Bindu Shards by James Turrell

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Dhatu (2010).

The intensities of colour found in some of James Turrell’s light works might warrant the description “psychedelic” at times, although “transcendental” is probably more apt when it comes to his immersive environments. Dhatu is one of the latter, a new installation at the Gagosian Gallery, London, where a room filled with changing shades of light has been named after a bodily element from Buddhism. The gallery says of the work:

Light like this is seen rarely with the eyes open, yet it is familiar to that which can be apprehended with the eyes closed in lucid dream, deep meditation, and near-death experiences.

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Bindu Shards (2010).

As for Bindu Shards, also at the Gagosian, the name refers to a kind of cosmic singularity in Hinduism and for this Turrell has created a bathysphere-like chamber which visitors are required to enter one at a time in order to experience its light show. This one really does sound psychedelic if Jonathan Jones’ frothing description is anything to go by:

Then I see a cityscape of vertiginous skyscrapers, with no earth below. All these forms and volumes that pulse and metamorphosise are defined by colours that change convulsively – the most intensely saturated greens and reds you can imagine, colours that seem solid, then burst into microscopic patterns of oranges, blacks, gold and misty white; all these colours bubble and whir at breakneck speed, as if you were in a particle accelerator. (More)

And a frothing description is all that’s available unfortunately, now that visiting sessions are fully-booked, but the other Turrell works will be on view until December 10, 2010.

Greeting the Light: An Interview with James Turrell
Other Turrell works at Flickr

Previously on { feuilleton }
Colorscreen
New Olafur Eliasson
New work from James Turrell

Weekend links 35

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Marian Bantjes designs the cover of the latest Creative Review and there’s a feature about her work inside.

• “…the question: ‘was Shakespeare gay?’ strikes me as so daft as to be barely worth answering. Of course he was. Arguably he was bisexual, of sorts, but his heart was never on his straight side.” Don Paterson throws the cat among the pigeons in an examination of the Shakespeare’s sonnets. Related (sort of): Shakespeare and Company: The bookshop that thinks it’s a hotel. Also related: Jeanette Winterson revisits Shakespeare and Company.

100 orbs of light float in the Schuylkill River. Also in Philadelphia: Animators Amok in a Curiosity Cabinet: the Brothers Quay are making a film in the Mütter Museum. Can’t wait to see it.

• More Alan Moore: Fossil Angels, a lengthy essay about magic and the occult, was written in 2002 but hasn’t been given a public airing until now.

Alberto Manguel is always worth reading:

As Borges was well aware even then, the history of literature is the history of this paradox. On the one hand, the deeply rooted intuition writers have that the world exists, in Mallarmé’s much-abused phrase, to result in a beautiful book (or, as Borges would have it, even a mediocre book), and, on the other hand, to know that the muse governing the enterprise is, as Mallarmé called her, the Muse of Impotence (or, to use a freer translation, the Muse of Impossibility). Mallarmé added later that all who have ever written anything, even those we call geniuses, have attempted this ultimate Book, the Book with a capital B. And all have failed.

• Here Comes Everybody: Wake In Progress is a self-described “foolhardy attempt to illustrate Finnegans Wake”. Easier to illustrate than make a film of the book, I’d have thought, and Mary Ellen Bute already attempted the latter.

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Psychic Explosion: Adolf Hoffmeister’s illustrations for a 1967 edition of Lautréamont’s Poesies at A Journey Round My Skull.

Craig Colorusso’s Sun Boxes can be seen at Turner Falls, Massachusetts, during November.

Clive Hicks-Jenkins has a book and retrospective exhibition of his art due next year.

• A sneak peek into The Steampunk Bible to which I’m a contributor. And also here.

• “Human or other; depends who comes”: the Ballardian films of Paul Williams.

Transmission (1979) by Joy Division; Transmission (1995) by Low; Monkey (2010) by Robert Plant.

Weekend links 33

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Blue Sky Noise (2010) by Esao Andrews.

Franz Xaver Messerschmidt is the first exhibition in the United States devoted exclusively to the 18th-century sculptor. Related: an earlier post about the artist’s work.

• How are the team behind War Horse planning to follow up their smash hit? With a gay love story performed by puppets. Related: Achilles (1995) by Barry JC Purves.

• More great posts at A Journey Round My Skull: Czechoslovakian Expose VI and Black Cradle of Bright Life, fifteen works by the Macedonian artist Vangel Naumovski (1924–2006).

Top 10 Anti-Gay Activists Caught Being Gay. Related: “Fuck your feelings,” in which columnist Dan Savage gets righteously impatient when a correspondent complains. As Savage says, people who use their faith as a stick to beat gay people contribute to an atmosphere of intolerance in which kids are bullied for being gay (or appearing to be), or transgender, or merely different, and kill themselves as a result. Over the past couple of weeks there’s been an upsurge of US media attention to the most recent suicides; Savage inaugurated the It Gets Better project in order to help. Also related: God Loves Poetry.

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Meigh (2010) by Esao Andrews.

Antony Hegarty enthuses about Shoot Yer Load, one of the scurrilous 12″ singles released by my Savoy colleagues in the 1980s. Antony and the Johnsons have a new album out, Swanlights, on Secretly Canadian.

When the future of music was a rainbow hued parabola: book designer John Gall collects old synthesizer manuals.

Fantastic Memories (1944) by Maurice Sandoz, illustrated by Salvador Dalí.

Urban optometry: life as a London crane operator at BLDGBLOG.

• Today is 10/10/10 which means it’s Powers of Ten Day.

These New Puritans: a band like no other.

Art Nouveau: a virtual exhibition.

Diaghilev: Lord of the dance.

Flaming Telepaths (1974) by Blue Öyster Cult; Flaming Telepaths (2005) by Espers.

Weekend links 29

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A Folies Bergère dancer, c. 1909.

Six Novels in Woodcuts: The Library of America publishes a boxed set of Lynd Ward’s works: Gods’ Man, Madman’s Drum, Wild Pilgrimage, Prelude to a Million Years, Song Without Words and Vertigo.

• RIP ace graphic designer Raymond Hawkey. Related: Raymond Hawkey: An eye for detail, and Hawkey’s James Bond cover designs from the mid-60s.

The Record: Contemporary Art and Vinyl, an exhibition at Duke University, North Carolina, features work by 41 artists from around the world, from the 1960s to the present, using vinyl records as subject or medium.

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The Île de la Cité, a steel engraving by Albert Decaris (1950).

Fred Tomaselli will have a new exhibition of his work at the Brooklyn Museum next month.

Socialist Monuments in Bulgaria photographed by Linda Ferrari.

• What would Howard think of the Mythos Art Dildo?

Space is Process, a film about Olafur Eliasson.

Thurston Moore’s Indie Books.

Chris Colfer in a leather bar.

Ephemeral New York.

• Chrome! Helios Creed’s YouTube channel.