Weekend links 708

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Landscape from a Dream (1936–38) by Paul Nash.

• “I was telling a close friend recently, ‘at my funeral, please play this record…’” Yu Su on her love of Laurie Anderson’s second album, Mister Heartbreak.

• “Surrealism is more of an attitude than an art movement,” says Mark Polizzotti, talking about his new book, Why Surrealism Matters.

• New music: Spinning by Julia Holter; The Night Dwells In The Day by Jozef Van Wissem; and The River Of Light And Radiation by Ben Frost.

• The late David J. Skal, author of Hollywood Gothic and others, is remembered at Swan River Press.

• At Colossal: Dizzying gifs by Etienne Jacob infuse mathematical equations into endless loops.

• At Public Domain Review: Charles Rabot’s Arctic photographs (ca. 1881).

• At Unquiet Things, S. Elizabeth says “Help me downsize my library!

Drone footage of the recent volcanic eruption in Iceland.

• Mix of the week is a mix for The Wire by Kavari.

• At Dennis Cooper’s: Robert Bresson Day.

Dance On A Volcano (1975) by Genesis | Volcano Diving (1989) by David Van Tieghem | Eye Of The Volcano (2006) by Stereolab

Weekend links 707

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Dragon and Tiger—Designs for Lacquer Inro (no date) by Mori Genkosai.

• “But where have all those copies of Corridor of Mirrors gone? Sometimes I entertain the thought that an obsessive collector has amassed them in his library lined with looking-glasses, so that nobody else can possess the book but he, and he can see them all, multiplied to infinity, as he stalks up and down in his scarlet smoking hat and velvet coat, and gloats.” Mark Valentine on the mysterious unavailability of Corridor of Mirrors (1941), a novel by Chris Massie. The film adaptation made a few years later is one I’ve managed to miss, despite its starring Eric Portman and featuring the first screen appearance of Christopher Lee. Future viewing, I think.

• “The intrepid logician Kurt Gödel believed in the afterlife. In four heartfelt letters to his mother he explained why.” Alexander T Englert explains Gödel’s explanations.

• At Open Culture: Hortus Eystettensis (1613), “the beautifully illustrated book of plants that changed botanical art overnight”.

• Mix of the week: Aquarium Drunkard presents The Secret Hemisphere: New Age, Fusion and Fourth World, 1970–2002.

• New music: Phases Of This And Other Moons by Field Lines Cartographer.

• Why Graphic Culture Matters is a new book of essays by Rick Poynor.

• At Spoon & Tamago: Japanese Designer New Year’s Cards of 2024.

• Steven Heller’s font of the month is Chutz.

• At Dennis Cooper’s it’s Barbara Steele Day.

The Hall Of Mirrors In The Palace At Versailles (1970) by John Cale & Terry Riley | The Hall Of Mirrors (1977) by Kraftwerk | The Room Of Mirrors (2000) by Harold Budd

Weekend links 705

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The Seven Lamps (c.1956) by Marion Elizabeth Adnams.

• At Spoon & Tamago: All 54 playing cards reinterpreted through still-life photography by Yuni Yoshida.

• At Colossal: Photographer Mikko Lagerstedt illuminates the magical solitude of the Nordic winter.

• At 3:AM Magazine: Alexander B. Joy explores the 9th minute of Andrei Tarkovsky’s Solaris.

• At Dennis Cooper’s: The Seven Godlike Books of James McCourt.

• Mix of the week: Winter Solstice 5 at Ambientblog.

Entries for the RSPCA Young Photographer 2023.

Artmaker Blog curated by Bruce Sterling.

• New music: Earth Drone by The Owl.

Ace Of Spades (1965) by Link Wray | Jack Of Diamonds (1966) by The Daily Flash | Pack Of Cards (1970) by Nat Cole

Weekend links 704

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The Yolk (1953) by Gertrude Hermes.

• “By 1910, a quarter of the 129 million litres of alcohol consumed annually by Frenchmen was absinthe. Of course, the wine industry was threatened by this growing desire for ‘industrial spirits.’ The Pernod Company was the primary producer, but there were dozens of distilleries offering variations of the ambrosial concoction. The Green Fairy had become the Green Curse.” Barnaby Conrad III on the intersections of absinthe and art.

• At Wormwoodiana: “The Zombie of Great Peru is a transgressive novel written in 1697 by Pierre–Corneille Blessebois…a memoir of occultism, seduction, slapstick, and humiliation, set in the racial and sexual hothouse of colonial Guadeloupe. It contains the first appearance of the word ‘zombie’ in literature.” Doug Skinner, the translator of a new edition, talks to Bill Ectric about the book.

• “I have been lucky to have the time to understand, or misunderstand, the concept of sound. It’s all about the sound. I don’t play styles, I don’t play genres, I don’t play jazz. I play my repertoire, my language, my own poetry.” Bill Laswell talking to Paul Acquaro and David Cristol about his career as player and producer.

• New music: Rhan-Tegoth by Cryo Chamber Collaboration. A couple of months ago I was wondering whether Cryo Chamber would be continuing their series of Lovecraftian albums, and, if so, which entity they might choose for the theme of the next one. Now we know.

• “Zines, at their most glorious, are indifferent to dignity, reckless in the statements they reel off, determined to make a virtue of their limited resources.” Sukhdev Sandhu on the history of the fanzine.

• At Unquiet Things: Hazy Shade of Winter: The Artwork of Julius Sergius von Klever.

• Mix of the week: DreamScenes – December 2023 at Ambientblog.

• At the Daily Heller: Daniel Pelavin’s Pipe Dreams.

• Old music: Buchla Christmas by Warner Jepson.

• At Dennis Cooper’s: Isaac Julien Day.

Pipeline (1962) by The Chantays | Pipeline (2005) by Monolake | Banzai Pipeline (2020) by The Surfrajettes

Weekend links 702

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The Great Bear (1933) by Marjorie Miller.

• New music: “Lo-fi no-fi post-fi fragments of disparate SCATTERBRAIN thoughts scrapbooked together using industrial glue discretely purloined from building site tea-break opportunities to fully form the definitive SEPIA PUNK AMBIENT (?) statement of assiduous apathy intent ~ hextracted from SEPIA CAT CITY (GEpH017LP) available via moonwiringclub.com areet now TA.” Nobody writes product descriptions like Moon Wiring Club.

• “Both the Harry Smith and the Sun Ra books were hard sells, because they were virtual unknowns who had pretty much given their life for art. In each case only about two publishers were interested in either one of them. The editors said either that they hadn’t heard of him, or else they had heard of him and didn’t want to hear any more.” John Szwed talking to Raymond Foye about the mercurial Harry Smith, and the problems of writing biography.

• At Public Domain Review: Max Beerbohm’s A Christmas Garland (1912), a collection of seasonal parodies of well-known writers of the day. As with any such work, the success of each piece depends upon familiarity with the author being parodied, but Beerbohm’s prose is always a delight.

Mirrorshades (1986), the cyberpunk story anthology edited by Bruce Sterling, is currently available for reading or e-text download at Rudy Rucker’s website. The book is still in copyright but I’m guessing this has been done with the agreement of the contributors.

• “…the richness of terrestrial creatures which at points are capable of sounding utterly extra-terrestrial.” Daryl Worthington explores the history of birdsong and its influence on human music.

• At Smithsonian Magazine: Listen to the centre of the Milky Way translated into sound or look at yet more photos of the aurora borealis. (Or do both at the same time.)

• At Wormwoodiana: Through the Golden Valley to the Dark Tower. Mark Valentine and friends go on a book-buying expedition.

14 x 14, a collection of Oulipo poems by Ian Monk, translated by Monk and Philip Terry, with collage cover art by Allan Kausch.

• “I am fascinated by electromagnetic waves.” Carsten Nicolai (aka Alva Noto) discussing art and creativity with Max Dax.

Secret Satan, 2023, the essential end-of-year book list from Strange Flowers.

Spice Islands Sea Birds (1957) by Les Baxter | Trippin’ With The Birds (1997) by Stereolab + Nurse With Wound | Strange Birds (1999) by Coil