T&H: At the Sign of the Dolphin

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James Joyce and his World (1978).

dolphins.jpgDespite my earlier statement about not being much of a collector, today’s book purchase (above) was enough to confirm some well-established patterns (obsessions, even) that should make me reconsider any hasty pronouncements. Not so much for the subject in this case—I already have enough books by and about James Joyce—the significant thing here is the three magic words on the cover: Thames and Hudson. The sight of Joyce’s name on the spine above the old T&H dolphin logo (signifying the two rivers that comprise the company’s name; or maybe a discourse between London and New York via the Atlantic) was enough to demand further investigation. I realised I’d been hoping to eventually find this book after seeing it listed in the back of its companion title, Beardsley and his World by Brigid Brophy. Both books form part of a series that T&H produced in the Seventies, a collection of heavily illustrated mini-biographies of writers, with the odd artist among them. Very worthwhile they are too, with lots of photographs, paintings or drawings of the people and places relevant to their subjects’ lives.

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Jack Rose returns

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And speaking of American folk music, guitarist Jack Rose returns to Manchester this month and I’ve once again been asked to design the poster and flyers for the event. I was hoping to do something a bit more elaborate and original for this but overruns on other work meant I ran out of time; sticking type over a scanned picture is the lazy solution. The picture in question is an engraving of cavorting witches and warlocks that originally illustrated Robert Burns’ poem Tam O’Shanter. No idea who the artist was for this but it’s from an 1822 printing of Burns’ poetry and one of the best illustrations I’ve seen for that particular work.

Red Deer Club / Friends of Music presents
JACK ROSE and special guest LIZ GREEN
Friday 18th may 2007
@ Jabez Clegg (small back room), Manchester
8PM : £7 ADV (plus 50p booking fee) £8 DOOR

Red Deer Club
Jack Rose
Liz Green

Previously on { feuilleton }
Jack Rose in Manchester

Fantastic art from Pan Books

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Fantastic Art (1973).
Cover: Earth by Arcimboldo.

I’d thought of writing something about this book series even before I started this weblog since there’s very little information to be found about it online. I can’t compete with the serious Penguin-heads, and I’m not much of a dedicated book collector anyway, but I do have a decent collection of the art books that Pan/Ballantine published in the UK throughout the 1970s. These were published simultaneously by Ballantine/Peacock Press in the US and nearly all were edited by David Larkin, with Betty Ballantine overseeing the American editions. Two of the series, the Dalí and Magritte, were among the first art books I owned. Over the years I’ve gradually accumulated most of the set, and I always look for their distinctive white spines in secondhand shops.

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The Reactable

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An amazing tabletop synthesizer with some fantastic demonstration videos here.

Via Boing Boing.

The reactable is a multi-user electro-acoustic music instrument with a tabletop tangible user interface. Several simultaneous performers share complete control over the instrument by moving physical artefacts on the table surface and constructing different audio topologies in a kind of tangible modular synthesizer or graspable flow-controlled programming language.

The reactable hardware is based on a translucent round table. A video camera situated beneath, continuously analyzes the table surface, tracking the nature, position and orientation of the objects that are distributed on its surface, representing the components of a classic modular synthesizer. These objects are passive without any sensors or actuators, users interact by moving them, changing their position, their orientation or their faces (in the case of volumetric objects). These actions directly control the topological structure and parameters of the sound synthesizer. A projector, also from underneath the table, draws dynamic animations on its surface, providing a visual feedback of the state, the activity and the main characteristics of the sounds produced by the audio synthesizer.

Penguin Surrealism

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Design by Germano Facetti with a detail from Europe after the Rain by Max Ernst.

Is this the start of a new meme? Ace Jet 170 features a number of posts about the history of Penguin and Pelican book cover design. (I won’t link to any specific page as the site is full of other good stuff which you really ought to go and look at.) Now Dan Hill at City of Sound has followed suit, inspiring me to dig out a few choice volumes connected by theme, in this case the use of Surrealist paintings for cover art.

See also:
The Penguin Collectors’ Society
The Penguin Paperback Spotters’ Guild (Flickr pool)

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