Invasion, a film by Hugo Santiago

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From a film adapted from Borges to a film co-written by the man himself. Invasion (1969) is not to be confused with the British science fiction film of the same name made three years earlier, this is an Argentinian production and a much stranger piece of work. Hugo Santiago is an Argentinian director who moved to France where he worked for a while as assistant to Robert Bresson before establishing himself with this debut feature. Borges’ co-writer was his friend and regular collaborator Adolfo Bioy Casares.

I’ve not watched this yet, the two copies on YouTube are in Spanish with no subtitles but this is a blog with an international readership so there’s no need to exclude it on that account. Even without subtitles the film is visually intriguing, possessed of a moody and enigmatic style which online reviewers compare favourably to Antonioni and some of the Nouvelle Vague directors.

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In 1957, a small group of middle-aged men fight a clandestine battle against forces quietly invading and taking control of their city, Aquilea. Enigmatic in its story-telling, Hugo Santiago’s once-lost film obscures the motivations of either side, leaving only a series of moves and counter-moves that evokes past dictatorial oppression and those still to come.

This post at Make Mine Criterion—a site dedicated to potential Criterion DVD releases—goes into considerable detail examining the film they describe as “part fantasy, part science fiction, part political thriller”. Given this and the rest of the film’s evident qualities it’s surprising it isn’t better known. I only have one Borges biography, The Man in the Mirror of the Book (1996) by James Woodall, but there’s no mention in there of Santiago’s film or of The Others (1974), a later Santiago feature that was also scripted by Borges and Bioy Casares. For those wishing to pursue the film further there are subtitles available if you can be bothered searching for them then trying to synch them up with a YT rip. It might be better to look for a Spanish DVD and hope it has a good choice of subtitles.

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Previously on { feuilleton }
Spiderweb, a film by Paul Miller
The Library of Babel by Érik Desmazières
Books Borges never wrote
Borges and I
Borges documentary
Borges in Performance

William Strang’s Sindbad the Sailor

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Another collaboration between William Strang and JB Clark, Sindbad the Sailor, and Ali Baba and the Forty Thieves was published in 1895. The Sindbad text is from Edward William Lane’s popular (and bowdlerised) translation of the Thousand and One Nights; Ali Baba is from the translation by Rev. Jonathan Scott. The illustrations follow the same bold style as the Baron Munchausen book but with more detail and decoration. The compositions are also more careful which makes me wonder if the Munchausen book was a product of haste. As before, the book as a whole contains many more illustrations. The copies here have been slightly cropped and lightened to compensate for another poor scanning job by Google.

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Continue reading “William Strang’s Sindbad the Sailor”

William Strang’s Baron Munchausen

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The paintings and illustrations of Scottish artist William Strang (1859–1921) were much more typical of their time than the bold drawings in this 1895 edition of Rudolf Erich Raspe’s tall tales. Not all the illustrations are Strang’s work, some are by JB Clark, and there are many more in the book as a whole. Years later, the Gollancz publishing company was based next door to Lawrence & Bullen’s former home at 14 Henrietta Street.

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Continue reading “William Strang’s Baron Munchausen”

The art of Jean-Michel Mathieux-Marie

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Limbroglio (URBS V).

Drypoint prints by a French artist who also has a nice line in moody renderings of European cities—Paris, Venice, Rome—which occasionally stray into architectural speculation. Outright fantasia is more evident in these mysterious views more of which may be seen at the Velly gallery.

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Les grandes Manoeuvres.

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Paysage aux mollusques.

Elsewhere on { feuilleton }
The fantastic art archive

Weekend links 208

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The Blue Girl (2013) by Sungwon.

• “Meanwhile, in her parents’ room [Max] Ernst painted aardvarks eating ants and big human hands around the windows. ‘Sexual connotations, I think,’ she says shyly.” Agnès Poirier talks to Cécile Eluard about her childhood among the Surrealists.

• “Thrilling and prophetic”: why film-maker Chris Marker‘s radical images influenced so many artists. Sukhdev Sandhu, William Gibson, Mark Romanek and Joanna Hogg on the elusive director.

• At Dangerous Minds: Throbbing Gristle live in Manchester in 1980, and Brian Butler talks about the rediscovered early print of Kenneth Anger’s Lucifer Rising. There’s a trailer!

• From 1981: The Art of Fiction No. 69 at The Paris Review, an interview with Gabriel García Márquez. Related: Thomas Pynchon reviewed Love in the Time of Cholera in 1988.

• “Seven years ago, a stolen first edition of Borges’s early poems was returned to Argentina’s National Library. But was it the right copy?” Graciela Mochkofsky investigates.

• “What was Walter Benjamin doing with his shirt off in Ibiza?” Peter E. Gordon reviews Walter Benjamin: A Critical Life by Howard Eiland & Michael W. Jennings.

• A video by Marcel Weber for Måtinden, a track from Eric Holm’s Andøya album. Another album on the Subtext label that I helped design.

• More Ian Miller: Boing Boing has pages from his new book, The Art of Ian Miller, and there’s an interview at Sci-Fi-O-Rama.

Outrun Europa, a free compilation of 80s-style electronic music. There’s a lot more along those lines here.

• Praise Be! Favourite religious and spiritual records chose by writers at The Quietus.

Ralph Steadman illustrated Alice’s Adventures in Wonderland in 1973.

British Pathé is uploading 85,000 of its newsreel films to YouTube.

• Drawings by Lebbeus Woods at The Drawing Center, New York.

• At Pinterest: Ian Miller and Kenneth Anger.

Lucifer Sam (1967) by Pink Floyd | The Surrealist Waltz (1967) by Pearls Before Swine | Which Dreamed It (1968) by Boeing Duveen And The Beautiful Soup