Room. This blog post concerns a tour round the house as it is today, while the Library of Congress has a number of views of the place.

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View looking west from top floor.

It’s unfortunate that the house was built in California’s earthquake zone, the structure had reached seven stories until the 1906 earthquake forced the removal of the three topmost floors. I had to go looking for views of the pre-quake building, and happily there are a few preserved on old postcards. When Blue Öyster Cult chose Adolph Sutro’s Cliff House for the cover of their Imaginos album they certainly picked the more immediately photogenic building, but the Winchester Mystery House a few miles to the south has it beat when it comes to metaphysical cachet.

The Winchester Mystery House at Pinterest.

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Previously on { feuilleton }
The Cliff House revisited
Adolph Sutro’s Gingerbread Palace