Weekend links 42

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Blasphemous Rumours (2009/2010) by Ryan Martin. The artist now has a dedicated site for his paintings.

The Museum of Censored Art, a mobile gallery, will be showing the withdrawn David Wojnarowicz film outside the National Portrait Gallery, Washington DC, until their contentious gay art exhibition closes next month. Related: Bishop of Mallorca criticises calendar—which shows Catholic youths posing naked—for ‘not respecting Christian symbols’.

• Didier Lestrade published French gay zine Magazine in the 1980s, and later co-founded Têtu. He’s interviewed at BUTT and has started uploading the entire run of Magazine about which he says: “I don’t want to stamp some kind of logo on this material. It’s gay. It’s gay history. It belongs to everybody. If you want to take a piece of it, please try to mention the origins of it, a simple code word “Magazine” will be enough. If you wanna be more specific, be my guest.”

HMV, Britain’s last big music chain, is closing 60 branches. Yet a new wave of CD stores is thriving. Oh, HMV, how I’ll miss your £17 CDs (and double-CDs at £34)… On second thoughts, no I won’t, your wretched retail barns always exemplified the greed endemic in the music business.

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Love Comes/Destroyer by Stephen Kasner.

• Artist Stephen Kasner‘s work has adorned music releases by Sunn O))), Isis and others. He’s currently another American creator in need of assistance with medical expenses. Details here.

The Ghosts of Old London: the gloomy Victorian metropolis in all its deteriorated splendour. See also: In Search of Relics of Old London.

• “It’s time to recognise [Sandy] Denny as not simply a folksinger but one of Britain’s great poets of song,” says Rob Young.

Louis Pattison talks to Locrian about JG Ballard, old VHS tapes and their new album The Crystal World.

The Dreams That Stuff Is Made Of: Lebbeus Woods’ big drawings.

Hannes Bok portfolios at Golden Age Comic Book Stories.

An Iranian rapper named Salome. Also here and here.

A Moment of (Alan) Moore.

RIP Mick Karn.

Book Worship.

Sons of Pioneers (1981) by Japan; Tao-Tao (1982) by Masami Tsuchiya; Glow World (1983) by Bill Nelson.

Gervase and Patrick

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Gervase (left) & Patrick Procktor (right).

Once upon a time in the 1960s: painter Patrick Procktor and friend photographed by Cecil Beaton at Beaton’s home; no wonder David Hockney used to come and visit. Procktor made Gervase Griffiths the subject of his work on more than one occasion, see here and here. Thanks to Little Augury for the picture details.

Update: For more about Procktor, see Patrick Procktor: Art and Life (2010) by Ian Massey.

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Further back and faster

Weekend links: New Year edition

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Flower Me Gently (2010) by Linn Olofsdotter.

• “Many of Moorcock’s editorials are published here, and they still make exhilarating reading. Then, as now, Moorcock set his face against a besetting English sin: a snobbish parochial weariness, an ironic superiority to the frightful oiks who have started filling up the streets. You can almost hear, behind the languorous flutter of the pages, Sir Whatsits sniggering to Lady Doo-Dah. It still goes on, and it’s usually the same flummery in different clothes. Moorcock not only would not go to the party: he threw the literary equivalent of explosive devices into the Hampstead living rooms.” Michael Moorcock’s Into the Media Web reviewed. And also here.

• “Beefheart channeled a secret history of America, the underbelly of a continent and a culture that has now all but vanished along with one of its greatest poets.” Jon Savage on the life and work of the late Captain.

Miniatures Blog, in which musician Morgan Fisher works his way through each of the fifty one-minute tracks on his extraordinary Miniatures compilation album, with details and anecdotes about the artists and the recording of each piece.

Look at Life: IN gear (1967). A Rank Organisation newsreel about Swinging London. Sardonic commentary and some great colour photography showing how the often shabby reality differs from the caricature. Many of the shots are familiar from documentaries about the era but this is the first time I’ve seen them all in one place.

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Predator (Self-portrait) by Linn Olofsdotter.

Lewis Carroll’s new story: The Guardian‘s review of Through the Looking-Glass from December, 1871. Related: My Through the Psychedelic Looking-Glass 2011 calendar is now reduced in price.

The United Kingdom and Ireland as seen from the International Space Station, December, 2010. Related: Spacelog, the stories of early space exploration from the original NASA transcripts.

The “Big Basket” Fraud, 1958: “…there seems to be a limited segment with a one-track mind interested in seeing an exaggerated masculine appendage.”

• “Ancient arena of discord”: a billboard for King’s Cross by Jonathan Barnbrook. Related: Vale Royal by Aidan Andrew Dun.

• The inevitable Ghost Box link, Jim Jupp is interviewed at Cardboard Cutout Sundown.

• Amazon is still playing the random moral guardian at the Kindle store.

Antwerpian Expressionists at A Journey Round My Skull.

Salami CD and vacuum packaging by Mother Eleganza.

Paris 1900: L’Architecture Art Nouveau à Paris.

Bill Sienkiewicz speaks about Big Numbers #3.

Philippe Druillet illustrates Dracula, 1968.

Aesthetic Peacocks at the V&A.

Well Did You Evah! (1990), Deborah Harry & Iggy Pop directed by Alex Cox.