Anger in London

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It’s that man again… Following on the heels of the occult-themed Strange Attractor Salon (which is running events throughout this month, it should be noted; tickets here), the Sprüth Magers gallery, London, has a Kenneth Anger exhibition opening on February 19th based around Anger’s delirious short film Invocation of My Demon Brother (1969) and his scurrilous anthology of movie tragedy and gossip, Hollywood Babylon. Anger himself presents a showing of his films on the same day at Tate Modern.

Previously on { feuilleton }
Arabesque for Kenneth Anger by Marie Menken
Strange Attractor Salon
Edmund Teske
Kenneth Anger on DVD again
Mouse Heaven by Kenneth Anger
The Man We Want to Hang by Kenneth Anger
Relighting the Magick Lantern
Kenneth Anger on DVD…finally

Sinister silhouettes

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One of a series of creepy children’s illustrations by Alexander Ovchinnikov which look like the work of pioneering animator Lotte Reiniger pushed into a darker world. Ovchinnikov’s Behance portfolio has a similar set mixing silhouettes with photography.

Elsewhere on { feuilleton }
The illustrators archive

Arabesque for Kenneth Anger by Marie Menken

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“There is no why for my making films. I just liked the twitters of the machine, and since it was an extension of painting for me, I tried it and loved it. In painting I never liked the staid and static, always looked for what would change the source of light and stance, using glitters, glass beads, luminous paint, so the camera was a natural for me to try—but how expensive!” Marie Menken.

Arabesque for Kenneth Anger (1961) is a short film by artist and filmmaker Marie Menken (1909–1970) available for viewing at Ubuweb. This is a fragmented impression of the Alhambra made as a thank you gift to Anger whose shots of a fountain spout catching the sunlight can’t help but seem like a nod to Anger’s Eaux D’Artifice (1953). Menken had the dubious distinction of being the model for Martha in Edward Albee’s Who’s Afraid of Virginia Wolf?, the tempestuous relationship in the play being based on Menken’s equally tempestuous marriage to Willard Maas.

More Marie Menken:
Visual Variations on Noguchi (1945)
Glimpse of the Garden (1957)
Notes on Marie Menken: A film by Martina Kudlá?ek
The paintings of Marie Menken

Previously on { feuilleton }
Edmund Teske
Kenneth Anger on DVD again
Mouse Heaven by Kenneth Anger
The Man We Want to Hang by Kenneth Anger
Relighting the Magick Lantern
Kenneth Anger on DVD…finally

Snowbound cinema

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A satellite view of snow across Great Britain on January 7, 2010.

Walking the snow-laden streets this week felt like a considerable novelty when we rarely have snowfalls of any depth here and what there is never lasts much longer than a day. The current low temperatures which began just before Christmas may be inducing a national trauma but the genuinely wintery weather makes a change from the dreary weeks of rain and cold which usually prevail until April.

Whilst trudging through the crusted ice I found myself remembering favourite films which make the most of winter landscapes. Here’s a short list to follow the earlier winter-themed posts.

McCabe & Mrs Miller (1971)
Several Westerns before this one had featured winter scenes but I think Robert Altman’s was the first to be set at the height of winter in a snowbound town. Memorable for Vilmos Zsigmond’s photography, Leonard Cohen’s lugubrious songs, Warren Beatty’s doomed businessman stomping around wrapped in furs muttering “Pain, pain, pain!”, and the finale when he’s hunted down by a trio of assassins.

The Shining (1980)
Has anyone not seen this film? Despite the artificial snow, Kubrick’s direction and John Alcott’s photography communicate authentic chills, both meteorological and metaphysical.

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Yes, it’s a genuine Christmas postcard from Oregon’s Timberline Lodge which became the model for Kubrick’s Overlook Hotel. Writer Tom Veitch sent me this some years ago.

The Thing (1982)
John Carpenter’s grisly Antarctic horror is the film I still find to be his best. Like his earlier Assault on Precinct 13, this is another siege situation borrowed from Howard Hawks only this time the enemy is within. Until someone films At the Mountains of Madness, this is the closest you’ll get to Lovecraft’s polar nightmares.

Runaway Train (1985)
Few people know this: escaped convicts Jon Voight and Eric Roberts find themselves on the titular train with rail worker Rebecca De Mornay, and it’s a long ride through frozen landscapes as they try to escape the law and the train itself before it crashes. Andrei Konchalovsky directs a story by Akira Kurosawa rewritten by Edward Bunker (who has a cameo) and others. The result is a strange blend of hardboiled drama and existential symbolism with a great score by Trevor Jones.

Fargo (1996)
One of the Coen Brothers’ best. Watching this again over Christmas along with many of their other films, it was amusing to see Steve Buscemi transform from Fargo‘s vicious and splenetic kidnapper to the mild-mannered character he plays in The Big Lebowski. Despite the statement at the beginning of the film, Fargo isn’t a true story but its existence became tangled with some curious real-life events.?

Update: I was reminded on Twitter about Altman’s bizarre future Ice Age drama, Quintet, which I should have mentioned above. Not as successful as the earlier film but its setting certainly suits the weather.

Previously on { feuilleton }
Bruegel in winter
Winter panoramas
Winter music
Winter light
Kubrick shirts
At the Mountains of Madness
Images by Robert Altman