An illustrated book from circa 1926 at the NYPL Digital Gallery. Art by T Hasegawa, words by Lafcadio Hearn.
Elsewhere on { feuilleton }
• The illustrators archive
Previously on { feuilleton }
• 8 out of 10 cats prefer absinthe
• Monsieur Chat
A journal by artist and designer John Coulthart.
An illustrated book from circa 1926 at the NYPL Digital Gallery. Art by T Hasegawa, words by Lafcadio Hearn.
Elsewhere on { feuilleton }
• The illustrators archive
Previously on { feuilleton }
• 8 out of 10 cats prefer absinthe
• Monsieur Chat
Ralf Hütter: I got a new head, and I’m fine | Rare interview with Kraftwerk’s last original Man Machine.
Thus the judgement of a reviewer examining Aubrey Beardsley’s work in The Graphic for May 23, 1896. The work in question was Beardsley’s Rape of the Lock illustrations being unveiled for the first time in the second number of The Savoy, the magazine which Beardsley co-founded with Arthur Symons and Leonard Smithers as a rival to the staid Yellow Book, also reviewed in the same column. Beardsley’s illustrations for Pope are now considered some of his very finest works and it’s difficult from our perspective to find any grotesquery there at all. It may be a reference to The Cave of Spleen, a drawing which saw the brief return of Beardsley’s earlier foetus creatures and a work to which some of Harry Clarke’s style would seem to owe a debt. In which case the reviewer should have been grateful to be spared the giant phalluses of The Lysistrata which Aubrey was also drawing for Smithers at this time.
The column above is one of many mentions of Beardsley and company to be found at the British Library’s new online archive of 19th century British newspapers. What might be a treasure trove is compromised slightly for me by being a collection of newspapers only, rather than magazines. A magazine database would give us all of The Savoy and The Yellow Book, as well as other titles which featured the work of fin de siècle illustrators. Patience is the key here, with every passing year more of the past becomes easily accessible.
So now, given the quantity of references there’s likely to be, dare I search for Oscar Wilde?
Elsewhere on { feuilleton }
• The Aubrey Beardsley archive
Moss Roberts photographed by James Bidgood.
I missed this back in January, a great version of the Flandrin pose by James Bidgood, the justly-celebrated beefcake photographer and director of that micro-budget masterwork of gay erotica, Pink Narcissus (1971). The photo was part of a feature commissioned by Out.com which asked notable photographers to present a contemporary take on the Physique Pictorial style. Bidgood’s pictures strike me as the best of the bunch but then I’m biased, having recently bought Taschen’s republication of their splendid book of Bidgood photos from the 1960s. Luscious and kitsch, and—if you’re a fan of Bobby Kendall—highly recommended.
Via VMP.
Elsewhere on { feuilleton }
• The recurrent pose archive
Previously on { feuilleton }
• Let’s get physical: Bruce of Los Angeles and Tom of Finland
• The Male Gaze
• James Bidgood

Extended downtime over the past few days was caused by a major server calamity at the webhost end so my apologies to regular visitors. I keep backups of everything for precisely this reason—servers of all kinds can be subject to failure—but one of the problems with an increasingly sprawling site such as this (8,000+ files, 450 web pages, etc) is that restoring the thing from scratch can take some time. Reinstalling the database was the most difficult part but that’s been done without any loss. Normal service is now resumed. Thanks for your patience. And a belated Happy Bloomsday!