Weekend links 512

white

Cover art by Tim White for Weaveworld (1987) by Clive Barker.

• Another week leading with obituaries but that’s where we are just now. Among others, we had film maker Bruce Baillie, cartoonist Mort Drucker, lesbian/gay rights activist Phyllis Lyon, film director Nobuhiko Obayashi, artist Tim White, and music producer Hal Willner. Related to the last: Hal Willner’s Vanishing, Weird New York.

Open Door is a new recording by Roly Porter from his forthcoming album, Kistvaen. I designed the CD and vinyl packaging for this one.

• From 1995: Peter Wollen on dandyism, decadence and death in Donald Cammell & Nicolas Roeg’s Performance.

• “Fear, bigotry and misinformation—this reminds me of the 1980s AIDS pandemic,” says Edmund White.

David Lynch wants you to meditate, maybe make a lamp during self-isolation.

• “Weird tale” by Secret Garden author Frances Hodgson Burnett discovered.

• Behind the iron curtain, the final frontier: Soviet space art in pictures.

• Mix of the week: Secret Thirteen Mix 301 by Asher Levitas.

• At Dennis Cooper’s: Raymond Queneau, Party Animal.

Oren Ambarchi Archive at Bandcamp.

Japan’s Tourism Poster Awards.

• Hal Willner produces: Juliet Of The Spirits (1981) by Bill Frisell | Apocalypse (1990) by William S. Burroughs | The Masque Of The Red Death (1997) by Gabriel Byrne

Weekend links 384

muljat.jpg

Sultans of Swing by Samantha Muljat.

• Pain & Pleasure, Indivisible: Mat Colegate talks to Stephen Thrower (Coil, Cyclobe) about the meeting between Coil and Clive Barker that would have led to Coil scoring Barker’s Hellraiser if the studio hadn’t rejected the music.

• “From Arsedestroyer to Zoogz Rift: 50 underground albums you’ve never heard of” The usual presumption—I’ve been listening to The Groundhogs since the mid-1980s—but it’s a good list.

• More magazines at the Internet Archive: an incomplete run of British science-fiction monthly Interzone; and a complete (?) run of the film magazine for horror (and gore) obsessives, Fangoria.

• “…it’s background music, is what it is. But there’s nothing wrong with that. I’m very proud of it.” John Carpenter discussing his soundtrack music and his new album, Anthology.

• Mixes of the week: Aral Mix 05 by Ellen Arkbro, Secret Thirteen Mix 234 by FOQL, and Samhain Séance Six: Triffid Witch by The Ephemeral Man.

• Dallas Killers Club: Nicholson Baker reads a stack of books about the Kennedy assassinations then draws his own conclusions.

Michael Flanagan on searching for LGBT histories of Neopaganism, the paranormal and the occult in San Francisco.

• At Lounge Books: author Amelia Mangan on horror, old and new, and her favourite things.

• At Monoskop: the (almost) complete works of James Joyce in one convenient epub.

Jillian Steinhauer on Duchamp’s last riddle.

Hell Raiser (1973) by Sweet | Hell’s Bells (1989) by Rhythm Devils | Hell’s Winter (2011) by Earth

Weekend links 371

behold.jpg

• My cover design for the Doug Murano-edited story collection, BEHOLD! Oddities, Curiosities and Undefinable Wonders, appeared here last December but a repost is in order since the book has been published this week by Crystal Lake. Back in December I didn’t have a list of the featured authors but I do now: Clive Barker, Neil Gaiman, Ramsey Campbell, Lisa Morton, Brian Kirk, Hal Bodner, Stephanie M. Wytovich, John Langan, Erinn L. Kemper, John FD Taff, Patrick Freivald, Lucy A. Snyder, Brian Hodge, Kristi DeMeester, Christopher Coake, Sarah Read and Richard Thomas. The foreword is by Josh Malerman, and the interior illustrations are by Luke Spooner.

• “How do you memorialize an artist who refused to remain identical to himself? How do you remember one of the great philosopher-artists of memory?” Ben Lerner on the elusive Chris Marker.

Diabolical Fantasia: The Art of Der Orchideengarten, 1919. A welcome reprinting of art from the German magazine of weird fiction compiled by Thomas Negovan. (Previously)

• Coming in September: Conny Plank: The Potential of Noise, a documentary by Reto Caduff and Stephan Plank about the great record producer.

The Roman Roads of Britain mapped by Sasha Trubetskoy in the style of Harry Beck’s London Tube Map.

• At Dennis Cooper’s: Spotlight on…Julia Kristeva Powers of Horror: An Essay on Abjection (1980).

Ian Shank on the trove of erotic Roman art that scandalized Europe’s royals.

• At Haute Macabre: Biblio-alchemy: The Liquid Library of Annalù Boeretto.

• What makes a French film noir? Andrew Male has some suggestions.

David Shariatmadari on how 1967 changed gay life in Britain.

• Mix of the week: Gated Canal Community Radio.

• A Gallery of Moods by Mlle Ghoul.

Loe And Behold (1970) by Sir Lord Baltimore | Behold The Drover Summons (1983) by Popol Vuh | Beholding The Throne Of Might (2014) by The Soft Pink Truth

Santiago Caruso’s Maldoror

caruso1.jpg

Continuing an occasional series in which illustrators of Lautréamont’s baleful masterwork are noted. Santiago Caruso’s paintings provide suitably grotesque embellishments to a Spanish edition of Maldoror which was published in 2016 by Valdemar. The book is part of their Gótica collection which includes many fine works of weird fiction including titles by contemporary writers such as Clive Barker and Thomas Ligotti. Caruso’s illustrations are among the best I’ve seen for Lautréamont’s novel, and make the book worthy of purchase even for those who can’t read Spanish. See the full set here.

caruso2.jpg

caruso3.jpg

Elsewhere on { feuilleton }
The illustrators archive

Previously on {feuilleton }
Jacques Houplain’s Maldoror
Hans Bellmer’s Maldoror
Les Chants de Maldoror by Shûji Terayama
Polypodes
Ulysses versus Maldoror
Maldoror
Books of blood
Magritte’s Maldoror
Frans De Geetere’s illustrated Maldoror
Maldoror illustrated

Weekend links 260

burgher.jpg

Bachelor with “demons” (Sleezy) [sic] (2015) by Elijah Burgher. One of a new series of artworks by Burgher showing at Zieher Smith & Horton, NYC.

• The week in HR Giger: Belinda Sallin on her documentary, Dark Star: HR Giger’s World; Ron Kretsch on the unseen cinema of HR Giger; Matthew Cheney thinks the Gigeresque has become too familiar. I can see his point but originality is always in short supply; asking for something new means setting yourself up for a long wait.

Pwdre ser, or Star jelly, is “a pale, foul-smelling jelly traditionally associated with meteorite falls”. The Rot of the Stars at the ICA, London, is an audio-visual art collaboration between Jo Fisher and Mark Pilkington dealing with the mysterious substance.

• Mixes of the week: A Tri Angle Records birthday DJ set by Björk; OreCast 196 mix by Ilius; Secret Thirteen Mix 153 by M!R!M.

To assume that a given group of people would be similar because of birthdate, Ryder thought, was to risk committing a fallacy. “The burden of proof is on those who insist that the cohort acquires the organised characteristics of some kind of temporal community,” he wrote. “This may be a fruitful hypothesis in the study of small groups of coevals in artistic or political movements but it scarcely applies to more than a small minority of the cohort in a mass society.”

Generational thinking is a bogus way to understand the world says Rebecca Onion

The plan for an airport above the streets of Manhattan. Related: Charles Glover‘s similar plan for London.

Errol Morris on how typography shapes our perception of truth.

Michael Moorcock enjoyed The Vorrh, a novel by Brian Catling.

Clive Barker on almost dying, hustling, and killing Pinhead.

• A new Penguin Books website for Angela Carter.

• Callum James on artist Philip Core.

A Beginner’s Guide to King Tubby

King Tubby Meets Rockers Uptown (1976) by Augustus Pablo | Star Cannibal (1982) by Hawkwind | Sleazy (1983) by Jah Wobble, The Edge, Holger Czukay