Smoky Man – { feuilleton }

32 Short Lucubrations Concerning Alan Moore

One of my few comic strips that isn’t either a Lovecraft adaptation or part of the Lord Horror mythos is a five-page piece I produced in 2003 for Alan Moore: Portrait of an Extraordinary Gentleman. This was a book compiled by Smoky Man to honour Alan’s 50th birthday, for which my strip was one of many other comics, one-off portraits and contributions by different artists and writers. The book is out of print so Smoky has been posting extracts (with permission) on his blog. My strip may now be seen in full here.

I got the idea for this one from Thirty Two Short Films About Glenn Gould (1994), a feature-length portrait of the celebrated pianist which evaded the clichés of the biopic by addressing its subject through self-contained sequences in a variety of modes: dramatic reconstruction, interviews with Gould’s friends, documentary material, a spectrographic display from the playback of one of his Bach recordings, even a short piece of animation. My strip is less ambitious but it combines factual trivia about Alan Moore with personal reminiscences plus significant historical details connected with his birth date, 18th November, 1953. It was fun to put together, and a reminder that comic strips can be used for more than just telling stories.

Previously on { feuilleton }
• Voice of the Fire by Alan Moore
• The Blake Video
• The Cardinal and the Corpse
• Mapping the Boroughs
• Art is magic. Magic is art.
• Alan Moore: Storyteller
• Alan Moore: Tisser l’invisible
• Dodgem Logic #4

Weekend links 309

From What is a Witch, “an illuminated manifesto on witchcraft” by Pam Grossman and Tin Can Forest.

• “The other strand of influence for me from dance music was a production house called Savoy in Manchester, England. They were a super underground publishing house that printed cartoons and comic books, and they also released a series of underground dance records. And they were always being shut down by the police and all their stuff was being confiscated, because it was considered ‘anti-society’ in England.” Anohni giving a shout to my colleagues at Savoy Books in a new interview.

• Belladonna of Sadness (1973), a feature-length animated film by Eiichi Yamamoto, has been restored, and is being given a premier release in the US. There’s a review here and a trailer here. No news as yet of a UK release but Finders Keepers has the soundtrack album.

• Alejandro Jodorowsky talks to Daniel Kalder about his new novel, Albina and the Dog-Men, while Jodorowsky’s comic-book collaborator, Ladrönn, talks to Smoky Man about their new graphic novel, The Sons of El Topo.

Pretty little watercolours these are not. Made by bulldozers and dynamite instead of a paintbrush and easel, the works—often sited on baking sandscapes—fuse minimalism and modern industrial aesthetics to evoke the otherworldly structures of ancient civilisations, from Stonehenge to Mayan temples and the Egyptian pyramids.

Alex Needham on America’s land artists. A few years ago I tracked down some of the structures he describes using Google Maps.

• In every dream home a heartache: High Rise director Ben Wheatley on adapting Ballard, practical special effects and ’70s parenting.

• Tom Phillips: From Prequel To Sequel, an exhibition of pages from A Humument at Shandy Hall Gallery.

• From fresh food to magic mushrooms: Michael Pollan probes the medicinal uses of psychedelic drugs.

• “Let’s not forget graphic design is an artistic discipline,” says Jonathan Barnbrook.

• Supervert discusses censorship and related matters at SomethingDark.

• “I’ve sung gospel music when in great despair,” says Diamanda Galás.

• Mix of the week: FACT Mix 550 by James K.

• Boy Club is a new gay magazine.

• Gospel Trane (1968) by Alice Coltrane | The Gospel Comes To New Guinea (1981) by 23 Skidoo | Gospel Train (1990) by African Head Charge

In print

Battling through the Xmas post, two new volumes arrived here this week, from Black Velvet and Black Dog Publishing respectively. First up was Serpenti & Scale, the Italian edition of Snakes & Ladders by Alan Moore and Eddie Campbell. This has been available for some time in English, of course. The translated version features some of my artwork for the Moon and Serpent CDs by Alan and Tim Perkins in the lengthy interview section that precedes Eddie’s comic strip. Thanks to Smoky Man for that.

Inevitably overshadowing this was 100 Years of Magazine Covers which author Steve Taylor very graciously had sent to me. A heavyweight book in all senses of the word, with a solid cover, thick paper stock and tremendous design by Neville Brody. Taylor navigates the overcrowded field of 20th-century magazine design with great skill, managing to cover all the principal areas of magazine as news medium, fashion journal, literary forum and vehicle of cultural transgression, whether that be the Sixties’ underground, Seventies’ punk or the disparate worlds of gay life and feminism. Illustrations range from the elegance of early Collier’s and Vogue to the garish incoherence of today’s celebrity rags such as Heat. Given such a broad field of study there are bound to be omissions; I would have liked to have seen something from the New Worlds of the late-Sixties, for example, and maybe one of the Non-Format covers for The Wire. But they got Lilliput in there which is pretty impressive considering that magazine now seems to be largely forgotten. Essential stuff.

Previously on { feuilleton }
• It’s a pulp, pulp, pulp world
• A few thousand science fiction covers
• Vintage magazine art II
• Neville Brody and Fetish Records
• View: The Modern Magazine
• Vintage magazine art
• Oz magazine, 1967–73