Wyrd Daze 1

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Wyrd Daze is a new digital zine edited by Leigh Wright, the first issue of which is now available via a subscription of $5 (Canadian) or about £3. For that you receive a 66-page pdf plus access to music mixes and podcast files. The contents are the kind of thing which finds particular favour here: the weird, the marginal, the spectral, the esoteric, and so on. In issue 1 there’s fiction from Gareth E. Rees and Phil Legard (aka Xenis Emputae Travelling Band), interviews with writers Berit Ellingsen and David Southwell (the latter talking about psychogeography and “strange England”), a piece about Laurel Halo and Demdike Stare, many curious photos and graphics, and a lot more. I may be contributing to a future issue so watch this space.

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Artwork from issue 1 by Emma-Jane Rosenberg.

Previously on { feuilleton }
The Weird

Never Forever by Prince Rama

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Lily X. Wahrman’s 18-minute video for Prince Rama (Taraka and Nimai Larson) segues songs from the group’s Top Ten Hits Of The End Of The World album into a cosmic mindblast:

One day, they sat us down and asked us, “What is every wildest fantasy you ever wanted to see fulfilled in a movie?” And we were like, “Well, ok, first off we need 12 Abercrombie models lifting marble pyramids that sweat beads of mercury, a jacuzzi of blood that resurrects the lost faces of pop star avatars, two identical motorcycles driven by two blond identical twins with ripped t-shirts that read FOR EVER, live exotic animals, a miniature model of Stonehenge made from red velvet cake and leopard printed fake nails…” (more)

The HD version at YouTube is a treat.

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Weekend links 185

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L’uomo che piantava gli alberi (2013) by Sofia Rondelli. Via Form Is Void.

• I’m looking forward to hearing the new album by Chrome Hoof, a band whose ambition and attitude makes many of their contemporaries seem lukewarm at best. Mick Middles gets to grips with Chrome Black Gold here. John Doran interviewed the group in 2010, a piece which includes a Chrome Hoof mix of tracks by other artists.

Jay Roberts: “I was a young Marine scout sniper, definitely his type. And for a single, unforgettable afternoon, Orange County’s most notorious serial killer coaxed me into a place from which many didn’t escape.”

Jonathan Meades: “Why I went postal … and turned my snaps into postcards.” “Meades isn’t your average architectural fanboy,” says Rachel Cooke who went to talk to him at his home in Marseille.

“Faced with a Nabokov novel,” Zadie Smith writes, “it’s impossible to rid yourself of the feeling that you’ve been set a problem, as a chess master sets a problem in a newspaper.” Certainly, while Humbert asks the reader “not to mock me and my mental daze”, the suspicion is that the power dynamic in his tale is a little different.

Tim Groenland on the difficulties of writing, publishing and reading Lolita.

Cosmic Machine is a double-disc collection of French electronic music from the 1970s & 1980s. Justice enthuse about the music here where you can also preview the tracks.

The Midnight Channel, Evan J. Peterson’s horror-poetry homage to the VHS era, is available now from Babel/Salvage. There’s a trailer here.

• “Our age reveres the specialist but humans are natural polymaths, at our best when we turn our minds to many things,” says Robert Twigger.

• Another musical Chrome: Richard Metzger on newly resurrected recordings by one of my long-time cult bands.

• Hermes Trismegistus and Hermeticism: An interview with Gary Lachman.

• A stunning set of photos of London in the sweltering summer of 1976.

Pye Corner Audio live at The Outer Church, Madrid, November 2013.

Judee Sill, the shockingly talented occult folk singer time forgot.

• Designer Jonathan Barnbrook answers twenty questions.

• Don’t trust the painting: Morgan Meis on René Magritte.

Laurie Anderson’s farewell to Lou Reed.

Philippe Druillet at Pinterest.

• The Chrome Plated Megaphone Of Destiny (1968) by The Mothers of Invention | March Of The Chrome Police (1979) by Chrome | Chrome (1981) by Debbie Harry

Belgian Autochromists

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Misty wood (c. 1910) by Charles Corbet.

A perfect autumnal scene from Charles Corbet, one of many woodland views at the Belgian Autochromists site. As usual with autochromes it’s hard to believe that almost all these images are over a century old, the colours are so subtle. Some of the lighting is also remarkable, especially the self-portraits by Ernest van Zuylen which are lit with a single candle. Paul Sano’s lady sitting in the garden gives a foretaste of Magritte-like Surrealism, its inset eclipse appearing at first glance to be a large black sphere hovering unnoticed or ignored beside the seated woman.

Via Wood s Lot.

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Melancholia (c. 1910) by Charles Corbet.

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Sunset on the heath (c. 1910) by Paul Sano.

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Lady and inset of solar eclipse (c. 1910) by Paul Sano.

Previously on { feuilleton }
Colour photography, 1908
Fred Holland Day revisited
Constantinople, 1900
Albert Kahn’s Autochromes
Gertrude Käsebier’s crystal gazer
The Dawn of the Autochrome