Weekend links 823

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NASA’s Hubble revisits Crab Nebula to track 25 years of expansion.

Snakes and Ladders is a video adaptation of the one-off Moon and Serpent performance presented by Alan Moore and Tim Perkins at Conway Hall, London, in 1999. With visual samples from Eddie Campbell’s comic-strip adaptation of the audio recording, plus my artwork from the CD release. (Thanks to Francis for the tip!)

• The spring catalogue of lots for the After Dark: Gay Art and Culture online auction. Homoerotic art, photos, historic porn, etc.

• New music: State Of Matter by Dobrawa Czocher; Plague Dogs by The Heartwood Institute.

• “Why we made a film about Mark Fisher called We Are Making A Film About Mark Fisher.

• At Colossal: “Ambiguity reigns in Olaf Hajek’s mysterious illustrations”.

• At Public Domain Review: Monet’s early caricatures (ca. late 1850s).

• At the BFI: George Orwell, film critic.

• The Strange World of…Ladytron.

The Plague (1967) by Scott Walker | A Plague Of Angels (2007) by Earth | The Plague (2014) by Cosmic Ground

RS Sherriffs’ Rubáiyát

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You can’t really say there are always more Rubáiyáts—the Fitzgerald translation isn’t as popular today as it was a century ago—but there are many illustrated editions even though the poem makes for a slim volume when not bulked out by variant translations. The popularity of the text when combined with the ease of imitating Edward Fitzgerald’s quatrains led to the publication of many novelty versions—The Rubáiyát of a Persian Kitten, The Rubáiyát of a Motor Car, The Rubáiyát of a Bachelor, and so on—all of which came with their own illustrations.

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The 1947 edition illustrated by Scottish artist Robert Stewart Sherriffs is more serious than these, with an introduction by Laurence Housman, the texts of three different 19th-century translations, together with supplementary material about Edward Fitzgerald. Sherriffs worked for a number of years as a caricaturist for Punch magazine and other publications but prior to this he was also a book illustrator. Most of his drawings are black-and-white ink renderings; the Rubáiyát is a rare example of him working in colour throughout.

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Continue reading “RS Sherriffs’ Rubáiyát”

Weekend links 822

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Untitled (2013) by Fred Tomaselli.

• The latest book from A Year In The Country is Ghost Signals: The Shadowlands of British Analogue Television 1968–1995, an exploration of “a shadowland of terrestrial TV hidden in plain sight across the unmediated and unmarketed corners of the internet”.

• New music: After The Rain, Strange Seeds by The Leaf Library; Music For Intersecting Planes by Leila Bordreuil + Kali Malone.

• RIP airbrush artist Philip Castle. Steve Mepstead talked to Castle in 2011 about his work for Stanley Kubrick and others.

Strassman began to see patterns in these encounters and created a typology: aliens; guides and helpers; clowns, jokers and jesters; elves and dwarves; or reptilian or insect-like figures. Variations and outliers notwithstanding, this spectrum remains remarkably consistent with DMT studies today. Strassman also looked into the historical literature and found similar descriptions as far back as Szára, who wrote that one of his subjects reported meeting “dwarfs or something.” Forty years later and a continent away, one of Strassman’s participants put it succinctly: “That was real strange. There were a lot of elves.”

A long read by Joanna Steinhardt on the history and nature of hallucinated spirit guides and “self-transforming machine elves”

• Jet Propulsion Laboratory: Ben Cardew on the pivotal role of Stereolab’s Super-Electric.

• At Colossal: Pejac transforms basic graph paper into detailed, trompe-l’œil tableaux.

Sixty finalists from the 23rd Annual Smithsonian Magazine Photo Contest.

• At BLDGBLOG: The landscape architecture of auroras on demand.

• Mix of the week: Float V mix by DJ Food.

We Have Always Been Here (1995) by ELpH vs Coil | 5-Methoxy-N,N-Dimethyl- (5-MeO-DMT) (1998) by Time Machines/Coil | Machine Elves (2024) by Polypores

Antonio Rubino’s Versi e Disegni

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I didn’t know anything about Italian artist Antonio Rubino (1880–1964) until I went searching for information about this book’s creator. Wikipedia describes Rubino as an illustrator, cartoonist, animation director, screenwriter, playwright, author and poet who was also the most prolific comics illustrator in Italy before the First World War. Versi e Disegni is a product of those pre-war years, being published in 1911, a collection of the artist’s poetry with illustrations that range from the grotesquely comic to careful delineations reminiscent of later drawings by Wallace Smith and Dugald Stewart Walker.

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The title page sets the mood with its picture of an elegant woman surrounded by a tangle of orchids, fungi, small animals and disembodied eyeballs. The uneven tone continues inside, veering from mythological scenes that feature a surprising quantity of tentacles, to cutesy fare of a type closer to the illustrations from Rubino’s cartoons and children’s books. Not everything in the drawings is to my taste—I’ve never found pictures of gurning gnomes delightful—but it’s all very assured and well-presented, with decorative borders that vary from page to page. Given Rubino’s later successes it’s unlikely there’s much more like Versi e Disegni in his oeuvre but if there is I’d like to see it. His first illustration commission from 1905, for the libretto of Alberto Colantuoni’s operatic adaptation of The Rime of the Ancient Mariner, may be seen here, with the artist confusingly credited by his other forename, Augusto.

• Further reading: The dreamy illustrations of Antonio Rubino

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Continue reading “Antonio Rubino’s Versi e Disegni”

Weekend links 819

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Godzilla vs. Mothra (1992), poster art by Noriyoshi Ohrai.

• At Wormwoodiana: Douglas A. Anderson on the first English translation of The Luminous Fairies and Mothra, a multi-author serial that formed the basis for Ishirō Honda’s film about the giant moth.

• At the Library of Congress: “Lost 19th century film by Méliès discovered at the Library“. 45 seconds of Gugusse and the Automaton (1897).

• At Public Domain Review: The Blinkered Flâneur: Walking with Franz Hessel in 1920s Berlin by Paul Sullivan.

• At Juno Daily: Kevin Richard Martin lists ten albums that shaped his Sub Zero album.

• New music: And All The Clocks Ran Dry by Andreas Voelk & Scott Monteith.

• “Behold Belgium’s beauty in these 15 scenic photographs.”

A Spoon and Tamago Guide to Tohoku.

• The Strange World of…Shane Parish.

• At Dennis Cooper’s: Occults.

• RIP Éliane Radigue.

Mothra’s Song (1961) by Yuji Koseki | Mothra (1984) by Frank Chickens | Mothra (2014) by The 5.6.7.8’s