The art of Ignacio Goitia

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Pasión por Canaletto (2005).

Ignacio Goitia is a Spanish artist whose depictions of opulent aristocracy manage to be subversively homoerotic thanks to the addition of figures we can interpret as boyfriends, sex slaves or wish-fulfilling phantasms; Ludwig II would no doubt approve of the sentiment even if he disagreed with some of the decor. Goitia’s art increases the Surrealist incongruity in other paintings with a preponderance of giraffes, although none of them appear to be burning à la Dalí. You’ll have to browse his galleries to see how he uses them.

Another Thombeau tip—thanks Tom!

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Royal couple (2010).

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Schloss Neuschwanstein

Weekend links 29

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A Folies Bergère dancer, c. 1909.

Six Novels in Woodcuts: The Library of America publishes a boxed set of Lynd Ward’s works: Gods’ Man, Madman’s Drum, Wild Pilgrimage, Prelude to a Million Years, Song Without Words and Vertigo.

• RIP ace graphic designer Raymond Hawkey. Related: Raymond Hawkey: An eye for detail, and Hawkey’s James Bond cover designs from the mid-60s.

The Record: Contemporary Art and Vinyl, an exhibition at Duke University, North Carolina, features work by 41 artists from around the world, from the 1960s to the present, using vinyl records as subject or medium.

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The Île de la Cité, a steel engraving by Albert Decaris (1950).

Fred Tomaselli will have a new exhibition of his work at the Brooklyn Museum next month.

Socialist Monuments in Bulgaria photographed by Linda Ferrari.

• What would Howard think of the Mythos Art Dildo?

Space is Process, a film about Olafur Eliasson.

Thurston Moore’s Indie Books.

Chris Colfer in a leather bar.

Ephemeral New York.

• Chrome! Helios Creed’s YouTube channel.

Two Brides

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Ah, sweet serendipity… What are the odds, dear reader, of two blogospheric friends posting equally splendid pictures of everyone’s favourite hand-stitched and reanimated woman within days of each other? (It helps that Evan P and Monsieur Thombeau share a number of interests but let’s not spoil the moment.) The Gray’s-like dissection above is the work of illustrator Martin Ansin, while the painting below is by Michelle Mia Araujo, or Mia, as she prefers. Both artists have produced a quantity of other work which demands your attention. As for James Whale’s Bride of Frankenstein, it is, of course, one of the great cultural artefacts of the previous century; if you’ve never seen it there’s a Boris Karloff and Elsa Lanchester-shaped hole in your life which needs to be filled without delay.

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Previously on { feuilleton }
The Mask of Fu Manchu
Berni Wrightson’s Frankenstein

Naked Bodies, Naked Souls and Mind Pixels

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Pictures by Daniel Barkley (left) and John Dugdale (right).

Two exhibitions worthy of note for those in the New York area. Jan Kapera of JKK Fine Arts notified me about a new show he’s curated, Naked Bodies, Naked Souls, currently running at the Loft Gallery in the Delaware Arts Center,
Narrowsburg, NY.

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The realm of ‘Naked Bodies, Naked Souls’ is a very private, personal world; a world of artists’ secrets, dreams, feelings, and deepest emotions,” says curator Kapera. “They have expressed the unexpressed—they have found the way to show spiritual and mystical states of soul in dream-like, symbolic images.

This exhibit features the work of 16 international artists: Daniel Barkley (Canadian), Luigi Casalino (Italian), Joanna Chrobak (Polish), John Dugdale (American, NYC), Barbara Falender (Polish), Michel Henricot (French), Michael Kuch (American, MA), Tom Misztal (American, OR), Aleksandra Nowak (American, NJ), Darek Nowakowski (American, NYC), Egidijus Rudinskas (Lithuanian), Krzysztof Skorczewski (Polish), Lubomir Tomaszewski (American, CT), David Vance (American, FL), Damian Wojtowicz (Polish), and Piotr Woroniec (Polish). (More.)

Naked Bodies, Naked Souls runs to September 4, 2010. Thanks to Jan for the photos!

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Water Spike (2003) by Daina Krumins.

And by chance this weekend I happened to see news of a forthcoming exhibition of work by artist and filmmaker Daina Krumins, Mind Pixels, at the Barron Arts Center, Woodbridge, NJ.

The Barron Arts Center is located at 582 Rahway Avenue in Woodbridge. Admission is free and everyone is welcome to attend. The “Mind Pixels” exhibition features photomontages, sculpture and films by surrealistic artist Daina Krumins. The exhibit opens on Aug. 21 and runs until Sept. 15. Gallery hours are Monday through Friday, 11 a.m.-4 p.m.; Saturday and Sunday 2-4 p.m. The public is also invited to attend the opening reception on Sunday, Aug. 22 from 2-4 p.m. Light refreshments will be served and reservations are suggested. (More.)

As part of the exhibition three of Krumins’ very strange animated films will be given a rare screening this Thursday, August 26. One of the three is Babobilicons, her epic filming of the activity of slime moulds and stinkhorn mushrooms. I’ve been intrigued by the sound of this for several years (see an earlier post about the film) but have yet to see it so anyone in Woodbridge is in a fortunate position this week.

Previously on { feuilleton }
Babobilicons by Daina Krumins
Saint Sebastian in NYC

Weekend links 27

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Annie Duels The Sun (2010) by Angie Wang.

I’m interviewed again, this time by James at Cardboard Cutout Sundown. Covering familiar subjects for {feuilleton} readers: art history, design, Lovecraft, the genre/mainstream seesaw, etc. Related: Jeff VanderMeer previewed my design for the forthcoming Steampunk Reloaded.

Battle over legacy of father of Art Nouveau. Prague authorities are demanding the paintings which comprise Alphonse Mucha’s Slav Epic be moved to the capital.

The films that time forgot. David Thomson on ten neglected works including a cult favourite of mine, Jerzy Skolimowski’s Deep End (1970).

The Viatorium Press: “Fine letterpress printing, digital typography, and hand painted illumination.” Among their recent productions is a poem by Clark Ashton Smith.

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À la conquête du pôle (1912); Georges Méliès vs. Jules Verne.

Taxandria, a feature-length collaboration between Raoul Servais, François Schuiten and, er, Alain Robbe-Grillet, is on YouTube. My earlier post about the film is here.

Salvagepunk, or (maybe) Post-post-modernism: “How a music micro-trend heralds an emerging, internet-enabled, aesthetic movement.” See also the latest issue of The Wire.

Drainspotting with Remo Camerota: documenting Japan’s creative manhole covers.

• Yo-ho-ho, and a bottle of squid: a book devoted to Kraken Black Spiced Rum.

After Stanley Kubrick. Christiane Kubrick on life without Stanley K.

• Pills and penises and kissing boys: Tara Sinn’s Kaleidoscopes.

Found Objects: a hauntological dumping ground.

• Sandow Birk’s American Qur’an.

• RIP Frank Kermode.

Feuerland (1968) by Theo Schumann Combo; Feuerland (1977) by Michael Rother; Feuerland (2007) by Justus Köhnke.