The art of Ralph Koltai

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Ralph Koltai‘s contrasting of panels of corroded metal with smooth objects makes for some attractive combinations, reminding me of similar rough and smooth juxtapositions by artist and designer Russell Mills, notably on one of his Samuel Beckett covers and his design for Harold Budd and Brian Eno’s The Pearl. Koltai’s site also includes a gallery of his designs for theatre. Digital rust infiltrates my own work now and then via some photos I took of a Manchester railway bridge, the most recent use being in the background of the cover for Finch.

Previously on { feuilleton }
Finch posters
Samuel Beckett and Russell Mills
The art of Jo Whaley

Netherlands decorated books

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left: Over kunst en kunstenaars (1923); right: Over literatuur (1924).

A few examples from a collection of gorgeous Art Nouveau and Art Deco cover designs.

The books cover the period 1893–1939 and contains bindings in the Nieuwe Kunst and Art Nouveau styles by contemporary artists working in the Netherlands such as Jozef Cantre (1890–1957) and Jan Toroop (1858–1928). The collection is particularly strong on P.A.H. Hofman’s designs.

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left: Tziganen (1924); right: Rond de wereld (1931).

Elsewhere on { feuilleton }
The book covers archive

The Triumph of the Phallus

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The Triumph of the Phallus (1700–1750).

We haven’t had a decent phallus picture here for a while (well, a couple of months…) so here’s one part of a three-part French engraving after a drawing by Francesco Salviati (1510–1563). Another great print from the British Museum collection. I’ll leave you to discover the triumphant member’s destination.

Via Jahsonic.

Elsewhere on { feuilleton }
The etching and engraving archive

Previously on { feuilleton }
Le Phallus phénoménal
Phallic bibelots
Phallic worship
The art of ejaculation

Dalí in Wonderland

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I’d only seen one or two of Salvador Dalí’s illustrations for Alice’s Adventures in Wonderland before but you can see the complete (?) set here. These date from 1969 when Dalí was well past his prime as an artist but they’re still worth a look to see how he tackled each chapter, using the skipping girl motif from earlier paintings as his Alice figure. The attraction of the Alice books for the Surrealists is no surprise; Max Ernst produced a rather enigmatic series of Alice-themed lithographs while André Breton had earlier made Alice the “Siren of Stars” in the set of Surrealist playing cards he designed in the 1940 (below). I’d imagine there are other connections I’ve missed; leave a comment if you know of any. (Thanks to Charity for the tip!)

For more Dalí, here’s something I neglected to link to a while ago, the legendary Dalí meets Disney short, Destino.

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Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Virtual Alice
Psychedelic Wonderland: the 2010 calendar
Charles Robinson’s Alice’s Adventures in Wonderland
Humpty Dumpty variations
Alice in Wonderland by Jonathan Miller
Dalí and Film
The Illustrators of Alice
Surrealist cartomancy