Celestial trifecta

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I was going to post something about jazz trumpeter Freddie Hubbard who died this week (yes, another one). But enough people have been doing that elsewhere and I wrote about the album of his that I know best, Sing Me a Song of Songmy, back in April. Better, then, to leave a gloomy year with a smile, even if it’s only a piece of cosmic anthropomorphism. The rare trifecta of Venus, Jupiter, and the moon earlier this month was one of National Geographic’s most viewed space photos of 2008.

Speak & Spell

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Before speech synthesis became a standard feature of home computing there was this crude device for teaching children spelling, now emulated in Flash by Kevin St. Onge. Anyone who’s heard Kraftwerk’s later music will recognise the tones generated by the top row of buttons which Ralf and Florian used on the track Home Computer for the Computer World album. Speak & Spell voices turned up on many recordings throughout the Eighties and Nineties. Fun as this emulator is I’d much prefer an EMS VCS3 to play with.

Previously on { feuilleton }
Old music and old technology
A Clockwork Orange: The Complete Original Score
Aerodynamik by Kraftwerk
The genius of Kraftwerk

Further farewells

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Harold Pinter and Eartha Kitt.

2008: the year that keeps on taking.

The Guardian has a copious collection of Pinter pieces including Michael Billington’s lengthy obituary. Eartha Kitt was just as unique in her own way, prompting Orson Welles in the 1950s to call her “the most exciting woman in the world”. For my sister and I a decade later she was the most exciting Catwoman in the world and that’s how I’ll remember her. But let’s not forget those Cha-Cha Heels

Eartha’s frivolity might seem to jar beside Pinter’s moral and political seriousness but the World Socialist Web Site managed to link the pair with a priceless headline, Harold Pinter and Eartha Kitt, artists and opponents of imperialist war. Their article tells you a few things about Eartha that many of the obituaries would have ignored. I’m sure Pinter would have been proud to hear of her speaking her mind at the White House. The world is a smaller place when talents and voices like these are gone.

Who is Heeps Willard?

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In which Christmas arrives two weeks early…

It was nearly two years ago that I wrote “We’re overdue a decent book-length examination of his work and his influence” at the end of the epic Barney Bubbles post. Today I finally got to sit down with a copy of Paul Gorman’s wonderful monograph about the man and his work; if only all wishes were fulfilled so swiftly and completely. This is a really excellent book but then I would say that (even without being mentioned within) seeing as I’m among the target audience. Gorman’s text is light but anecdote-rich which is what I would have preferred, leaving plenty of room for page after page of incredible visuals. The heavy design analysis can wait, for now what we’ve required was a book to set the record straight (as it were) and tip the balance in Barney’s favour after years of neglect. This is that book.

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I’m actually knocked out more than I expected seeing so much first class work brought together in one place. Barney’s early work throws light on his later evolution while the later material—as BB collectors Rebecca and Mike have noted—contains many traces of his earlier obsessions. Add to that the pages of sketches (!) and layout drafts, some truly stunning late paintings, furniture designs—including the electric plug table which Rian Hughes mentioned—and you have an essential purchase.

It’s worth mentioning again that Paul generously let me run an extract featuring some exclusive pieces that didn’t make the final cut. Paul also has further page samples at his site. As to who Heeps Willard is…that would be telling. You’ll have to buy the book if you want to find out.

Previously on { feuilleton }
Reasons To Be Cheerful, part 3: A Barney Bubbles exclusive
More Barney Bubbles
Reasons To Be Cheerful, part 2
Reasons To Be Cheerful: the Barney Bubbles revival
Barney Bubbles: artist and designer