A journal by artist and designer John Coulthart.
Art
Nick + Matt (2004).
Collage and painting by Canadian artist Scott Treleaven who says of his work “occult language and symbology often remains the most accurate way of describing and dignifying the human condition.”
Black Shuck (i) (2007).
• Scott Treleaven at Gay Utopia: I | II
Elsewhere on { feuilleton }
• The gay artists archive
Previously on { feuilleton }
• The art of Andrey Avinoff, 1884–1949
• The art of Robert Flynt
• Austin Osman Spare
Meggendorfer’s Blatter, Meggendorfer’s Journal, a satirical magazine founded in 1886 by Lothar Meggendorfer. As with Punch and other humorous magazines of the era, much of the humour is lost today (even more so in a foreign tongue) but there’s some fine and stylish illustration on display.
Elsewhere on { feuilleton }
• The illustrators archive
Previously on { feuilleton }
• George Du Maurier’s Christmas Dream
• “Weirdsley Daubery”: Beardsley and Punch
• Simplicissimus
More Art Nouveau and more Paris…. I can’t believe I missed this place when I was in Paris for a week, staying just a few streets away. The building is at 29 Avenue Rapp in the 7th arrondissement and I crossed that street several times when walking to the Champs de Mars and the Eiffel Tower.
The architect was Jules Lavirotte (1864–1929) and the building was named after him following its construction in 1901. His other works aren’t as excessively florid as this, nor do they display the Nouveau elegance of contemporaries such as Hector Guimard, so this façade may owe more to the capitulations of fashion than innate style. The attractively unclad figures on the pediment cock their hips at passers-by in a provocative manner that would never be allowed in British architecture of the period, and the door has some great details with stylised peacocks between the windows and a huge brass lizard for the handle.
Plant creature 1 (2001).
Ying-Yueh Chuang’s ceramic sculptures are based on plant and animal forms, especially sea life. I haven’t seen any mention of her being inspired by Haeckel’s Art Forms in Nature but many of her creations certainly resemble the plants and animals in Haeckel’s illustrations.
It blooms on the day 1 (2004).
Via Fabulon.
Previously on { feuilleton }
• The art of Jennifer Maestre
• Kirsten Hassenfeld’s paper sculptures
• Darwin Day
• The glass menagerie
The classic absinthe poster from 1896 by Henri Privat-Livemont (1861–1936), one of the best exponents of the post-Mucha style. Don’t let anyone tell you that using unclad women’s bodies in advertising is a new thing.
And a couple more Mucha-esque examples circa 1900, both credited to “Nover”, from the wide selection of absinthe graphics at the Virtual Absinthe Museum.
The printer was L. Revon et Cie, situated in Paris at 93 Rue Oberkampf. The artist’s signature “Nover” is a mystery—no designer by that name is recorded. Since however the word is a palindrome of Revon, the assumption must be that the artist was Revon himself, or alternatively an anonymous employee of the firm. The same artist was responsible for the well-known Absinthe Vichet poster, also printed by Revon et Cie.
Interesting that so many of these posters show the women holding the glasses aloft as though receiving a libation from the gods. Privat-Livemont’s painting adds to the sacred effect by putting a halo behind the absinthe-bearer’s head.
Also at the Virtual Absinthe Museum is this warning against the dangers of the Green Fairy which would make a good addition to the Men with snakes post.
Previously on { feuilleton }
• 8 out of 10 cats prefer absinthe
• Smoke
• Flowers of Love