Alchemically Yours

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Ars, Scientia, Magia (2007) by Jesse Bransford.

Another art exhibition, and another group show at Observatory in Brooklyn, NYC, where some of my Lovecraft drawings were shown last year. Alchemically Yours is an alchemy-themed contemporary art show curated by Phantasmaphile‘s Pam Grossman, and she has this to say about the exhibition:

Like dreams, alchemy speaks in pictures. At first glimpse, alchemical manuscripts from the 16th and 17th centuries look like a panoply of hallucinations. They feature images of fornicating kings and queens. Suns and moons shining in stereo. Lions and serpents and eggs, oh my. Black and white and red all over. Secret codes and effulgent iconographies teeming with meaning, yet ultimately ineffable. These pictures beget picturing. They’re signs that beg to be resignified; to be reinterpreted and refined.

The participants in Alchemically Yours have done just that. Varying in medium and style, each piece in this exhibition pays homage to the alchemic tradition—all the while affirming that the artist fills the role of alchemist in the present-day. For who better can elevate the mundane, turn the sub- into the sublime? From the prima materia of color and canvas comes great and vivid work.

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Caduceus (detail, 2011) by Robert M. Place.

The participating artists are Jesse Bransford, Molly Crabapple, Ted Enik, Marina Korenfeld, Adela Leibowitz, Sara Antoinette Martin, Ann McCoy, Robert M. Place, Ron Regé, Jr., J.L. Schnabel, Hunter Stabler, Panos Tsagaris.

Alchemically Yours opens on Saturday, May 7th, 2011, 7–10pm and will run from May 8th to June 12th, 2011.

Previously on { feuilleton }
Laurie Lipton’s Splendor Solis
The Arms of the Art
Splendor Solis
Amphitheatrum Sapientiae Aeternae
A Love Craft: Art Inspired by Monsters, Madness and Mythos
Cabala, Speculum Artis Et Naturae In Alchymia
Vision Quest
Digital alchemy
Fata Morgana: The New Female Fantasists

The art of Jaume Plensa

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In the Midst of Dreams (2009) by Jaume Plensa. Photo by Michael Bodycomb.

Large illuminated heads and other works by Spanish artist Jaume Plensa will be on display at the Yorkshire Sculpture Park from April to September. As always, it’s gratifying to find shows like this being staged outside London. The YSP website has further details.

Previously on { feuilleton }
Three Heads Six Arms by Zhang Huan
The art of Peter Randall-Page
The art of Arnaldo Pomodoro
Sculptural collage: Eduardo Paolozzi
The art of Igor Mitoraj

Weekend links 54

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Film and opera posters by Franciszek Starowieyski (see below).

• At first glance, Jerzy Skolimowski’s new film, Essential Killing, sounds like Joseph Losey’s Figures in a Landscape (1970) reworked for our era of renditions, torture and war without end. The trailer is here; Sight & Sound liked the film and dismissed any Losey comparisons. The Quietus interviewed the director this week, and there’s also a video interview here.

“He was trying to tell the truth about war. In the 1950s the US was telling itself a mythic, grandiose, heroic story about the second world war and GI Joe saving the world. [James] Jones was saying, ‘That wasn’t the war I saw, I want to write something more honest and realistic. Whatever the mid-America myth, one of the things men were doing was giving blow jobs for money.'”

From Here to Eternity is published in an uncensored edition.

Edogawa Rampo‘s sinister short story The Human Chair concerns a man who conceals himself inside a chair. Taiwanese artist Lan Hungh may have had Rampo’s story in mind for his Demolished Chair art piece about which we’re told “Hungh’s flaccid penis is the only body part that’s visible, and becomes hard as soon as anyone starts discussing the chair or sitting on it.” BUTT magazine spoke to the artist.

…unaware of their double standards, the police objected to the portrayal of men in Harrison’s work as demeaning. There was Hugh Hefner squeezed into a bunny girl costume, a beefy but emasculated Captain America wearing false breasts and a stars ‘n’ stripes-patterned basque, and Valerie Solanas, the radical feminist who tried to murder Andy Warhol, stamping on his Brillo box artwork.

A piece about artist Margaret Harrison whose work is on show at Payne Shurvell, London.

Connecting Science and Art: “Novelist Cormac McCarthy (!), filmmaker Werner Herzog, and physicist Lawrence Krauss discuss science as inspiration for art and Herzog’s new film on the earliest known cave paintings.”

• At Tumblr: Gurafiku, “a collection of visual research that encompasses the history of Japanese graphic design”, and Archidose.

• “Michael Moorcock’s Modem Times 2.0 is a good introduction to the literary legend.”

• The Spring 2011 edition of Periwinkle Journal (Queer Art + Creativity) is now live.

• Rick Poynor (again) on [Franciszek] Starowieyski’s Graphic Universe of Excess.

• Coudal now have a page of links for the great Terrence Malick.

Wake in Progress is Finnegans Wake illustrated.

Brown Study, a blog by Jay Babcock.

• RIP Sidney Lumet.

Ry Cooder & The Moula Banda Rhythm Aces: Let’s Have a Ball is a film by Les Blank of a fantastic performance by Cooder’s band in Santa Cruz, California, in 1987. It’s not available on DVD but most of it can be seen on YouTube.

Deutsche Kunst und Dekoration #18

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Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. There’s yet another frustrating jump in the numbers here, from volume 16 to volume 18 which covers the period from April to September 1906. Inside there’s more rectilinear interior design from the Wiener Werkstätte (above) as well as a great deal of less interesting interior design from elsewhere. The most notable feature of this edition is the article on the illustration work of Marcus Behmer, a member of Adolf Brand’s pioneering gay rights circle in Berlin whose drawings from this volume were featured in an earlier post.

As usual, anyone wishing to see these samples in greater detail is advised to download the entire number at the Internet Archive. There’ll be more DK&D next week.

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Continue reading “Deutsche Kunst und Dekoration #18”

Sibilla by Giulio Aristide Sartorio

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When the paintings of Giulio Aristide Sartorio were featured here a while back I wasn’t aware of Sibilla: poema drammatico in quattro atti, a book written and illustrated by the artist and published in a numbered edition of 1333 copies in 1922. Not content to merely write a lengthy dramatic poem then add some illustrations, Sartorio hand-crafted some 240 pages, text as well as illustrations, in what looks like woodcut printing but this page tells us was a style of relief etching which gives a woodcut appearance. At least half the book comprises full-page illustrations so it’s no surprise that Sartorio spent the best part of a decade working on it. The copy at the Internet Archive is one of the original printings, signed by the author/artist and his publisher, Ettore Cozzani. This page shows preliminary sketches for what has to be one of the final breaths of fin de siècle excess.

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Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Lussuria, Invidia, Superbia
The art of Giulio Aristide Sartorio, 1860–1932