{ feuilleton }

Stalker (1979).
Among the new documentary films being shown at the Sheffield (UK) Doc/Fest is Igor Mayboroda’s Rerberg and Tarkovsky: The Reverse Side Of “Stalker”.  Behind the unwieldy title there lies an exploration of the troubled genesis of one of my cult artefacts, Andrei Tarkovsky’s 1979 science fiction film, Stalker, a personal adaptation by the director [...]

Alla Nazimova as Salomé (1923).
I wrote a while ago about Alla Nazimova’s luscious silent film production of Oscar Wilde’s Salomé, a suitably Decadent affair with an allegedly all-gay cast, and costume and stage design based on Aubrey Beardsley’s celebrated illustrations. The film is currently touring England and Wales with a new score for four musicians [...]

Two experimental films by British filmmakers. Berlin Horse (1970) at Ubuweb is a hypnotic piece of minimalism by Malcolm Le Grice who subjects found footage of exercising horses to a series of loopings and filterings that push the degraded images to a point of textured abstraction. Of note with this film is the equally minimal [...]

The Million Volt Light & Sound Rave (1967).
More psychedelia as Paul Gorman at The Look alerts me to an exhibition of work by Pop artist Dudley Edwards running this month at 3345 Parr St, Liverpool. Edwards was a part of the Binder, Edwards & Vaughan design collective in the 1960s, renowned for their light shows [...]

It’s become a tradition here to post a playlist for Halloween so here’s the one for this year, a collection of favourite “voodoo” music. Most are these pieces have as much to do with real voodoo as Bewitched does with real witchcraft but I like the atmospheres of Voodoo Exotica they evoke.
Voodoo Drums in Hi-Fi [...]

It’s taken me years but the recent obsession with UK psychedelia led me to finally watch Joe Massot’s piece of cinematic fluff from 1968, Wonderwall, a film distinguished primarily for its score by George Harrison (with Ringo Starr and Eric Clapton playing pseudonymously), and its title which was swiped years later by a bunch of [...]

top row: The Division Bell by Pink Floyd; A Rush of Blood to the Head by Coldplay.
bottom row: London Calling by The Clash; Tubular Bells by Mike Oldfield.
The Royal Mail follows its series of British Design Classics postage stamps with a series dedicated to what they call “classic” album covers. The design classics in [...]

One nation under a Moog | Synth Britannia.

left: The Soft Machine Turns On (1967); right: UFO Coming (1967).
This was a bitter blow coming at a time when I’ve been working on something inspired in part by Hapshash and the Coloured Coat, the 1960s design duo comprised of Michael English and Nigel Waymouth. The two artists, together with associate Martin Sharp, are indelibly [...]

In which the Buddha Machine returns as a bespoke instrument/greatest hits package from Industrial music outfit Throbbing Gristle. Having been a TG aficionado for many years, and being the proud owner of a Buddha Machine, this item looks like an essential purchase.
Thirteen original TG loops: a mix of experimental noise, industrial drone, and classic melodies [...]

Mighty Baby (1969). Illustration by Martin Sharp.

Yet another album cover prompts this post, part of an occasional series. Mighty Baby were a British rock band who formed out of psychedelic group The Action in the late Sixties, and their music is fairly typical of the period, being “heavy” without any of the psych trappings which—for [...]

La Roux: ‘Of course Lady Gaga’s not my thing’ | Elly Jackson on pop life, androgyny and related matters.

La fièvre d’Urbicande (1985) by François Schuiten and Benoît Peeters is the second volume in the Cités Obscures series. This was the one which captured my attention the most when I first saw it. The book opens with a foreword by the central character, Robick, chief architect of the city of Urbicande, in which he [...]

Continuing an occasional series.
A recent post at A Journey Round My Skull is a stylish series of Indian book jackets from 1964 to 1984. These impress partly for the way they rework western design approaches, and they consequently look very different from the florid visuals one might (lazily) expect of Indian cover design. Western [...]

A=P=P=A=R=I=T=I=O=N is a collaboration between artist Cerith Wyn Evans and Throbbing Gristle, the once notorious Industrial music act now enjoying a resurgence of activity and attention. Evans and TG have an earlier connection via Derek Jarman, for whom Evans worked as an assistant. Given how much I enjoy seeing mirrors used in art, I’m very [...]

A photograph of the control room of Battersea Power Station, London, by Michael Collins, one of a series which will shortly be on display at the Royal Institute of British Architects.
The images show Battersea Power Station as what Collins describes as a “twentieth century ruined castle” – a building that was built to last, with [...]

‘It was basically freak-out music’ | Hawkwind again.

Country Joe & the Fish by Wilfred Weisser (1968).
A pair of sea-themed psychedelic posters from a small collection here. Most of the examples are familiar faces but these two stood out for me, especially the octopus one by Wilfred Weisser which I hadn’t seen before. The figures in Bob Fried’s poster below look like they [...]

Moldover’s CD case: a working theremin.
In May this year, Brian Eno was writing in Prospect magazine about the current state of the music business as it continues to be assailed by digital technology. Among the things Eno discussed was the packaging of music:
The duplicability of recordings has had another unexpected effect. The pressure is on [...]

Dream sleeves: John Walsh on how a 40 year old idea could save the music industry