Three years ago I binged on all the Jan Švankmajer feature films after buying the box of blu-rays released by the director’s Athanor company. Once I’d worked my way through that lot, and rewatched the BFI collection of Švankmajer’s short films, I went through all the documentaries I’ve managed to accumulate, including this two-part BBC study which I taped when it was first broadcast in 1992. It’s likely that Švankmajer’s approach to film and to Surrealism no longer requires the kind of introduction that seemed necessary in the 1990s, but for those who do need such a thing this is a good place to start.
Ben Fox’s documentary was made to coincide with an exhibition of Švankmajer’s films and artworks being shown at an animation festival in Cardiff. The two installments examine a different aspect of Švankmajer’s cinematic works: “Memories of Mysterious Beings” concerns the films that deal with childhood dreams and fears, while “The Naming of Demons” concentrates on his use of Surrealism as a tool for satire or social critique. In between lengthy extracts from the films the camera prowls around some of the director’s artworks while an actor reads statements Švankmajer has made about his interests and intentions. This last feature isn’t something I enjoy very much, not when the actor’s nasal delivery is so different from Švankmajer’s own voice. It’s a common ploy in documentaries, having someone impersonate an interviewee to avoid using subtitles, but it’s one I find distracting when done like this.
Eva liked statues.
At this point I would have directed your attention once again to Jan Švankmajer, Director, a documentary about Czech cinema which featured the man himself talking at length about his activities in the 1960s, but this has now been removed from YouTube. In its place, however, there’s a more recent upload, Les Chimères des Švankmajer, an 80-minute documentary for French TV by Bertrand Schmitt and Michel Leclerc which is included among the extras on the BFI’s collection of Švankmajer’s short films. The only trouble here is that the YT copy has no subtitles, you’ll need to be a French speaker to understand the voice-overs which run throughout. This is one of the best of all the Švankmajer documentaries since it shows the range of activities conducted by Švankmajer and his late wife, Eva Švankmajerová, as artists and foremost members of the Prague Surrealist Group; film-making, as Švankmajer has often stressed in interviews, was only one outlet for his creativity. (It was also one he was forbidden to practice for several years when the Communist authorities took exception to his work.) In addition to seeing the Švankmajers preparing an exhibition of their creations, Schmidt and Leclerc show us something of their home outside Prague, an artwork in itself that combines the sculpture park and Wunderkammer. Eva Švankmajerová was the creator of many of those sculptures, a celebrated artist in her own right whose contribution to her husband’s films has often been overlooked.
Elsewhere on { feuilleton }
• The Surrealism archive
Previously on { feuilleton }
• Švankmajer’s cats
• Jan Švankmajer: The Animator of Prague
• Jan Švankmajer, Director
• Don Juan, a film by Jan Švankmajer
• The Pendulum, the Pit and Hope
• Two sides of Liška
